kwitcherkicken99
Sleep keeps me pretty. Caffeine keeps me nice!
- Joined
- Mar 5, 2009
- Messages
- 9,032
The higher ISOs wont have a major affect on your background. Light falls off or is absorbed by surrounding elements very quickly.
OK......... THIS was a moment for me. What you're saying makes complete sense unlike anything I've read yet. I can't wait to have a few moments to play around with the settings and try it out!

Yes, that makes perfect sense you have resistance vs. something that is so light! The only way to know will be to test. Like we said at school testing proves that testing works!The weight of the camera actually helps steady my hands, if that makes any sense. I have loved the advances in image stabilization in recent years. I think it really has made a big difference for me. I'll try some shots with flash with 1/30, 1/60 and higher and compare. I think I might be able to get down to 1/30 with IS.

If you are EVER in a pinch, a Kleenex, bit of toilet paper, or notebook paper works too it just looks silly!What an COOL attachment
That would be my color teachers fault. Im OCD over WB... As for the resourcefulness being a poor college student with a very expensive hobby makes you a master at MacGuyvering things.I also have a modified bounce card contraption that I made (similar to the link I showed Jen)
I LOVE your resourcefulness! Of course, I have to remember that you are the person who hunted down the type of lights in use in a venue so you could set the correct white balance!

Re: presetting:
All manual all the time unless Im shooting sports, then its shutter priority all the way. I prefer to manipulate everything on my own that way if something is messed up, its my fault and I cant blame it on my camera. My two favorite cameras are my Hasselblad 503CW and 4x5 (the film is literally 4x5). They are 100% manual no batteries or anything!What you're saying makes complete sense. So I assume you're shooting full manual in these settings? Finding the right settings while advancing in line taking test shots, then manual?
It gives me peace of mind to know that Im ready when they need me to be. I get irked at the people who stand there and futz with their camera and take up a lot of time! I dont want to be that guy!It's starting to make sense to me why you'd do it though.
[I forgot them again. I even had them set out last night .]I would love to see your Spiderman photos. Oops...... photo. Singular. Man, that would drive me NUTS! And the lighting sounds like a nightmare. Be sure to tell me how you handled it too.
Re: CRT:
If your goal was to get more of your background, yes. Slowing the shutter speed would have allowed the background to lighten up.I ended up using 800 ISO for most of the indoor shots, except for the entry shots with Cindy at CRT. Those I went to 1600. That one's really tough. It's REALLY dark in there. Based on what you're saying though, maybe I should have left it at 800 but slowed down my shutter speed, maybe to 1/45 or 1/30?
If you need the flash to carry, yes. Like if you are several feet away from your subject, take it off. If you are closer than 10ft., leave it on.I would use a diffuser over the front of the flash for either seat.
I actually leave the diffuser on the front of my flash all the time. Are there times when I'd want to take it off?
Yup. Tape, rubber band - anything to hold it on there!Since the ceiling is so irregular out in the middle and you can't use it to bounce, is this where I'd want a little contraption on the flash to bounce off of (like a note card taped to the back???)
Im excited to see it too! I do worry about the darkness aspect of the set up, but well see.In the shots I've seen so far at the new Town Square Theater meet & greet, it looks really dark, so not vastly different from the previous Toontown setup.
I stick to my WB presets. The only time I have toggled the numbers myself was at my schools gym. Those lights are halide bulbs, so none of the presets have the configuration to make the pictures look right.So do you use the white balance presets, or do you custom adjust the numbers? As long as I'm shooting RAW, I've just been leaving WB on auto since I can adjust it at home where I can see it better on a full-size screen.
You should be okay staying on auto Ive noticed a growing trend of places that print up photos (CVS, Walgreens, etc) actually are correcting for auto-WB by increasing the amount of yellow/red (warming tones) they put into the prints. So, on occasion, if I dont watch my WB closely, Ill have overly warm prints!
I know a lot of pros that shoot RAW. I dont like to mess with the software to develop them. There are definite advantages to shooting RAW, like batching your photos, but that is a topic for another day!I used to thing RAW was for camera pros. Now it seems to me the pros cna be confident enough of their settings to shoot JPEG.
A little motion is actually good. It makes the pictures feel like you are moving. So, having a twirly skirt can be fun for the image. I can see where itd bug you with the hat steal though.Do I just give it up and assume those sort of shots are going to have a little motion blur? At camp Minnie-Mickey, Donald and Goofy started messing with Katie, stealing her hat and stuff. But once again, some motion blur. I doubt I could react fast enough to change that on the fly, then back again
If you want to stop that motion, set your camera to ~ 1/100-1/125 or higher (CHECK YOUR CAMERA MANUAL to see what your maximum shutter speed for flash is) Upping the shutter speed there, in combination with the flash, should halt unwanted motion in your image. BUT, you may end up sacrificing some of your background again. Youll have to pick which is more important but again, this is where presetting the camera while you are still in line will save you time and headaches!
Can you imagine Pinocchio???? Ooooohhh..... maybe a creative shot would be fun...... with the end of the nose in focus and everything else out of focus????
