DLSR vs SLR

The E-510 was just released in the US and users on dpreview are starting to post their reviews of it and they are all pretty much saying the same thing, much less noise at higher ISO and better low light focus. The noise will never be as good as the bigger sensors but whats posted is very promising and a huge improvement. Now i just have to convice the wife somehow.
 
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Man, this is getting a lot of use lately...

And I'm still trying to figure out where the Original Poster even asked about circular polarizers:confused3

I never did ask about polarizers this post has sort of taken a life of its own I posted back a few pages ago that I have decided that now is not the right time for me to get a DSLR, however I have been thinking if low light pictures are all about the amount of light that gets to the sensor wouldnt a normal film camera have the advantage since the size of the film in larger than the size of the sensors:confused3 could be completely wrong of course but hey thats what these threads are for. I ask only because I have a Kodak Advantix APS film camera and was wondering about its night potentials? maybe with a low speed film? just thinking out of the box really but wanted to throw this out there
 
The APS system, has a smaller film that the 35mm film, it is roughly the size of a 1.6 crop sensor. so Yes it would do better than a P&S size sensor. The thing with film in general, is you must know what your going to be shooting so you know what ISO film to drop in. Also, added in are the processing costs etc, and you don't have the instant feedback. So if you don't get a shot of say specto, you won't know it till it is too late.
 
I have been thinking if low light pictures are all about the amount of light that gets to the sensor wouldnt a normal film camera have the advantage since the size of the film in larger than the size of the sensors:confused3 could be completely wrong of course but hey thats what these threads are for. I ask only because I have a Kodak Advantix APS film camera and was wondering about its night potentials? maybe with a low speed film? just thinking out of the box really but wanted to throw this out there


I am sure you meant HIGH speed film.
 

I never did ask about polarizers this post has sort of taken a life of its own I posted back a few pages ago that I have decided that now is not the right time for me to get a DSLR, however I have been thinking if low light pictures are all about the amount of light that gets to the sensor wouldnt a normal film camera have the advantage since the size of the film in larger than the size of the sensors:confused3 could be completely wrong of course but hey thats what these threads are for. I ask only because I have a Kodak Advantix APS film camera and was wondering about its night potentials? maybe with a low speed film? just thinking out of the box really but wanted to throw this out there

I had (still have really, its collecting dust since I got my first digital camera) a Kodak Advantix, and I did get some great pictures (I especially liked the panorama mode), but the one area I did have problems was low light. I usually used a higher speed film (ISO 400) ,as most shots were indoors (parties, etc.) and it was hit and miss. The main problem was, like Master Mason points out, the misses, as I wouldn't find out about them for until weeks after the fact (or months if a roll wasn't quite finished). While I think film can be more forgiving on underexposed shots than digital (as it has more dynamic range than most digital cameras, if I am not mistaken), my experience is that it still won't look as good as I thought it should. That's the advantage of digital, the instant feedback and an opportunity to adjust and take the shot over. Some more food for thought...:scratchin

And, hey, Moderators, who let an Olympus user on this board!:sad2:

Mind you, I shouldn't talk, my first digital camera was JVC!:rolleyes1
 
last time we were at disney ( 3+ yrs ago) i used my film slr for fireworks, since well i am a late digital bloomer. i think i just used 400 film and they turned out fine( snaky since i didn't take a tripod but fine exposure wise) i remember I asked the guy at the film counter in epcot and he set me up.
 
I am sure you meant HIGH speed film.

OK since i am not a digital or even film expert like you are obviously I think you might actually cut a little slack to people that are learning this is afterall the reason for these board and to the people that have been most helpful with my qestions I again say thank you
 
First off, let's have a great big round of ROLL DEM EYES, PEOPLE.

Anyone who accuses me of glorifying Pentax kit lenses in this thread and denigrating Canon kit lenses - try reading my posts without putting on your "defensive glasses".

The issues we're discussing is JUST AS MUCH Nikon as it is Canon. I've said so. I believe that Sony has also done this.

I've also said that the Olympus kit lens does not seem to have these cost-cutting issues.

I've not said anything about the optical quality of the Canon kit lens. I've also generally had a lot of good things to say about the Canon 50mm F1.8.

I have a hard time buying that a plastic mount was done to save weight. How much does a metal mount weigh? Darn near nothing.

