The Ultimate Lens Review Thread (All Brands) - Wallets & Credit Cards, BEWARE!

personally I would give the 18-200 nikon a 8 or even 8.5.
A lens like this is the only lens you need on vacation unless you are a professional. Most pictures I take on vacation are in bright daylight, so I am stopping down to around f8 f11. This lens is sharp at these focal lengths.
Any rieviews of some wide angle like the 12-24 or 10-24?

I bought the 12-24 for my D70s and never found it to be quite wide enough because of the crop factor. From my limited experience with it, I remember the 12-24 being sharp at the 24mm end and less sharp at the 12mm end which is where I used it most of the time. I ended up switching to full frame before the 10-24 was introduced so I can't comment on that lens.
 
As I've noticed a lot of threads asking, essentially, "what lens would be good for me?" I thought it might be useful to compile a thread of lens reviews. Obviously, a lot of this will be subjective, but by reading one person's review, then using the search feature of the thread, posters can get an idea of what other people think of a particular lens (and what the consensus is).

As such, for this thread to be most useful, please refer to lenses by brand name followed by their focal range in 'mm'. (So, it would be the Tokina 11-16mm, not the Tokina 1116. It would be the Sigma 30mm, not the dirty thirty. And so on.)

Please feel free to review any lenses you've used, for ANY mounts.

I'll start:

Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens – Often described as the “jack of all trades, master of none” this is really a great lens for a beginner looking for more range than the kit lens offers. Once you get more and more into photography, you’ll probably use this less and less, but it’s still a great option when traveling light. It’s not as sharp and it does have its flaws, but don’t let the gear-snobs fool you–you can get great shots with this lens. Score: 7/10

Nikon 55-200mm f/4-5.6G AF-S DX VR – If you purchased your entry-level camera with the “kit” lens (18-55mm), want more ‘zoom’, and only have a $200 budget, this is the lens for you. It’s not perfect, but it’s fairly sharp and gives you additional zoom for only around $175. Score: 8/10

Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens – Before you read any further, this lens is around $2,500. Now that I’ve lost 99% of you, it’s worth $2,500. That said, I don’t have that kind of money to spend on photography equipment (this is a hobby for me, after all), so the only time I use this lens is when I borrow it from a relative. When I have it with me, it’s rarely in my bag. One of the few times I use a telephoto lens more than a wide angle. It’s such an awesome lens. While it’s a 10/10 in terms of quality, it loses a point for price. Score: 9/10

Tamron AF 70-200mm f/2.8 Macro Lens Nikon DSLR Cameras -At less than a third of the price of the Nikon version, the Tamron offers great bang-for-buck. It’s incredibly sharp (perhaps sharper than the Nikon 70-200) and well-built. The only negative is that it does not have vibration reduction or any sort of image stabilization, which is very useful for a lens like this. If you’re shooting in broad daylight, you won’t miss it, though. Overall a great lens, and the added advantage of macro really pushes it over the top. Score: 9/10

Nikon 50mm f/1.8D AF Nikkor Lens – Essentially the same lens as the 50mm f/1.8G reviewed above, this version of the lens is for those who have a camera body with an in-body focusing motor. Most entry-level cameras (Nikon D40, D60, D3000, D3100, D5000, D5100) do not have in camera focusing motors, so they will have to purchase the more expensive “G” version. Semi-pro and pro level Nikons (Nikon D80, D90, D7000, D300, D300s, D700, etc.) do have the focusing motor in body, so this is the lens to purchase for those cameras. Earns an extra point due to its low price. Score: 8/10

Sigma 30mm f/1.4 EX DC HSM Lens for Nikon – The holy grail of portrait and dark ride lenses as far as we’re considered, the Sigma 30mm f/1.4 is the perfect focal length for photographing dark rides, and it’s a more natural portrait lens for using in the parks. It produces buttery-smooth bokeh and the images really pop. Plus, with an aperture of f/1.4, it’s a bit faster than f/1.8 lenses. While Nikon offers the 35mm f/1.8 for a bit less, do not be convinced that this is a better option! Spend a little more and get the exceptional quality of the Sigma. You will not regret it. Score: 10/10

Tokina 11-16mm f/2.8 Ultra-wide Angle Lens for Nikon – Some might call me an ultra-wide angle “fiend.” Well, this is the lens that started it all, and is one of two ultra-wide angle lenses I presently own. The Tokina 11-16mm f/2.8 is another gem. With an aperture of f/2.8, it’s fast enough to use hand-held at night (or on some dark rides!) and its image quality is stunningly sharp. The only slight qualm is that it’s only 11mm at its widest. For most people this won’t be an issue, though. I just like really wide shots. If you do get this lens, make sure you use it to its full potential by leveraging the distortion it produces. Don’t just use it to “zoom backwards” or cram more things into the frame. Score: 9.5/10

