Young and the Restless, Take 2~Full of Spoilers, just the way we like it!
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cheerbop
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dvcfamily41801
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HonnyDipp
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•Noah runs into Sharon at the coffeehouse. He apologizes for what he said earlier and offers to go w/ her to the rehearsal dinner
•Rafe reads Victor's letter to Adam. Adam is surprised at what Victor wrote. Later, Adam tries to bond w/ Abby
•Sharon is put in a tough position when Chloe won't take no for an answer (she asks Sharon to be matron of honor)
•At the rehearsal dinner, all hell breaks loose between the guests. Ashley puts a stop to it.
•Sharon catches Noah w/ Eden, and learns the only reason he wanted to come w/ her is because he wanted to see Eden. He then tells Sharon she's the one out of control, her life is a mess that doesn't mean she can take control of his! Later, Sharon and Billy drunk out of their minds end up sleeping together again
•After being told off at the rehearsal dinner, Jill visits Murphy and Katherine. Katherine defends Murphy when Jill starts insulting him. Katherine calls Jill a vindictive, spoiled b!tch who has pushed everyone away. Katherine says her identity will be proven tommorow by the DNA test Brock did!
Next - Sharon grabs her purse from Phyllis, Phyllis wants her monkeys back; Katherine and Jill are set for battle during the wedding; Sharon looks sick and uncomfortable as she stands next to Chloe during the wedding
•Rafe reads Victor's letter to Adam. Adam is surprised at what Victor wrote. Later, Adam tries to bond w/ Abby
•Sharon is put in a tough position when Chloe won't take no for an answer (she asks Sharon to be matron of honor)
•At the rehearsal dinner, all hell breaks loose between the guests. Ashley puts a stop to it.
•Sharon catches Noah w/ Eden, and learns the only reason he wanted to come w/ her is because he wanted to see Eden. He then tells Sharon she's the one out of control, her life is a mess that doesn't mean she can take control of his! Later, Sharon and Billy drunk out of their minds end up sleeping together again
•After being told off at the rehearsal dinner, Jill visits Murphy and Katherine. Katherine defends Murphy when Jill starts insulting him. Katherine calls Jill a vindictive, spoiled b!tch who has pushed everyone away. Katherine says her identity will be proven tommorow by the DNA test Brock did!
Next - Sharon grabs her purse from Phyllis, Phyllis wants her monkeys back; Katherine and Jill are set for battle during the wedding; Sharon looks sick and uncomfortable as she stands next to Chloe during the wedding
mtblujeans
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I felt that Mackenzie had a resemblance to Cybil Shephard. I had to look her up to see that she is not related.
HonnyDipp
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That's Cybil Shephard's daughter!
Here's an interview she did with TV guide
Clementine Ford Soaps Up on Y&R
by Michael Logan March 23, 2009 09:04 AM EST
Is Genoa City ready for Clementine Ford? The actress, who played latent lesbian Molly Kroll on The L Word, will join The Young and the Restless April 1 as the new Mac Browning. Ford is fast becoming as outrageous as her mommy, film and TV vet Cybill Shepherd, and is all the buzz these days due to an interview she gave to the U.K. magazine, Diva, in which she came out as a lesbian and intimated she'd had a fling with The L Word's Kate Moennig. Or did she come out? Ford gave us the lowdown on her new suds gig and why she now regrets that interview.
Talk about bad timing! Mac, who's been away doing relief work in Darfur, returns to town just as the love of her life, Billy, says "I Do" with Chloe. But that won't stop a Billy-and-Mac reunion, right?
They split up when it turned out they were cousins but some new DNA tests [revealed at the wedding] show they're not related. So I guess it's obvious where this plot's headed! [Laughs] When Mac gets the news, she's going to be very hesitant to go back to Africa. Plus, Mac's grandmother Katherine is back from the dead so she has another big reason to stay. It's such a crazy whirlwind. I can't imagine this stuff happening in real life. Pretty soon Mac will be, like, get me back to the genocide and the suffering!
So you think Y&R is sudsier than The L Word?
