Christopher Robin replaced??

A small Disney Company would likely not have the financial wearwithall [sic] to survive the inevitable takeover attempts. The ownership of Mickey Mouse by a large conglomerate was an foregone conclusion.
Once again – history proves the exact opposite.

Throughout the 1960s through the 1980s Hollywood was in turmoil. Each and every studio went bankrupt, was purchased, was sold and then repurchased or just plain disappeared time after time. MGM – bankrupt. RKO – vanished. 20th Century Fox – bankrupt. Columbia – sold to Coka Cola. Universal – more owners than Liz Taylor’s had husbands.

Only Disney remained independent.

It was because they were unique. It was because they did things better than anyone else could. No one wanted to buy Disney because it was thought no one could run it better – until Roy E. Disney showed up. But that was a personal and emotional problem – not a business one.

The secret of the entertainment industry is that if you make something the public wants to see they will beat down the doors to the theater or theme park to throw their money at you. However, if you can’t excite the public’s interest, then it’s going to be a long cold winter.

“Business” is only for people who can’t make good movies and good shows. Hollywood is filled with them, the people who want to make lots of money. The public knows the difference. The public can tell a grab for their wallets, like Aeon Flux, or an attempt to make a good movie that will please and inspire the audience, like The Chornicles of Narina.

Those that preach “brand management”, “quantitative analyze” and blame today’s “tough” business climate do so because they are incapable of understanding and running Disney’s core activity. It’s the excuse of the people to untalented or lazy to create good movies, to build places people want to see, and the make products people want to buy.

It’s always been easier to swindle people out of money instead of earning it. Kritsy and Winnie is nothing but a con job.
 
Please provide the evidence you have that your preferred approaches would better serve the stated objectives of the corporation.

P.It sure seems that Pixar hasn’t done to badly for themselves turning out great products while being small and independent.

Yet all the Big Time, Properly Run, Major Media Companies – from Viacom/Sony, Newscorp/Fox, GE/Universal, Sony/Columbia, AOL/Warner Brothers – saw their box office revenue plummet all year long.

All the evidence points to the fact that large media companies are flat out failures – despite all the hype of the business consultants. The newest trend is to rip apart the media companies.

Viacom has already split. There’s mounting pressure to pull apart Time Warner. Questions surround Sony’s continued ownership of Columbia.

If anything – you sir need to provide evidence where Big Media has succeeded.
 
Well, AV covered most of what I was thinking, but I would like to explore this further with Bicker.
Eisner exploited the Disney brand to substantially grow the company.
Your response to this was that there was insufficient evidence that the "exploitation" was excessive. Excessive? Who said anything about excessive? That may be a valid question to get to later, but before you get there you have to take a step back.

The implication of the above statement isn't that the extent to which Eisner exploited the brand was and is excessive, but rather that that has been Eisner's primary driver for growth in the company.

That is a huge problem.

Eisner hasn't added to the Disney brand that Walt, et. al worked so hard to grow. Yes, he exploited that brand and, while I agree it needed a little exploiting, I believe he took it too far. You see, he didn't just exploit that brand, he redefined it over time.

What did Disney represent when Walt, et. al, grew that incredible brand and it's immense loyalty? Does it represent anything resembling that now?

You will likely just say it shouldn't, or couldn't, but that would just be your own version of Straw Man.
 
Another Voice said:
[...]“Business” is only for people who can’t make good movies and good shows. Hollywood is filled with them, the people who want to make lots of money. The public knows the difference. The public can tell a grab for their wallets, like Aeon Flux, or an attempt to make a good movie that will please and inspire the audience, like The Chornicles[sic] of Narina[sic].[...]
Hmmmm. Then where does the 'pleasing and oh-so-inspirational' "The Hulk" at over $132M fit in? :confused3

Keep fighting the good fight, bicker. One thing popped into my head as I was reading a few of the responses: it seems to me that that fact that DisneyCo started off as a company who's survival depended on the Cult of Personality and then had to deal with that individual's death might be a factor in this discussion. Surely, there are many 'pixie-dusters' on the DIS who would love to hear that Walt's been thawed out and cloned. (I'm also certain that there are many 'tinfoil-hatters' on the DIS who believe that it's already been done :rotfl2: ) Just my $.02.

