ducklite
<font color=teal>Take the Poly, it's fabulous!<br>
- Joined
- Aug 17, 2000
- Messages
- 33,487
this I respectfully disagree with, if someone had the time and money, they could win, selective enforcement, especially based on such loose , and inaccurate definition of professional equipment, would not be justifiable..
But it's not based on the term "professional equipment." It's based on the term "detachable lenses." That's the difference. They don't care if you're a pro or Johnny off the street with daddy's gear, if the lens detaches, you're not bringing it in without a photo credential. I don't see why this is a problem. If you have a reason to NEED to bring in a DSLR, you'll surely be granted permission if you ask the right person and abide by the terms governing the permission.
On top of it, it's not really the venue's policy, it's the artist's policy, and the venue will claim they are simply upholding their contract with the artist/promoter.
The artist has every right to determine who will or won't photograph them, with what type of gear, and under what terms. For pro's Cher is a sound board shoot. You better have a long lens and at least a monopod, because you're going to be 300 feet away. Gwar is a photopit shoot, you better be prepared to be drenched in fake blood and ick. In either case if you don't like the terms, don't shoot the show. Both acts will allow P&S's in the venue as long as the venue permits cameras--again HoB has a strict no camera policy with pre-approved media credentials as their only exception. But don't try to sue over not being allowed to bring in your camera without credentials, because you're not going to win.
Anne