Oh, yeah! And in a weird way it's a much bigger deal, too. When I told people I was going to be on The L Word, they'd say "What's that?" or "Is that still on the air?" But everybody seems to know Y&R.
How'd you land this gig?
I've known Greg Rikaart [who plays Kevin] for years and have a sneaking suspicion he had something to do with this. He's been so helpful to me. He said, "The great thing about soaps is that you can fumble one day and reinvent yourself the next." And that's good because, to be honest, I think I may have done some really bad acting the first week just trying to keep up. But I'm getting the swing of it now.
Has the second-generation-actor thing been a help or hindrance?
When I started out I had a manager who used my mom's name to get me auditions and I couldn't act my way out of a paper bag that was open at both ends. I had never even taken an acting class. I blew so many opportunities. I've spent years trying to get back in those same doors going, 'I can act now!'"
Your mom joined the cast of The L Word and then you followed. Nepotism or coinky-dink?
A lot of people think I get roles because of my mom. She did ask them to consider me for The L Word but the show shot in Vancouver and they wanted to hire a Canadian because Molly was only intended to be a one-episode part. She said, "Please, just watch her reel." That's all. She could have gotten on her knees and begged but if they didn't think I was right for the job they wouldn't have given it to me. And it was the show's idea to bring me back for Season 5 when Molly became a lesbian. My mom had nothing to do with that. People will probably always compare us, even though we're very different in our style and look. She's tall and blond and stretched out. I'm short and brunette and round. Whaddya gonna do?
Let's discuss this Diva magazine cover story. You sorta kinda maybe came out as a lesbian. Um, right?
[Groaning] I'm sooo glad you asked. The first thing that really upset me was that the cover line said "Clementine Ford Comes Out" which, clearly if you read the article, I did not come out. It was really misleading and full of misquotes to sell the magazine. If someone's buying it to see that I came out, well, get your money back.
But I did read the article and you do say "The truth is that I'm not technically out yet." You go on to admit that, even though you were married to actor Todd Hunter for four years, you've also dated women. And you perpetuated the rumors that you and Kate Moennig had a thing while shooting The L Word. Are you just a big ol' tease?
[Ignoring the question] That Diva article also picked up quotes from a podcast interview I did with AfterEllen.com where the interviewer asked me if the sex on The L Word was real and I very jokingly said "Yes, we actually had sex. The L Word is porn. The secret's out!" And the Diva writer printed it as fact that Kate and I had real sex on camera! I was like, "Oh, my God, I hate you!" I almost wrote a nasty letter and then I stopped myself because I thought, if anyone is stupid enough to actually believe that Showtime would let us have real sex, then that's not my problem. So that was that. But it made me very angry.
So you and Kate did or did not have an affair off-camera?
I would never say anything about someone else's sexuality. Ever.
Well, I'm glad we sorta kinda maybe got that settled. Well, good luck on Y&R! You are stepping into a very popular role.
That's what I hear. The pressure! I don't want to know what people have to say about the past three Macs. I'm staying away from Google!
/
HonnyDipp
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Nick Walks Out on Phyllis!
This week, Phyllis is on the warpath and the drama comes to a head between her and Nick because he can't stay away from his ex-wife, Sharon. "Everything was going really well for Phyllis and Nick," points out Michelle Stafford. "It wasn't like they were having all these problems so he had an affair. The only problem was this ex-wife who was constantly in Phyllis's eyes, sniffing around and throwing herself at Nick. So Phyllis sees Sharon as the problem. Sharon is always manipulating Nick to be close to her and Phyllis gets that. She can't believe that everything is falling apart because of this one woman."
Nick checks up on Sharon at the hotel suite when she has an emotional breakdown and she ends up crying in his arms. "Sharon's true love has always been Nick," says Sharon Case. "But she's still angry with him for getting back together with Phyllis after the cabin incident. Sharon got her hopes up when she and Nick slept together and she pretty much assumed that things would start moving in their direction, where she and Nick could get back together. So when he went back to Phyllis, that was a real slap in the face to Sharon because it was the second time that he chose Phyllis over her. So Sharon hasn't been doing well about that ever since."