Sigma 8-16mm f/4.5-5.6 DC HSM AF Ultra Wide Zoom Lens for Nikon – The newest lens in my bag is also the one I use most frequently. At 8mm, this lens is incredibly wide. Amazingly wide. Thanks to that, it can produce some really interesting shots that exaggerate distances and lines. Great for architectural shots. The only faults with the lens are that it’s slower (f/4.5-5.6) than most ultra-wides, it doesn’t accept filters, and its focus is a little slow. The fact that it’s 8mm on the wide end makes up for those faults, though. Score: 9.5/10

For the entire catalog of my lens reviews (and other camera gear reviews), check out: http://www.disneytouristblog.com/fe...t-disney-world-tom-bricker-photo-gear-advice/

Please share your lens reviews! The good, the bad, the ugly--all are welcome here!

I just purchased the Tokina 11-16mm f/2.8 for my Nikon D300s. I need a filter recommendation for using the lens on the Disney Wonder in Alaska. Any help would be appreciated.
 
I just purchased the Tokina 11-16mm f/2.8 for my Nikon D300s. I need a filter recommendation for using the lens on the Disney Wonder in Alaska. Any help would be appreciated.

What kind of filter are you looking for? Just something to protect the front element from sea spray?
 
A filter to protect but also enhance the image polarizing or just UV? My concern is I do not want to keep changing filters if it becomes to cloudy(lower light). Am I just asking to much out of the lens and camera to leave a polarizer on or should I just carry to filters?
 

A filter to protect but also enhance the image polarizing or just UV? My concern is I do not want to keep changing filters if it becomes to cloudy(lower light). Am I just asking to much out of the lens and camera to leave a polarizer on or should I just carry to filters?

I would get both. You might get away with leaving a polarizer on when you're shooting outside, but if you take any pictures inside the polarizer will lower an already low light level. Personally I would rather change filters than jack the ISO up and loose image quality.
 
I'm just (mostly) kidding. On a lot of the photo forums I've visited, it seems like a lot of the self-proclaimed experts are either bad photographers, or never share their photography.

I guess what I'm saying is that I'm more impressed by folks who know absolutely nothing about photography, but can pick up a camera and take a gorgeous photo, than the ones that know everything, but have no real world skills to back up that knowledge.

Just my opinion, though. :confused3

I completely know what you mean.
 
I'll second what Tom said about teh 70-200. It is a killer lens. Another option is to look for a good condition used copy of the 70-200 f2.8G ED VR AF-S. While it has slightly older VR technology, it produces excellent pictures. The only drawback is that it can produce slight vignetting at the corners on a full frame camera which is usually minimized by the in camera vignette control settings so for me it is not a problem.

Second that, it's my walking around lens at AK, it has one limitation in that under 15' it becomes a 135mm lens instead of a 200' It also spends most of the time with VR off. VR works best with static subjects at low shutter speeds tracking moving animals or parade floats with VR is a invitaton to 'creatively blurred by Nikon' photos. Learned this the HARD way when I first owned this lens and brought to Disney about 2 weeks after i unpacked it
 
I've been very impressed with the sharpness of my 37 year old Nikkor 135/f2.8 Qc. It'd been sitting around in a camera bag for 20 years so I figured I'd clean it up and try it out. I ended up completely disassembling it, cleaned the inside of the barrel, the glass, restored the markings, and reassembled it all. I did a homebrew AI mod on it in the early 90s.

My Nikkor 135/f2.8 Qc was made in 1974 and is (obviously) a manual focus lens. With the AI mod it will work fine on many new cameras like the D200/D300, I think the D7000 and D700, and the higher-end cameras.

It has amazing sharpness for it's age and the only big negative I can give it is a tendency for some harsh CA in the right conditions - reflected light on water, for example. Nik NX2 takes care of all the CA, LR3 can handle most of it.

On the pro-side, it's cheap. I've seen them sell on eBay for <$50. You might have to get creative with an AI mod or find someone that can do it though.

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I'm also using a Sigma 150mm/f2.8. I got mine on a whim and it is by far the most enjoyable lens I have. It rarely comes off the camera, including two short visits to WDW.

It's a little on the heavy side, a little slow to focus, and with the extreme focusing range can be annoying if it starts trying to close-focus when you want infinity...but otherwise it is amazing.

At different focusing ranges:

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Bumping up for some Canon info.
 