IMHO - YMMV
 

Wait, are you trying to suggest that the Hulk was some sort of commercial success?

Are you nuts?
 
If I recall, Disney's owners spoke out pretty loudly against the direction the company was being taken and how it was fighting that battle.
By approving Eisner's hand-picked successor? I'm not sure I follow your logic, there.

What I consider Starbucks to be is an extremely successful company that has convinced a lot of customers to pay premium prices for a cup of coffee. Again, you asserted in the past that the Wal-Mart model is the only paradigm for success in today's business world.
I didn't object to the attribution of that statement to me earlier, but I'll do so now. I never made such a reference, nor would I ever. While the vast majority of people do purchase things on price alone, without regard to the quality of service, I've always highlighted examples of niche markets served by small suppliers of quality service.

there are a lot of brand marketing experts out there that spend a lot of time worrying about how you protect the value of a brand.
You've hit on something there: Professionals with experience doing the job they've been hired to do have a much better track recording making the right decisions than amateurs like us. People get bent out of shape when that gets brought up, but you hit the nail on the head.

Second, your "passion of Disney" and "emotional nostalgia" comments are Straw Men themselves.
Not at all. I used the terms in conditional, saying very clearly that your arguments regarding whether decisions are the best business decisions have no merit if they're based on feelings instead of facts.

Your "implied assertion that the so-called 'exploitation'" is not or will not be excessive is a "subjective opinion, which is unsupported by the facts" also.
Again, you saw a statement where what I wrote was a conditional.

Kindly point out where you got the impression that I thought the issue was whether I would be more or less happy.
I didn't say you did. I said, "If you're saying that all that will lead to you, personally, being less happy, then it isn't my place to ever question that!"

Rather, I thought I certainly did "indicate what the business implications are of the assertions made" when I said: "If the exploitation continues, without the effort to do some extraordinary things, then the Disney brand will lose its value."
No. That assertion of business implications is not valid if the premise of the sentence isn't supported.

Please provide the evidence you have that your preferred approach has best served the stated objectives of the corporation.
I haven't outlined a preferred approach. I've merely endorsed the approach of the professional experts that run the company today, and objected to assertions by folks in this thread that they know better than those professionals. No offense intended.

Please, let's once again get off the "show me your data" kick.
That's a cop-out. It illegitimately gives license to put one's personal preference over what is truly correct.

It’s always been easier to swindle people out of money instead of earning it.
That's just another cop-out, labeling decisions that one doesn't like as "swindling" and decisions one does like as "earning".

It sure seems that Pixar hasn’t done to badly for themselves turning out great products while being small and independent.
Pixar isn't a large, multi-national entertainment conglomerate. If Disney was to be a Pixar, then Walt should have never gone public.

All the evidence points to the fact that large media companies are flat out failures – despite all the hype of the business consultants. The newest trend is to rip apart the media companies.
Now you're getting somewhere. So you're agreeing that the issue isn't that Disney is making the wrong decisions for a large, multi-national entertainment conglomerate -- they're actually making the correct decisions for a large, multi-national entertainment conglomerate, but you're suggesting that they'd be "better off" as a small, creative think tank. I'll need to better understand the standards you're apply in your analysis but I bet, depending on how you define what's "good", I would agree with you. However, such personal definitions of "good" don't apply here, unless you can define how this will result in a better financial result for the thousands of current Disney stockholders. You can't just wish ownership interest away. (Incidently, if you're suggesting that Disney should be sold off in little pieces, you could perhaps convince me you're correct. I invite you to pursue that line of reasoning, if that's what you suggesting. If, on the other hand, you're simply saying that "it would be better if Disney was small," then don't bother. Again, you can't just wish ownership interest away.)

Who said anything about excessive?
Assertions were made that the decisions made weren't best for the company. If you weren't saying that, then I'm sorry I misunderstood those assertions.

The implication of the above statement isn't that the extent to which Eisner exploited the brand was and is excessive, but rather that that has been Eisner's primary driver for growth in the company.
Which is, of course, a ludicrous assertion, given Eisner's penchant for growing the company by acquisition. Besides, if you listen to so of what AV said, growth is bad, right, especially since Disney is already a huge company?