Eventually, Sharon finds a little strength and asks Nick to leave her room. Not surprisingly, he refuses. "He sees that Sharon is really going through something and wants to help," explains Joshua Morrow. "Now the problem is that Nick being around her is just making the situation worse. He really wants to help, but he's the problem."
When Nick asks Sharon if there's anything he can do for her, she blurts out that he can help her by "keeping that woman (Phyllis) away." Nick is frustrated, because he's been trying to do that already. He's asked Phyllis numerous times to leave Sharon alone.
Phyllis shows up at the GCAC wearing a hat and sunglasses to disguise herself. When Nick leaves Sharon's room, he sees Phyllis immediately. "Phyllis is on her way to confront Sharon, and Nick is not going to allow that to happen," explains Morrow. "Nick stops Phyllis and she fights him a little, so he forcibly guides her away." In other words, he drags her out of the building.
When they get home, Nick and Phyllis continue to battle it out. "Now it's not really a standoff over Sharon," explains Stafford. "It's Phyllis realizing, 'Oh my God, he refuses to stay away from her, so this is a real serious thing.' Phyllis is completely devastated and she's not questioning if her marriage was just a lie." Says Morrow: "Nick just can't seem to get Sharon out of his system. He's tearing Sharon apart and Phyllis wants him to fully commit to their marriage, which means staying away from Sharon, and he just can't do it."
More angry than ever, Phyllis hits below the belt. "She says that Sharon is a slut, a manipulator and a thief and she's not the woman that he thinks she is," Stafford sighs. Nick says, "I know who Sharon is, but I'm beginning to wonder who you are." Ouch!
That's when Nick packs his clothes and gets ready to leave. "He's had it!" says Morrow. "They're not able to talk reasonably and he thinks things will just escalate to a level they can't come back from. So he just wants to leave so they can cool off." This doesn't make Phyllis happy. She tells him, "I want you to tell me that you were always in love with Sharon and our whole marriage was a lie. I want you to tell me that!" Nick remains quiet and it drives Phyllis crazy. She tells him to get out of the house and he walks out on her.
Across town, Jack runs into Sharon and requests that she give their marriage another shot. She responds by whipping out their divorce papers, which she's just signed. Says Case, "Nothing is going in any clear direction for her right now. The one thing she can do that makes sense is to just go ahead with the divorce. She has a lot of issues to deal with right now."
Feeling rejected, Jack runs into Nick at the GCAC bar. "Everyone goes there for a cocktail when they've got a problem," quips Morrow. They begin talking, and Jack tells Nick that both Sharon and Phyllis are going to continue hurting until he finally makes a decision: does he want his ex-wife or his current wife? Jack's advice leaves a strong impression with Nick.
Meanwhile, Noah has missed his curfew and refuses to answer his mother's calls, so Sharon heads over to Nick's place in search of her son. She encounters Phyllis, who tells her that Nick has moved out. "Believe it or not, Phyllis doesn't yell at her," says Stafford. "Instead she does a little gas lighting. She says to Sharon, 'You constantly being in my husband's life is confusing him. If you tear our family apart, it will end up devastating Nick and you're the one who did it.' Please indicate these are Phyllis's thoughts and that Michelle doesn't care before the fans go crazy because they think I feel this way. So this is Phyllis's opinion that Sharon is manipulating the situation." Afterwards, Phyllis tells Sharon to seek some help and Sharon insists that she's just fine.
Noah comes home and Sharon isn't happy with him. When he argues that he's not in the mood for another boring lecture, Sharon is stunned by her son's hateful tone. She starts talking about the regrets of young love and Noah realizes that his mother is actually reminiscing about her relationship with Nick. Once Noah heads to bed, Sharon leaves.
Once Sharon makes her exit, Phyllis gets another surprising visit -- this time from Nick. Phyllis is happy to see her husband, but she's so tired of the situation that she decides not to push the subject of Sharon. Phyllis is tired of the situation and just says, 'You're back,' but she doesn't ask him if he's home for good.
Things go from bad to worse for Phyllis and Nick's marriage when another issue with Noah arises later in the week that requires both of his parents attention. Says Morrow: "It's terrible for all parties involved."
