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from Kansas City Star (Major Daily Newspaper)
Tue. June 30, 1992
George Gurley was a regular columnist for the KC Star.
(Reprinted verbatim: for editorial comment)
The colors are added by me to note the sections about the parks. etc.
---------------------------------------
Disney's Prison of Paradise
-by George Gurley
June 30, 1992
When Americans go on a
pilgrimage, they don’t go to
Canterbury, Mecca or Rome.
They go to Disney World.
lt wasn`t something we really
wanted to do, but we felt it was
something we ought to do, like
going to church. In fact, it
turned out to be a religious
experience of sorts.
When we checked in at the
Disney hotel, the clerk seemed
to know all about us.
"l see this is your wedding
anniversary,” he said. How did
he know? Was the Disney
organization omniscient?
Members of the staff seemed
unnaturally happy and devoted
to their employer.
"The Disney name carries a
lot of pixie dust,” crowed the
angelic-looking bellboy. He was
astonished to lear lthat we
planned only a two-day stay.
"You can’t even scratch the
surface in two days," he cried.
Shame and a sense of guilt
flooded our consciences.
We marveled at the perfection
of Disney World, the attention
to detail (hippo ballerina topiary,
breakfast watermelon cut
into mouse ears), the way
everything worked without
visible supervision.
It seemed as if the terrestrial
rules of disorder and decay had
been suspended there. We had
the illusion of having entered
some-sort of paradise.
Behind the goofy spectacles
and impeccable facades, though,
computers were whirring and
shrewd managers were fine-
tuning the immense machine to
maximize profits. And there was
an oppressive aspect to this
paradise, which it may share
with the ultimate one.
lt was a kind of prison.
Seized by an attack of
claustrophobia and ennui
during an inane performance of
‘The Enchanted TIki Birds,"
I sought escape through the door
marked “Exit."
It was locked. l feigned an
attack of illness but a militant,
uniformed sentry coldly
informed me that l would not be
let out until the show was over.
Entrance into the Disney
version of paradise subtly
undermines individuality and will.
Everything has been planned,
nothing left to chance. The
inmates are not required to
think. At spots designated
“Pictrue Spot,” they dutifully take
photos.
A mysterious current propels
the river of-humanity. Pilgrims
gather like driftwood in eddies.
Obediently they wait in line. An
individual would be conspicuous,
a heretic, who appeared to
be not having fun.
Entertainment has become
our secular religion, and Disney
World has the character of a
national cathedral. There’s
something about its
confectionary, feel·good ritual--
fireworks, parades. hoopla with
out a context -- that leaves the
spirit unsatisfied.
Still, l’m not certain how
much the Disney pilgrimage
differs from others. The
traditional destinations for
pilgrimages have been tourist
attractions and commercial
enterprises also.
You must have a fat purse to
enter Disney’s gates. A T-shirt I
saw there made the point in an
oblique way.
"Will work for sex," read its
tasteless mockery of the
homeless.
The standard argument against
the Disney vision is that it
isn`t real, that it promotes man’s
already dangerous alienation
from nature. Having made the
pilgrimage, l’m not sure about
the Disney-reality schism either.
l stood apart for a moment
and before long children were
scrutinizing me as if they
mistook me for one of the cast
--Sourpuss McDuck, perhaps.
Though we take ourselves
seriously and insist on the
illusion of our individuality,
aren`t we also cartoon
characters in a vast theme park?
Doesn`t it seem as if we’re being
manipulated for the amusement
oaf remote audience with a
bizarre sense of humor?
Tue. June 30, 1992
George Gurley was a regular columnist for the KC Star.
(Reprinted verbatim: for editorial comment)
The colors are added by me to note the sections about the parks. etc.
---------------------------------------
Disney's Prison of Paradise
-by George Gurley
June 30, 1992
When Americans go on a
pilgrimage, they don’t go to
Canterbury, Mecca or Rome.
They go to Disney World.
lt wasn`t something we really
wanted to do, but we felt it was
something we ought to do, like
going to church. In fact, it
turned out to be a religious
experience of sorts.
When we checked in at the
Disney hotel, the clerk seemed
to know all about us.
"l see this is your wedding
anniversary,” he said. How did
he know? Was the Disney
organization omniscient?
Members of the staff seemed
unnaturally happy and devoted
to their employer.
"The Disney name carries a
lot of pixie dust,” crowed the
angelic-looking bellboy. He was
astonished to lear lthat we
planned only a two-day stay.
"You can’t even scratch the
surface in two days," he cried.
Shame and a sense of guilt
flooded our consciences.
We marveled at the perfection
of Disney World, the attention
to detail (hippo ballerina topiary,
breakfast watermelon cut
into mouse ears), the way
everything worked without
visible supervision.
It seemed as if the terrestrial
rules of disorder and decay had
been suspended there. We had
the illusion of having entered
some-sort of paradise.
Behind the goofy spectacles
and impeccable facades, though,
computers were whirring and
shrewd managers were fine-
tuning the immense machine to
maximize profits. And there was
an oppressive aspect to this
paradise, which it may share
with the ultimate one.
lt was a kind of prison.
Seized by an attack of
claustrophobia and ennui
during an inane performance of
‘The Enchanted TIki Birds,"
I sought escape through the door
marked “Exit."
It was locked. l feigned an
attack of illness but a militant,
uniformed sentry coldly
informed me that l would not be
let out until the show was over.
Entrance into the Disney
version of paradise subtly
undermines individuality and will.
Everything has been planned,
nothing left to chance. The
inmates are not required to
think. At spots designated
“Pictrue Spot,” they dutifully take
photos.
A mysterious current propels
the river of-humanity. Pilgrims
gather like driftwood in eddies.
Obediently they wait in line. An
individual would be conspicuous,
a heretic, who appeared to
be not having fun.
Entertainment has become
our secular religion, and Disney
World has the character of a
national cathedral. There’s
something about its
confectionary, feel·good ritual--
fireworks, parades. hoopla with
out a context -- that leaves the
spirit unsatisfied.
Still, l’m not certain how
much the Disney pilgrimage
differs from others. The
traditional destinations for
pilgrimages have been tourist
attractions and commercial
enterprises also.
You must have a fat purse to
enter Disney’s gates. A T-shirt I
saw there made the point in an
oblique way.
"Will work for sex," read its
tasteless mockery of the
homeless.
The standard argument against
the Disney vision is that it
isn`t real, that it promotes man’s
already dangerous alienation
from nature. Having made the
pilgrimage, l’m not sure about
the Disney-reality schism either.
l stood apart for a moment
and before long children were
scrutinizing me as if they
mistook me for one of the cast
--Sourpuss McDuck, perhaps.
Though we take ourselves
seriously and insist on the
illusion of our individuality,
aren`t we also cartoon
characters in a vast theme park?
Doesn`t it seem as if we’re being
manipulated for the amusement
oaf remote audience with a
bizarre sense of humor?