Eisner hasn't added to the Disney brand that Walt, et. al worked so hard to grow.
Incorrect. Eisner has added to the Disney's assets. ABC is probably the most notable example. You perhaps have a specific vision of what is good and what is not, but that doesn't apply. Personal preferences aren't relevant. That's what I've been trying to tell you.
 
Yes, all that is relevant is what Disney did, because they are the experts who get paid to do whatever it is they did for a living, so it must have been correct.

Isn't that how if goes?
 
While the vast majority of people do purchase things on price alone, without regard to the quality of service...

Incorrect. Price is often the most important factor, but quality of service is rarely completely disregarded.

I didn't say you did. I said, "If you're saying that all that will lead to you, personally, being less happy, then it isn't my place to ever question that!"
So why say it? If not meant to imply anything regarding the poster's motives, it adds nothing to the discussion.

No. That assertion of business implications is not valid if the premise of the sentence isn't supported.
Its supported. You simply choose to dismiss it based on the source.

I haven't outlined a preferred approach. I've merely endorsed the approach of the professional experts that run the company today, and objected to assertions by folks in this thread that they know better than those professionals. No offense intended.
Why do you object to criticisms of a failed approach?

Basically, your entire arguement amounts to "If those that run the company do it, I endorse it."

Which is fine, but if that's the limit of your ability and/or desire to analyze the situation critically, why participate?

People get bent out of shape when that gets brought up, but you hit the nail on the head.
Define "bent out of shape". I see people disagreeing with you, and people who feel strongly about their opinions, but I'm pretty sure that isn't the definition of "bent out of shape". Unless of course this statement was meant literally, and not directed at anyone in this discussion. In which case, the question again becomes, why say it?

That's a cop-out. It illegitimately gives license to put one's personal preference over what is truly correct.

It can be. But in this case, the data that is available points to a failed business philosophy. The data you provide is that more often than not, professionals running companies make better decisions than those who aren't running the company.

When speaking in generic terms, the second data point is very valid. However, when specific data indicates that the professionals are not making the best decisions, perhaps a "follow the leader" approach is not the best approach.

Assertions were made that the decisions made weren't best for the company. If you weren't saying that, then I'm sorry I misunderstood those assertions.

The assertion is that some were not.

Which is, of course, a ludicrous assertion, given Eisner's penchant for growing the company by acquisition. Besides, if you listen to so of what AV said, growth is bad, right, especially since Disney is already a huge company?

Eisner tried to grow the company in a variety of ways. Captializing on the value of the brand is one of them, as he and other company leaders have stated.

And if you listen to AV, you'll hear that he never said "growth is bad."

His assertion is that the large media company model is "bad". Certainly there are ways to grow an entertainment company without growing into what we know today as a media conglomerate.

I'm going to assume you missed that distinction, and weren't intentionally twisting his words.

Incorrect. Eisner has added to the Disney's assets. ABC is probably the most notable example. You perhaps have a specific vision of what is good and what is not, but that doesn't apply. Personal preferences aren't relevant. That's what I've been trying to tell you.

Adding assets does not equal adding to the brand, in the context in which Kidds brought it up.
 
Professionals with experience doing the job they've been hired to do have a much better track recording making the right decisions than amateurs like us. People get bent out of shape when that gets brought up
Funny - the movie business employees thousands of well paid business executives that are experts in thier fields - yet this year we've had The Island, Kindgom of Heaven, Alexander, Sleath and other movies that have each lost about $100 million. What does that say about track records.

Besides - shouldn't we be getting the results from all those "monkey picks the stock" challenges any day now? Frankly, "business expert" just means any dip wearing a tie.


That's just another cop-out, labeling decisions that one doesn't like as "swindling" and decisions one does like as "earning".
What – you think they made Cinderella 3 because it was a timeless story that would touch the lives of millions of children – or because they thought they could get a bunch on trick a bunch of lazy parents into thinking “it’s Disney, the kids will like it”. That’s a swindle.


Pixar isn't a large, multi-national entertainment conglomerate. If Disney was to be a Pixar, then Walt should have never gone public.
Yes, Pixar makes good movies that people line up for hours to see. Disney has to con the public into buying cheap DVD’s to pay off the tab for this month’s executive retreat in Aspen. That’s why Pixar – a public company – is swimming in cash while Disney has to charge you nine bucks for parking.