This week, Phyllis is on the warpath and the drama comes to a head between her and Nick because he can't stay away from his ex-wife, Sharon. "Everything was going really well for Phyllis and Nick," points out Michelle Stafford. "It wasn't like they were having all these problems so he had an affair. The only problem was this ex-wife who was constantly in Phyllis's eyes, sniffing around and throwing herself at Nick. So Phyllis sees Sharon as the problem. Sharon is always manipulating Nick to be close to her and Phyllis gets that. She can't believe that everything is falling apart because of this one woman."
Nick checks up on Sharon at the hotel suite when she has an emotional breakdown and she ends up crying in his arms. "Sharon's true love has always been Nick," says Sharon Case. "But she's still angry with him for getting back together with Phyllis after the cabin incident. Sharon got her hopes up when she and Nick slept together and she pretty much assumed that things would start moving in their direction, where she and Nick could get back together. So when he went back to Phyllis, that was a real slap in the face to Sharon because it was the second time that he chose Phyllis over her. So Sharon hasn't been doing well about that ever since."
Eventually, Sharon finds a little strength and asks Nick to leave her room. Not surprisingly, he refuses. "He sees that Sharon is really going through something and wants to help," explains Joshua Morrow. "Now the problem is that Nick being around her is just making the situation worse. He really wants to help, but he's the problem."
When Nick asks Sharon if there's anything he can do for her, she blurts out that he can help her by "keeping that woman (Phyllis) away." Nick is frustrated, because he's been trying to do that already. He's asked Phyllis numerous times to leave Sharon alone.
Phyllis shows up at the GCAC wearing a hat and sunglasses to disguise herself. When Nick leaves Sharon's room, he sees Phyllis immediately. "Phyllis is on her way to confront Sharon, and Nick is not going to allow that to happen," explains Morrow. "Nick stops Phyllis and she fights him a little, so he forcibly guides her away." In other words, he drags her out of the building.
When they get home, Nick and Phyllis continue to battle it out. "Now it's not really a standoff over Sharon," explains Stafford. "It's Phyllis realizing, 'Oh my God, he refuses to stay away from her, so this is a real serious thing.' Phyllis is completely devastated and she's not questioning if her marriage was just a lie." Says Morrow: "Nick just can't seem to get Sharon out of his system. He's tearing Sharon apart and Phyllis wants him to fully commit to their marriage, which means staying away from Sharon, and he just can't do it."
More angry than ever, Phyllis hits below the belt. "She says that Sharon is a slut, a manipulator and a thief and she's not the woman that he thinks she is," Stafford sighs. Nick says, "I know who Sharon is, but I'm beginning to wonder who you are." Ouch!
That's when Nick packs his clothes and gets ready to leave. "He's had it!" says Morrow. "They're not able to talk reasonably and he thinks things will just escalate to a level they can't come back from. So he just wants to leave so they can cool off." This doesn't make Phyllis happy. She tells him, "I want you to tell me that you were always in love with Sharon and our whole marriage was a lie. I want you to tell me that!" Nick remains quiet and it drives Phyllis crazy. She tells him to get out of the house and he walks out on her.
Across town, Jack runs into Sharon and requests that she give their marriage another shot. She responds by whipping out their divorce papers, which she's just signed. Says Case, "Nothing is going in any clear direction for her right now. The one thing she can do that makes sense is to just go ahead with the divorce. She has a lot of issues to deal with right now."
Feeling rejected, Jack runs into Nick at the GCAC bar. "Everyone goes there for a cocktail when they've got a problem," quips Morrow. They begin talking, and Jack tells Nick that both Sharon and Phyllis are going to continue hurting until he finally makes a decision: does he want his ex-wife or his current wife? Jack's advice leaves a strong impression with Nick.