Canon EF 24-70mm F/2.8L Lens

This is the ULTIMATE lens for shooting almost everything!

This lens is a must for use on on full frame camera. You might not get the full "wide" angle on a cropped sensor though. I use this lens as my "walk around" lens and is on my camera 90% of the time.

This was shot at 35mm:
3923259745_611c0cca7c_z_d.jpg


Here's one at 24mm:
3928809129_a8c1e0a849_z_d.jpg


At 70mm and f/2.8:
3941464991_8e4d3b5a4b_z_d.jpg
 
Here is a site I frequent to look at reviews for lenses. Quite helpful.

http://www.the-digital-picture.com/

Yup! That site has helped me a lot when it comes to buying lenses especially for my wedding gigs!

Canon EF 16-35mm f/2.8L II
This is what you call a really wide lens! It's great landscapes and large groups of people. This is definitely not a "people" or portrait lens because of the distortion due to the shape and wide angle.

6027819990_61398e6711_z_d.jpg



Canon EF 70-200mm f/4L
This lens is cheaper than the f/2.8 and the f/2.8 IS models. There's only slight differences such as an extra stop of light plus in the sizes of the len.

If a tripod is used or propped up against something, this lens is pretty steady so there isn't a need for the IS (image stabilizer)

Here's one where I leaned the camera up against one of the pews in the church:
6027817252_bddfa36eb9_z_d.jpg
 
Canon EF 24-70mm F/2.8L Lens

This is the ULTIMATE lens for shooting almost everything!

This lens is a must for use on on full frame camera. You might not get the full "wide" angle on a cropped sensor though. I use this lens as my "walk around" lens and is on my camera 90% of the time.

This was shot at 35mm:
3923259745_611c0cca7c_z_d.jpg


Here's one at 24mm:
3928809129_a8c1e0a849_z_d.jpg


At 70mm and f/2.8:
3941464991_8e4d3b5a4b_z_d.jpg

GREAT shots. HOw far from Cinderella?
:thumbsup2
 
Anyone have experience with the Sigma 18-200mm f/3.5-6.3 lens?

I think Tamron has a little better reputation for the all in one super zooms. I have the Tamron 18-270 and it's nice for what it is, and has been pretty well reviewed. Just keep in mind that with any super zoom, the largest possible aperture gets smaller the more you zoom. So they work great in bright sunshine, but not well for low light situations.
 
I think Tamron has a little better reputation for the all in one super zooms. I have the Tamron 18-270 and it's nice for what it is, and has been pretty well reviewed. Just keep in mind that with any super zoom, the largest possible aperture gets smaller the more you zoom. So they work great in bright sunshine, but not well for low light situations.

Many thanks.

Do you mind telling me what lens' are in your bag and how you use them?
 
Many thanks.

Do you mind telling me what lens' are in your bag and how you use them?

No problem. :goodvibes

My go-to favorite is my Canon 17-55 f/2.8. It's larger and heavier than a kit lens, but I love it. :love: It's super sharp and the colors are outstanding. It's on my camera most of the time.

I also have:

1) Tokina 11-16 f/2.8. This is a wide angle lens. I love using it at Disney, but it's more of an occasional specialty lens for me. I need to do more with it.

2) Sigma 50-150 f/2.8. This was my choice a while back when I wanted a 2.8 zoom. I don't like carrying huge lenses and this was my compromise. I use it regularly for shooting my son's track and cross country meets. The 2.8 allows me to maintain an adequate shutter speed even into the early evening and under the lights. When I shoot with the super-zoom, once the sun started to set, I mostly had to just put the camera down and be done.

3) Sigma 30mm f/1.4. I don't use this one nearly enough. Hang out here long enough and you'll see it's a very popular lens on this board. I bought it for doing dark rides at Disney, and it's awesome for that. But it's also just an all around sharp lens that produces beautiful images.

4) The Tamron 18-270. This one sat in my bag unused for quite a while after I added my 2.8 lenses. But I dug it back out this summer on vacation when I wanted some extra reach and have been pretty happy with the results. I did find out that once I learned a little more about my camera and how to use it that this lens all of a sudden started producing better results! :rotfl:

5) I have the Canon 50mm f/1.8 but hardly ever use it. I'm just not a 50mm sort of gal unless I'm just looking for the smallest profile possible for my camera, like when I was trying to sneak my DSLR into Disney on Ice!

I see you're reading "Understanding Exposure". That's an awesome place to start. Once you start understanding those concepts, you'll start to get a feel for what lenses you might want. Don't be intimidated. Camera bodies come and go. Lens collections are made over time and are always with you (barring any unfortunate accidents!)
 















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