Incidentally, if you're suggesting that Disney should be sold off in little pieces, you could perhaps convince me you're correct.
That’s exactly what I’m saying. Movie making – by its very nature – is not a “corporate” business. The risks are too high, the returns always questionable, and the keys for success are all about the ability to tell a story, not fine tune the balance sheet. Every “real” business that ever touched Hollywood has been burned; yesterday’s idea about really big “corporate” movie companies is crashing down as I write this.

It’s time to use a business model that works.

Disney has burdened its storytelling core – animation, movies, theme parks – with the requirements for a giant corporation. The up one minute, down the next world of movies is incompatible with the steady quarterly growth requirements of Wall Street. The stockholders were sold something – 20% annual growth – that no media company could possible deliver. But the attempt to do so has skewed the economics of the core to the point where they no longer as rational business. The margin demands on WDW force it to do things that are detrimental to running a resort; the revenue demands from animation grew to such an absurd level the entire division imploded.

What I’d like to see is Disney to return to its core – to tell stories. And to do it better than anyone else.

A company is only in trouble if someone else thinks they can do a better job. That’s why no one is making a run at Pixar – none of their stockholders think someone else to do better. Disney, back on top of its game, would be “protected” just like it was all through out the era when every other studio floundered.
 
bicker said:
I didn't object to the attribution of that statement to me earlier, but I'll do so now. I never made such a reference, nor would I ever. While the vast majority of people do purchase things on price alone, without regard to the quality of service, I've always highlighted examples of niche markets served by small suppliers of quality service.
Then why did you say:

Customers like to complain more, criticize more, but they aren't willing to put their money where their mouths are. These days, the market often rewards those suppliers who find a way to repackage something with a lower level of service, so they can charge a lower price.

http://www.disboards.com/showthread.php?t=955951&page=5&pp=15&highlight=nordstrom

You've hit on something there: Professionals with experience doing the job they've been hired to do have a much better track recording making the right decisions than amateurs like us. People get bent out of shape when that gets brought up, but you hit the nail on the head.
And many professionals with experience doing the job they've been hired to do have made boneheaded decisions.

Not at all. I used the terms in conditional, saying very clearly that your arguments regarding whether decisions are the best business decisions have no merit if they're based on feelings instead of facts.
But (1) you had no reason to believe they were based only on feelings, and (2) you acknowledged no other alternative, so that you dismissed my argument without actually addressing it.

Again, you saw a statement where what I wrote was a conditional.
I saw an "implied assertion" the same as you saw in my statements.

I didn't say you did. I said, "If you're saying that all that will lead to you, personally, being less happy, then it isn't my place to ever question that!"
Again, you used this statement to dismiss my argument without addressing it. This, in fact, was a true Straw Man, as I never said in any way that the issue was about what would make me subjectively happy.

No. That assertion of business implications is not valid if the premise of the sentence isn't supported.
You didn't address the validity of the assertion, you claimed there was no assertion of business implications in my argument.

Surely you do not disagree at all with the premises that (1) Walt and Roy built the brand by doing extraordinary things, and (2) Eisner exploited the brand (which, again, is not a bad thing in itself)?

And surely you do not disagree that the value of a brand can be lost if the components of its value are diminished?

I haven't outlined a preferred approach. I've merely endorsed the approach of the professional experts that run the company today, and objected to assertions by folks in this thread that they know better than those professionals. No offense intended.
You made a living as a consultant. Presumably you did so by going into companies and telling the professionals that ran them that they could improve what they were doing. Do you not see the conflict here? Talk about a cop-out.

That's a cop-out. It illegitimately gives license to put one's personal preference over what is truly correct.
No, it's a simple acknowledgment that neither of us has the data (or the time, access and resources to compile it), so let's move on. The lack of data itself doesn't make your assertions "truly correct", nor does it make others' assertions merely "one's personal preference." This board is not filled with pixie-dusters, it includes lots of folks with just as much credentials as you to discuss these issues.

And besides, every disastrous business decision made these days is supported by a boatload of data.