Meanwhile, Noah has missed his curfew and refuses to answer his mother's calls, so Sharon heads over to Nick's place in search of her son. She encounters Phyllis, who tells her that Nick has moved out. "Believe it or not, Phyllis doesn't yell at her," says Stafford. "Instead she does a little gas lighting. She says to Sharon, 'You constantly being in my husband's life is confusing him. If you tear our family apart, it will end up devastating Nick and you're the one who did it.' Please indicate these are Phyllis's thoughts and that Michelle doesn't care before the fans go crazy because they think I feel this way. So this is Phyllis's opinion that Sharon is manipulating the situation." Afterwards, Phyllis tells Sharon to seek some help and Sharon insists that she's just fine.
Noah comes home and Sharon isn't happy with him. When he argues that he's not in the mood for another boring lecture, Sharon is stunned by her son's hateful tone. She starts talking about the regrets of young love and Noah realizes that his mother is actually reminiscing about her relationship with Nick. Once Noah heads to bed, Sharon leaves.
Once Sharon makes her exit, Phyllis gets another surprising visit -- this time from Nick. Phyllis is happy to see her husband, but she's so tired of the situation that she decides not to push the subject of Sharon. Phyllis is tired of the situation and just says, 'You're back,' but she doesn't ask him if he's home for good.
Things go from bad to worse for Phyllis and Nick's marriage when another issue with Noah arises later in the week that requires both of his parents attention. Says Morrow: "It's terrible for all parties involved."
mtblujeans
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I googled 'Mac' and I couldn't find anything other than actress Rachel Kimsey. 
I am glad you found the info you did.
I would have given up on Nick a while ago. I know...I know...I'm
I am glad you found the info you did.I would have given up on Nick a while ago. I know...I know...I'm
beattyfamily
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Yes, that is Cybil's daughter. Another actress was set to play her but then they decided on Cybil's daughter.
I thought she looked too old to play Mac but then again, the guy playing Billy looks too old to be Billy too.
HonnyDipp
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It's the end of the line for Kevin and Amber this week, when they're tracked down by the cops and arrested. Greg Rikaart elaborates on what it all means for his mentally fractured alter ego.
WEEKLY: Just as Amber calms Kevin down and gets him to agree to go home, Jeff enters the boxcar. How does seeing Jeff affect Kevin?
RIKAART: Considering Kevin's fragile mental state, he mistakes Jeff for Tom. It kind of sends him back into a tailspin. Any progress that Amber was beginning to make is undone.
WEEKLY: Does Kevin end up attacking Jeff?
RIKAART: Yes. He knocks him out with a pistol. Then he pinches him and beats Jeff up a bit.
WEEKLY: When Michael, Jana and Daniel arrive do they intervene and calm Kevin down?
RIKAART: No. By the time they arrive, there's already a police standoff going on.
WEEKLY: Michael and Amber tie up Jeff, and then Michael pushes Kevin to use Jeff as a substitute father. How?
RIKAART: Michael, in some therapeutic way, thinks if will help Kevin to play out some of that anxiety and pain he's feeling with Jeff. Kevin ends up taking more of his anger on Jeff.
WEEKLY: Meanwhile, the police end up arresting Amber; is Kevin aware of this, and does he freak out?
RIKAART: No. Kevin's not really cognizant of what's going on.
WEEKLY: Gloria arrives on the scene just as Michael is coaxing Kevin out of the boxcar, promising he'll be by his side. Is Kevin receptive to Michael's plea?
RIKAART: Yes. Kevin believes Michael. Michael assures Kevin that he'll be helped, and he walks out trusting him.
WEEKLY: Unfortunately, Michael can't keep his word. The police swarm Kevin, pushing Michael away and making it impossible for Jana or Gloria to get to him. What's the whole scene like?
RIKAART: Jana and Gloria are trying to be there for what they're hoping will be something of a happy ending, but it's not. Kevin's not cognizant of them or what's going on around him. The cops really overwhelm Kevin, and he becomes somewhat catatonic.
WEEKLY: The cops cuff Kevin, and Amber tries to reach out to him, to no avail. What is Kevin's mental state?
RIKAART: He's in a fragile, pretty bad place
WEEKLY: Is Kevin aware of everything he's done?
RIKAART: He kind of goes in and out of moments of lucidity. So he's somewhat aware of it, but not fully comprehending it all.
WEEKLY: Is this the lowest psychological low Kevin has ever endured?
