MarkBarbieri
Semi-retired
- Joined
- Aug 20, 2006
- Messages
- 6,172
Don't confuse time of day and hard/soft light. Direct sunlight is hard light (assuming that you are on earth) regardless of whether it is sunrise, noon, or sunset. Light is hard when the light source is small relative to the subject. Sunlight is warmer at the ends of the day, but it isn't really softer.
Time of day doesn't matter at all in many Disney situations because many photo opportunities are indoors. The Pirates of the Caribbean looks the same at 9:00 AM, noon, and Midnight.
Noon to 5:00PM is an odd range of times. During the winter, 5:00PM is at or near sunset. Setting aside the abomination of "daylight savings time", noon is the middle of the day. The quality of sunlight changes reasonably symmetrically as you move away from that time. So 8:00 AM light is the same as 4:00 PM light. Once you factor in DST, 9:00 AM is the same as 5:00 PM.
Polarizers don't help much with the sky at noon. They have more of an effect on portions of the sky that are 90 degrees from the sun. At noon, 90 degrees from the sun is the ground, not the sky (except for people shooting down from really high places).
I sometimes bring enormous softboxes with me to soften the sunlight. I call them "clouds". They don't look to great in pictures if you include too many (or make them too big), but they make for an awesome soft light on your subject at any time of the day.
At a seminar put on by Joe McNally (a National Geographic photographer), he made the comment that Nat Geo only wanted landscapes shot right around sunrise or sunset and would just ignore anything else. That doesn't mean that those other shots weren't nice. Nat Geo isn't interested in "nice" pictures. They want each one to be awesome. While you can get some really nice shots at midday, most landscapes will be better in the hour around sunrise/sunset. Once again, that's not a hard/soft light issue. It is a quality of light issue. At times around sunrise/sunset, the dynamic range is lower (they sky isn't so bright relative to sunlight ares of the ground) and the color temperature is different. Hard shadows are useful at that time of day because they give landscapes extra dimensionality.
If you are going to shoot people in bright sunlight, understand the issues and what you can do to deal with them. Avoid hard shadows on faces. I'm not saying that it isn't possible to make them look good, but the odds are against it. Have people step into the shade and then light them with a flash. Have them take off their hat. If you have them stand with the sun at your back, you'll have fewer shadows on their faces, but you'll get squinty looks because they are staring into the sun. If you see a group of passersby wearing white shirts, have them kneel or lay down in front of your subjects so that you can use them as a reflector for fill light.
Sometimes harsh sunlight irritates people and makes them grouchy. Then they start taking threads to seriously and get snippy and combative. In those cases, they should find some shade or go indoors and relax. Once they are relaxed, their posts will probably be nicer and more helpful.
Here are a few shots taken very close to noon on bright, sunny days. They aren't the best shots ever made, but they were good enough for me to keep.
Time of day doesn't matter at all in many Disney situations because many photo opportunities are indoors. The Pirates of the Caribbean looks the same at 9:00 AM, noon, and Midnight.
Noon to 5:00PM is an odd range of times. During the winter, 5:00PM is at or near sunset. Setting aside the abomination of "daylight savings time", noon is the middle of the day. The quality of sunlight changes reasonably symmetrically as you move away from that time. So 8:00 AM light is the same as 4:00 PM light. Once you factor in DST, 9:00 AM is the same as 5:00 PM.
Polarizers don't help much with the sky at noon. They have more of an effect on portions of the sky that are 90 degrees from the sun. At noon, 90 degrees from the sun is the ground, not the sky (except for people shooting down from really high places).
I sometimes bring enormous softboxes with me to soften the sunlight. I call them "clouds". They don't look to great in pictures if you include too many (or make them too big), but they make for an awesome soft light on your subject at any time of the day.
At a seminar put on by Joe McNally (a National Geographic photographer), he made the comment that Nat Geo only wanted landscapes shot right around sunrise or sunset and would just ignore anything else. That doesn't mean that those other shots weren't nice. Nat Geo isn't interested in "nice" pictures. They want each one to be awesome. While you can get some really nice shots at midday, most landscapes will be better in the hour around sunrise/sunset. Once again, that's not a hard/soft light issue. It is a quality of light issue. At times around sunrise/sunset, the dynamic range is lower (they sky isn't so bright relative to sunlight ares of the ground) and the color temperature is different. Hard shadows are useful at that time of day because they give landscapes extra dimensionality.
If you are going to shoot people in bright sunlight, understand the issues and what you can do to deal with them. Avoid hard shadows on faces. I'm not saying that it isn't possible to make them look good, but the odds are against it. Have people step into the shade and then light them with a flash. Have them take off their hat. If you have them stand with the sun at your back, you'll have fewer shadows on their faces, but you'll get squinty looks because they are staring into the sun. If you see a group of passersby wearing white shirts, have them kneel or lay down in front of your subjects so that you can use them as a reflector for fill light.
Sometimes harsh sunlight irritates people and makes them grouchy. Then they start taking threads to seriously and get snippy and combative. In those cases, they should find some shade or go indoors and relax. Once they are relaxed, their posts will probably be nicer and more helpful.
Here are a few shots taken very close to noon on bright, sunny days. They aren't the best shots ever made, but they were good enough for me to keep.