Which is, of course, a ludicrous assertion, given Eisner's penchant for growing the company by acquisition.
While it's true that Eisner grew the company by acquisition, the Company's ability to make those acquisitions (which have largely been a drain on earnings) came from the exploitation of the Disney assets that were largely there in 1994, plus the string of early animation successes.

Incorrect. Eisner has added to the Disney's assets. ABC is probably the most notable example.
Incorrect. Adding to Disney's assets is not the same as adding value to the Disney brand.
 
M. Bicker:

Using ABC (and Fox Family if you thought about typing it too) as an example of adding to Disney's assets? Foo.

According to everything I've read, the purchase of Fox Family has been an unmitigated disaster, and ABC has actually lost money for the company since its purchase (and if ESPN wasn't around to keep the rest of the Cap Cities purchase afloat, who knows where the company would be today?)

I'd have to say that the evidence in this case shows that growth by acquisition under Ei$ner has been less than stellar, to put it mildly.

Maybe I could paint a picture for you that would help you understand why this decision to change Christopher Robin to Courtney Robin is a bad one.

Disney doesn't grind coffee beans. It doesn't sell syrup flavor to bottlers. The core of the company is the creation of entertainment offerings that appeal to the public, and entices them not only to (a) watch the movie, (b) buy the consumables, (c) visit the parks, and (d) buy the records and dvds, but also to pass on their love of the stories that emanate from the company to their children, the next generation of fans.

Does anyone dream about being a Dunkin' Donuts taster? Does any kid daydream about inventing the next coca-cola flavor? Doubt it, but many, many, many, many, many kids dream of being an imagineer or songwriter or animator or storyteller, and many of those dreams involve images they saw on Saturday afternoon matinees at the local multiplex with Mom, Dad, and Sis.

Courtney Robin might sell X amount of princess clothes, but its a waste of corporate resources to spend Y$ on Courtney Robin instead of Z$ on fixing Chicken Little and Sweating Bullets. (Or in the case of the Mad Cow Movie, ditching the whole thing).

Read DisneyWar. Then see how impressed you are with Disney's professional management. I swear, its amazing anything ever gets done in the corporate culture with that level of meanspirited incompentence that passes for executive talent. Its should be a disgrace that shareholders have to endure profitteering executives focused on short-term price gains (evidenced by this infatuation with sequels and Robinnetting Pooh) instead of seeding the next generation of imagineers, storytellers, and animators to keep the pipeline flowing.

Don't worry. Pixar, a publicly traded company, will show Disney how its done. All with blood, sweat, talent, and guts.
 
Have you all gotten that out of your system? :rolleyes:

Wrapping this up:

The decison was just announced.

It hasn't succeeded or failed yet.

And that's the problem with the criticisms: It's the hubris of evaluating them from the standpoint of how much one likes the idea instead of based on how well it was executed. Basically, the entire opposing argument is that making Christopher Robin female is bad because you few posters don't like it. Sorry: wrong.

I'll let y'all get the last word. :wave2:
 
That’s exactly what I’m saying. Movie making – by its very nature – is not a “corporate” business. The risks are too high, the returns always questionable, and the keys for success are all about the ability to tell a story, not fine tune the balance sheet.

Not true. Just follow Samuel Goldwyn and Louis Mayer.

It’s time to use a business model that works.

Of course it is. Because as we all know, the phenomenal ability of the Walt Disney Co. to remain an independent production studio for the past 85 yrs. fails to constitute a business model that works.

And somehow, a 20 yr old animation company with no film library and zero assets beyond cash whom over the past two decades collaborated every motion picture ever produced with Walt Disney Pictures and still needs the assistance of a major corporation to distribute their product proves that.
 
Hey, we finally got the (predictable) dismissive message and waving smiley!!

Apparently Bicker has reading comprehension issues, if all he's managed to get out of this discussion is that we just don't like the idea. Of course, I didn't get anything out of his posts other than "you're just being emotional, trust Disney management."

And what is this thing about how there's no such thing as a bad idea, just bad execution?

Ken Lay to Andy Fastow, "This fancy accounting thing sounds like a bad idea to me, but go ahead and just make sure you execute it well."

I suppose Bicker regularly sends these types of dismissive messages to the countless think tanks, academics, business writers and, yes, CONSULTANTS who are out there writing about "bad ideas."
 
crusader said:
Not true. Just follow Samuel Goldwyn and Louis Mayer.
What, they didn't tell good stories?