RIKAART: Up until this point, yes. But unfortunately, it's going to get worse before it gets better.
WEEKLY: Just as Amber calms Kevin down and gets him to agree to go home, Jeff enters the boxcar. How does seeing Jeff affect Kevin?
RIKAART: Considering Kevin's fragile mental state, he mistakes Jeff for Tom. It kind of sends him back into a tailspin. Any progress that Amber was beginning to make is undone.
WEEKLY: Does Kevin end up attacking Jeff?
RIKAART: Yes. He knocks him out with a pistol. Then he pinches him and beats Jeff up a bit.
WEEKLY: When Michael, Jana and Daniel arrive do they intervene and calm Kevin down?
RIKAART: No. By the time they arrive, there's already a police standoff going on.
WEEKLY: Michael and Amber tie up Jeff, and then Michael pushes Kevin to use Jeff as a substitute father. How?
RIKAART: Michael, in some therapeutic way, thinks if will help Kevin to play out some of that anxiety and pain he's feeling with Jeff. Kevin ends up taking more of his anger on Jeff.
WEEKLY: Meanwhile, the police end up arresting Amber; is Kevin aware of this, and does he freak out?
RIKAART: No. Kevin's not really cognizant of what's going on.
WEEKLY: Gloria arrives on the scene just as Michael is coaxing Kevin out of the boxcar, promising he'll be by his side. Is Kevin receptive to Michael's plea?
RIKAART: Yes. Kevin believes Michael. Michael assures Kevin that he'll be helped, and he walks out trusting him.
WEEKLY: Unfortunately, Michael can't keep his word. The police swarm Kevin, pushing Michael away and making it impossible for Jana or Gloria to get to him. What's the whole scene like?
RIKAART: Jana and Gloria are trying to be there for what they're hoping will be something of a happy ending, but it's not. Kevin's not cognizant of them or what's going on around him. The cops really overwhelm Kevin, and he becomes somewhat catatonic.
WEEKLY: The cops cuff Kevin, and Amber tries to reach out to him, to no avail. What is Kevin's mental state?
RIKAART: He's in a fragile, pretty bad place
WEEKLY: Is Kevin aware of everything he's done?
RIKAART: He kind of goes in and out of moments of lucidity. So he's somewhat aware of it, but not fully comprehending it all.
WEEKLY: Is this the lowest psychological low Kevin has ever endured?
RIKAART: Up until this point, yes. But unfortunately, it's going to get worse before it gets better.
HonnyDipp
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This week, Mac returns to Genoa City but her surprise re-appearance doesn't hold a candle to the news that Brock is Katherine's son and Jill isn't.
"Billy is in overall shock when he sees Mac," admits Billy Miller. "It's like getting hit by a massive semi truck. It's really messed up and couldn't be happening at a worse time."
When he learns that the love of his life isn't related to him after all, it throws him for a loop. "It means Billy and Mac got screwed over royally a long time ago," says Miller. "All that time in the shrinks office talking about the possibility of being in love with and nearly sleeping with your cousin was all for naught."
Billy and Mac both try to come to terms with the news, albeit separately. After Colleen coyly suggests that Chloe should "get to know" Mac, Esther fills Chloe in on Billy's past with her. Chloe is shocked when she learns that the two of them were married and in love. Meanwhile, Jack does everything in his power to keep Billy from making a big mistake -- like kicking his current wife to the curb. Says Miller, "I don't think Billy knows what (kind of feelings) he has for Mac. All he knows is that was the only real relationship he ever had, and it was taken from him."
"I think that the whole thing that happened with mac is part of why he's been the way he's been with women. When you lose someone you love, you react, and that's how he was trying to deal with the pain -- by being a playboy for all of these years. He's been searching for someone to fill that void," says Miller.
Jack slaps Billy in the face with a harsh dose of reality. "Who's to say Mac is still interested -- that she hasn't moved on?" notes Miller. "Jack also points out that Billy just made a lifelong commitment to Chloe and has a baby. The whole point of him getting married was for the baby."
