WillCAD
Where there's a Will there's a way
- Joined
- Nov 27, 2004
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mickman1962 said:I'm going to disagree here. I think it is much more important to try and compose a shot (take an adult ed class if possible) then it is to just take lots of pictures. Walk around where no one is like the Japanese gardens and get a pic of Epcot from there. Learn how to use all of your camera not just the pre programmed stuff. I'd rather have 100 great shots out of 150 then 10 great shots plus 100 good shots out of 500. You need to develop an eye for photography, it's much more than pushing the shutter. Some day check out some of the photo's Ansel Adams took with a Polaroid, truly stunning. Oh yeah get a real flash, on board flash is virtually useless.
There is more than one kind of photography.
Sure, there are times when taking several minutes to compose a "perfect" shot is what is required. Landscapes, nature shot, portrait work, and product photography all benefit from taking one's time to compose the shot, meter the light, pose the subjects, etc.
But there is also action, sports and documentary style photography, all of which shoot spontaneous, momentary, constantly-changing subjects. For these types of photos, one must keep the shutter release pressed almost continuously and click, click, click.
Shooting photos on a Disney vacation requires both the composed and the spontaneous shooting styles.
To get a great pic of the Castle or Spaceship Earth, you should take your time to compose the shot in your viewfinder, and choose your location, your position, and exposure settings carefully. But even shots of this type should be made redundant by exposure bracketing and using 2 or 3 different zooms, and even switching from portrait to landscape frame orientation.
And shooting characters, crowds, shows, parades, rides in progress, or anything else that is moving, requires either split-second timing or using the "shotgun" method of shooting lots of frames with the camera on automatic. The more frames you shoot of a moving subject, the more likely you are to find one in the batch with the perfect composition and subject orientation. This has become much more economical with the advent of digital photography; shoot a lot and delete the bad ones.
I'm not saying that the skills you mention are not nessecary to become a good photographer, because they certainly are nessecary. But photography of that type is not the end-all, be-all of photography; to cover all situations, a wide variety of skills and techniques are needed.
Besides, professional photographers' most common advice to newbies is, "burn up lots of film!", meaning take a lot of pictures to maximize your chance of getting a good one.
The second most common advice is, "learn the basics of exposure", meaning understand how light travels through the air, bounces off stuff, and thavels through a lens to strike a film plane or electronic sensor. This is a dizzyingly complicated subject, but the more you understand, the better you can use the light to make a shot turn out the way you want.
And on-board flash is only useless in stuations it was not designed for; in situations that it was designed for, it's an indispenible tool. Learn what it's for and when it can be used, and you won't think it's useless any more, you'll love it.
on the way and you can bet when she goes with Nana and Papa we will take her picture at the same spot or in front of the same park icon every time she goes with.
in the same spot each time you make the trip. It will be fun to look back and see how they have grown or how the area has changed or stayed the same since last time.

Thanks for all the tips. 