And somehow, a 20 yr old animation company with no film library and zero assets beyond cash whom over the past two decades collaborated every motion picture ever produced with Walt Disney Pictures and still needs the assistance of a major corporation to distribute their product proves that.
Not owning your own distribution channel means your business model is a failure? Wow, that will be news to a lot of manufacturers. I guess Disney's model is a failure because they don't own a chain of movie theaters, or cable companies.
 
Not owning your own distribution channel means your business model is a failure?

Not even remotely close to my post.

But that's par for the course.

Here's a question. Would Disney be considered a success if it lost the rights to ALL of its' art produced over the past 20 yrs?
 
crusader said:
Not even remotely close to my post.

But that's par for the course.

Here's a question. Would Disney be considered a success if it lost the rights to ALL of its' art produced over the past 20 yrs?
Certainly agreed (and I'm previously on the record on this) that Pixar's inherent value is limited at the moment. I was responding to the line in your post about "still needs the assistance of a major corporation...." Wasn't that referring to Pixar's "need" for a distributor?
 
Not true. Just follow Samuel Goldwyn and Louis Mayer.
Thank you absolutely proving my point. MGM did great when it made good movies. But when the successors opened up casinos and airlines…well, MGM is nothing but an accounting notation for Sony now.

Because as we all know, the phenomenal ability of the Walt Disney Co. to remain an independent production studio for the past 85 yrs. fails to constitute a business model that works..
Yes, Walt Disney Productions did very well for itself. Except they don’t exist. Today we have The Walt Disney Company which is about 2/3 CapCities and about 1/3 Walt Disney Productions. And right now, ABC, Fox Family and GO.com are devouring what little remains of the real Disney company.

Here's a question. Would Disney be considered a success if it lost the rights to ALL of its' art produced over the past 20 yrs?
Oh – you mean how Walt lost all the rights ALL of his work like Oswald and the Alice Comedies? Seems he figured out a way around that one.

And Pixar still has rights to its properties. The situation they’re in is no worse than Disney is because it’s sold off the rights to Pirates of the Caribbean to Jerry Bruckheimer and even Narnia is controlled by Walden.

The assets are the films themselves. Distribution means nothing - it's the ability to buy TV ad time and to get theater owners to book your film.

And to Mr. Bicker – Hollywood business is based on deciding if something is worthwhile before its made. Disney is about to pour tens of millions of dollars into making a TV series long. It’s going to be a long, long time for the first dollar in revenue shows up. The decision about “will people like this or not” can’t wait.
 
Thank you absolutely proving my point. MGM did great when it made good movies.

Careful Voice. Follow the men - not the machine.

The Walt Disney Company which is about 2/3 CapCities and about 1/3 Walt Disney Productions.

True. But acquiring an entire media network and television division did not dilute the scope of Walt Disney Productions. This isn't a situation where you have the same pie being divided in a different fashion.

Oh – you mean how Walt lost all the rights ALL of his work like Oswald and the Alice Comedies? Seems he figured out a way around that one.

Keep going. How long did it take him?

The situation they’re in is no worse than Disney is because it’s sold off the rights to Pirates of the Caribbean to Jerry Bruckheimer and even Narnia is controlled by Walden.

It's much worse. Pixar clearly demonstrates the ability to make great animated works of art. But that's where it ends. Yes, there's an intangible value associated with their name and that is a direct result of the quality of their product. But they made a critical mistake.

By not being willing to do what Walt did - which includes not being willing to take on the risk - they imprisoned themselves just long enough for two decades to pass and the competition to beat them.
 
The decison was just announced.

It hasn't succeeded or failed yet.

True, but surely you don't think the only contstructive use of open debate is to evaluate decisions after they have run their course?

Basically, the entire opposing argument is that making Christopher Robin female is bad because you few posters don't like it. Sorry: wrong.

And if that's the only terms in which you are willing to view the situation, the only argument in favor of it is that people you trust are for it.

Blind faith in anyone, and particularly in those in a position of power, is rarely a wise course.

I'll let y'all get the last word. :wave2:

Oh, we know you'll be back. The topic may change... :wave2:
 


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