Chloe and Billy end up exiting their reception early. Once they're alone, Chloe tried to wiggle some information about Mac out of Billy, but he responds by planting a kiss on her and they end up making love. "Billy has a way of making a woman shut up," laughs Miller.
Billy thinks that having sex with Chloe will help him forget about Mac. He thinks he can lose himself in sex. But he doesn't get lost enough. Later, Chloe wakes up and realizes that Billy is gone. He's gone to see Mac.
"Billy wants to feel her out," says Miller. "He just wants someone to talk to. Mac is pretty cold. She says they've both moved on. Billy needs that connection. He doesn't have it with anybody else, and Mac's denying it. It's frustrating."
While Billy begs Mac to talk to him, she reveals that she's returning to Darfur as soon as possible. That's when Chloe arrives, baby in tow. "Elizabeth stole that scene," raves Miller. "She killed it! Chloe stakes her claim, like any good woman would."
Billy goes back home with Chloe and the baby, but he eventually finds a way to sneak back out and heads over Chancellor Estate -- yet again. However, Brock won't let him see Mac. Billy pleads with Brock to take his phone number in hopes that Mac will contact him.
"Billy has no idea what he wants," admits Miller. "Billy realizes people change and move on as they get older -- things are never the same -- but he feels there's still a glimmer of something there. It could turn out that he and Mac will just be buddies, but he's got to find out."
By week's end, Mac informs Brock and Kay that she's decided to stay in Genoa City for good. Says Miller, "It'll be interesting to see where this all goes."
"Billy is in overall shock when he sees Mac," admits Billy Miller. "It's like getting hit by a massive semi truck. It's really messed up and couldn't be happening at a worse time."
When he learns that the love of his life isn't related to him after all, it throws him for a loop. "It means Billy and Mac got screwed over royally a long time ago," says Miller. "All that time in the shrinks office talking about the possibility of being in love with and nearly sleeping with your cousin was all for naught."
Billy and Mac both try to come to terms with the news, albeit separately. After Colleen coyly suggests that Chloe should "get to know" Mac, Esther fills Chloe in on Billy's past with her. Chloe is shocked when she learns that the two of them were married and in love. Meanwhile, Jack does everything in his power to keep Billy from making a big mistake -- like kicking his current wife to the curb. Says Miller, "I don't think Billy knows what (kind of feelings) he has for Mac. All he knows is that was the only real relationship he ever had, and it was taken from him."
"I think that the whole thing that happened with mac is part of why he's been the way he's been with women. When you lose someone you love, you react, and that's how he was trying to deal with the pain -- by being a playboy for all of these years. He's been searching for someone to fill that void," says Miller.
Jack slaps Billy in the face with a harsh dose of reality. "Who's to say Mac is still interested -- that she hasn't moved on?" notes Miller. "Jack also points out that Billy just made a lifelong commitment to Chloe and has a baby. The whole point of him getting married was for the baby."
Chloe and Billy end up exiting their reception early. Once they're alone, Chloe tried to wiggle some information about Mac out of Billy, but he responds by planting a kiss on her and they end up making love. "Billy has a way of making a woman shut up," laughs Miller.
Billy thinks that having sex with Chloe will help him forget about Mac. He thinks he can lose himself in sex. But he doesn't get lost enough. Later, Chloe wakes up and realizes that Billy is gone. He's gone to see Mac.
"Billy wants to feel her out," says Miller. "He just wants someone to talk to. Mac is pretty cold. She says they've both moved on. Billy needs that connection. He doesn't have it with anybody else, and Mac's denying it. It's frustrating."
While Billy begs Mac to talk to him, she reveals that she's returning to Darfur as soon as possible. That's when Chloe arrives, baby in tow. "Elizabeth stole that scene," raves Miller. "She killed it! Chloe stakes her claim, like any good woman would."
Billy goes back home with Chloe and the baby, but he eventually finds a way to sneak back out and heads over Chancellor Estate -- yet again. However, Brock won't let him see Mac. Billy pleads with Brock to take his phone number in hopes that Mac will contact him.
"Billy has no idea what he wants," admits Miller. "Billy realizes people change and move on as they get older -- things are never the same -- but he feels there's still a glimmer of something there. It could turn out that he and Mac will just be buddies, but he's got to find out."
