Equal parts blue-eyed soul shouter and wild-eyed poet-sorcerer, Van Morrison was among popular music's true innovators, a restless seeker whose incantory vocals and alchemical fusion of R&B, jazz, blues and Celtic folk produced perhaps the most spiritually transcendent body of work in the rock and roll canon. While a notoriously difficult and eccentric figure whose steadfast rejection of commercial trends and industry fashions kept him absent from the pop charts for decades at a stretch, Morrison nevertheless enjoyed a massive cult following which grew exponentially throughout the course of his lengthy and prolific career; subject only to the whims of his own muse, his recordings cover extraordinary stylistic ground yet retain a consistency and purity virtually unmatched among his contemporaries, connected by the mythic power of his singular musical vision and his incendiary vocal delivery -- spiralling repetitions of wails and whispers which bypassed the confines of language to articulate emotional truths far beyond the scope of literal meaning.
George Ivan Morrison was born in Belfast, Northern Ireland on August 31, 1945; his mother was a singer, while his father ardently collected classic American jazz and blues recordings. At 15 he quit school to join the local R&B band the Monarchs, touring military bases throughout Europe before returning home to form his own group, Them. Boasting a fiery, gritty sound heavily influenced by Morrison heroes like Ray Charles and Little Richard, Them quickly earned a devout local following and in late 1964 recorded their debut single "Don't Start Crying Now"; the follow-up, an electrifying reading of Big Joe Williams' "Baby Please Don't Go," cracked the UK Top Ten in early 1965. Though not a major hit upon its original release, Them's Morrison-penned "Gloria" endures among the true classics of the rock pantheon, covered by everyone from the Doors to Patti Smith. Lineup changes plagued the band throughout its lifespan, however, and at the insistence of producer Bert Berns, over time session musicians increasingly assumed the lion's share of recording duties; a frustrated Morrison finally left Them following a 1966 tour of the U.S., quitting the music business and returning to Belfast.