Is this the real life?

Briar Rose 7457

Proud of my Princesses
Joined
Apr 9, 2002
Messages
4,944
Is this just fantasy?
Caught in a landslide
No esacpe from reality?
Open your eyes
look up to the skies and see...
 

Way too freaky! We are listening to this right now in class!
 
TOOOOOOOOOOOO MMMMMMMEEEEEEEEEEEEEEEEEEEEEEEEEEEEE..................
 
mama,just killed a man
put a gun up to his head
pulled the trigger,now he's dead
 
Mama, OOO-oo-OO
Didn't mean to make you cry
If I'm not back again this time tomorrow
Carry on, carry on, as if nothing really matters
 
goodbye everybody,
I've got to go-
gotta leave you all behind and face the truth
 
High School graduation, 1976. Boyfriend and I sat in the car and listened to the end of the song before getting out to go to the after graduation party.
 
i get goosebumps every time i hear this song and think of freddie mercury. don't know if he had a hand in the writing of it, but kind of prophetic...
 
Ok, I've had this ear worm all day. Enough of the slow part...on to the next section!

Scaramoosh, scaramoosh
Can you do the fandango?
Thunderbolts and lightning
Very, very frightening
ME

( I have no idea how to spell the first words of the stanza. Nor do I know what it means.:o )
 
I see a little silhouetto of a man,
Scaramouche, Scaramouche, will you do the Fandango.
Thunderbolt and lightning, very, very fright'ning me.
(Galileo.) Galileo. (Galileo.) Galileo, Galileo figaro
Magnifico. I'm just a poor boy and nobody loves me.
He's just a poor boy from a poor family,
Spare him his life from this monstrosity.
Easy come, easy go, will you let me go.
Bismillah! No, we will not let you go.
(Let him go!) Bismillah! We will not let you go.
(Let him go!) Bismillah! We will not let you go.
(Let me go.) Will not let you go.
(Let me go.) Will not let you go. (Let me go.) Ah.
No, no, no, no, no, no, no.
(Oh mama mia, mama mia.) Mama mia, let me go.
Beelzebub has a devil put aside for me, for me, for me.


The song makes reference to the novel and play Scaramouche by Rafael Sabatini .

How through the crowded days of the French Revolution, Andre Moreau, fugitive, strolling player, master of the sword, gained fame and happiness because he fought equally well with tongue and rapier. Never will the reader forget the sardonic Scaramouche who was "born with the gift of laughter and a sense that the world was mad."
published by The Riverside Press Cambridge, Houghton Mifflin Company, 1921
courtesy http://www.rafaelsabatini.com/scara.html
 














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