By week's end, Mac informs Brock and Kay that she's decided to stay in Genoa City for good. Says Miller, "It'll be interesting to see where this all goes."
december
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I don't remember if this has been posted here or not, but good news for Y&R (while I'm crying over GL
)-Jill isn't going anywhere.
In what can surely be seen as good news for the show and its viewers, there is no longer a need for the casting call. A show source tells soapcentral.com that Walton and show executives have come to terms and Walton has re-signed with the CBS soap. It's unclear which side blinked first, but Walton has reportedly agreed to take the required pay cut.
)-Jill isn't going anywhere.In what can surely be seen as good news for the show and its viewers, there is no longer a need for the casting call. A show source tells soapcentral.com that Walton and show executives have come to terms and Walton has re-signed with the CBS soap. It's unclear which side blinked first, but Walton has reportedly agreed to take the required pay cut.
"Got Disney"
<font color=blue>They’re like Lays chips...just ca
- Joined
- Sep 21, 2006
- Messages
- 13,377
I hope this does not mean that yucky Tira will be with Neil
I'm sorry, but I would MUCH rather see Tyra be the one leaving
You can say that again
I don't remember if this has been posted here or not, but good news for Y&R (while I'm crying over GL
In what can surely be seen as good news for the show and its viewers, there is no longer a need for the casting call. A show source tells soapcentral.com that Walton and show executives have come to terms and Walton has re-signed with the CBS soap. It's unclear which side blinked first, but Walton has reportedly agreed to take the required pay cut.
Poor Billy...sure would love to see him back with Mac...maybe they will have him with Chloe for awhile and he will start to have feelings for her. But than Mac wants him back and he leaved Chloe for her. Than he realizes that what he had with Mac was not what he thought...just old what if feelings that he mistaken to still be love....than he leaves her and goes back to Chloe and finally can truly love again.
MrsKreamer
College Admissions Counselor
- Joined
- Jan 20, 2005
- Messages
- 4,685
I don't remember if this has been posted here or not, but good news for Y&R (while I'm crying over GL
In what can surely be seen as good news for the show and its viewers, there is no longer a need for the casting call. A show source tells soapcentral.com that Walton and show executives have come to terms and Walton has re-signed with the CBS soap. It's unclear which side blinked first, but Walton has reportedly agreed to take the required pay cut.
I am glad she came to her senses. I mean hello take a pay cut or leave...
Smileybug
Some honey for my old tags back
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HonnyDipp
DIS Legend
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- Feb 4, 2008
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- 12,604
I would imagine she gets arrested over shoplifting
Camster0307
DIS Veteran
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- Sep 7, 2007
- Messages
- 5,540
Thanks for the updates HonnyDipp!
Phyllis needs to get a grip. This obsession with Sharon is pathetic.
And I know I've missed a few pages and don't know if this has been addressed but.......
why the heck hasn't Amber just overpowered Kevin by now and taken him to the hospital? Why is she still trying to reason with him? And he's holding the gun on her - that cracked me up! The guy has one functioning leg and is weak from infection -- she can't just take the gun away from him?
Phyllis needs to get a grip. This obsession with Sharon is pathetic.
And I know I've missed a few pages and don't know if this has been addressed but.......
why the heck hasn't Amber just overpowered Kevin by now and taken him to the hospital? Why is she still trying to reason with him? And he's holding the gun on her - that cracked me up! The guy has one functioning leg and is weak from infection -- she can't just take the gun away from him?
Smileybug
Some honey for my old tags back
- Joined
- Jul 17, 2006
- Messages
- 15,731
That's what I was thinking.
Thanks for the updates HonnyDipp!
Phyllis needs to get a grip. This obsession with Sharon is pathetic.
And I know I've missed a few pages and don't know if this has been addressed but.......
why the heck hasn't Amber just overpowered Kevin by now and taken him to the hospital? Why is she still trying to reason with him? And he's holding the gun on her - that cracked me up! The guy has one functioning leg and is weak from infection -- she can't just take the gun away from him?
I have thought the same thing.
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