Master Mason, I did not say that the XT has terrible build quality, but that other entry-level DSLRs (Nikon, Olympus, and yes, Pentax) are generally considered to have better build quality. I've said countless times that all DSLRs are extremely high-quality cameras and have never said that the Rebel line is junky. I've seen several times where other people have commented on not liking the feel and just the other day, someone commented that it felt like a "toy" to them, yet nobody seems to get upset at them? :confused3

Jann, FWIW, the age of the lens shouldn't matter. I have a few really old lenses in my collection and none of them do, and just spend some time at a photo shop that has more decades-old glass than stuff from the past 10 years, and nothing I looked at had rotating front elements. Certainly some old lenses did but I think it was always pretty rare.

What I can't understand is why C/N fans continue to make excuses for the kit lens' attributes, re: plastic mount, rotating front, no lens hood, difficulty working with CPs and other filters that require a specific rotation. Of course both companies are completely capable of making excellent lenses. But wouldn't it be nice if Canon and Nikons fans could say that their kit lens was not only pretty good optically, but had fast, quiet focusing (I understand that the Nikon is pretty good in this regard), had a nice lens hood, worked with CP filters without being a PITA, a solid feel, and a metal mount? They most certainly are capable of producing such a lens AND having it cheap enough to be a basic inexpensive kit lens. Come on!

And no, lest there be any doubt, I most certainly don't think Pentax is perfect. They made a big mistake when they use stuck with the tiny DL buffer instead of the larger DS buffer when designing the K1x0D, for example.

To sum up: whatever words you want to use, CPs and C/N/S kit lenses don't get along well. This is something to consider when someone is specifically asking about kit lenses, as was done in this thread. If you don't like the choice of words, well, I'm very sorry, but I suspect that any mention of this at all will ruffle feathers, but the issue remains and I think it's worth noting, just as others are quick to point out the K1x0D's substandard buffer size (and I myself generally point it out as well.)

Anyway, I'm not here to have such stupid debates (and yes, this is definitely a very stupid debate.) If I can't mention CP issues with rotating fronts on C/N/S kit lenses without causing a fracas, then perhaps I'll steer completely clear of hardware threads and just participate in the other threads. Will that make you all happy? I'm not interested in fighting with you all, as we all lose when we do.
 
Groucho,

I think the problem is your very boisterous in your promotion of Pentax, which is fine, but when you then critisize other brands, it is take with that boisterous support of pentax....

I have critisized the nikon d40 many times for it's lack of a focus moter, but even though I have a canon and love it, I am not always telling folks the wonders of canon.

it's all about presentation.

Please post, just keep in mind how the total package comes accross.
 
l mount weigh? Darn near nothing.

Master Mason, I did not say that the XT has terrible build quality, but that other entry-level DSLRs (Nikon, Olympus, and yes, Pentax) are generally considered to have better build quality. I've said countless times that all DSLRs are extremely high-quality cameras and have never said that the Rebel line is junky. I've seen several times where other people have commented on not liking the feel and just the other day, someone commented that it felt like a "toy" to them, yet nobody seems to get upset at them? :confused3

.

Concidered by whom? Since it is still as far as I know the #1 selling dSLR, they must be doing something right
 
OK since i am not a digital or even film expert like you are obviously I think you might actually cut a little slack to people that are learning this is afterall the reason for these board and to the people that have been most helpful with my qestions I again say thank you

Sorry if it sounded harsh or other wise offensive, I honestly thought you just mistyped.
 
whatever words you want to use, CPs and C/N/S kit lenses don't get along well. This is something to consider when someone is specifically asking about kit lenses, as was done in this thread. If you don't like the choice of words, well, I'm very sorry

If you'd used words like this in the first place, neither of us would have felt the need to contradict you. What you said before wrongly implied that a CP would not work with one of these lenses. What you say now is more accurate and is essentially what jann1033, I, and your quotes were saying. It wasn't the choice of words, but the meaning that they conveyed that I objected to. There's a big difference between "harder to use" and "won't work".

try reading my posts without putting on your "defensive glasses".
Very good advice. Perhaps you should consider it as well.
 
Sorry if it sounded harsh or other wise offensive, I honestly thought you just mistyped.

nope just didnt know thought the larger the number the more likely it was used to take faster motion since any pic taken in macro is like an iso 50 and something that has motion or is far away is usually a higher number like a 200 or 400 like i said still a novice but learning lots since I started lurking here :) so didnt know that larger numbers also means more light as well get to the sensor still learning things everyday:woohoo:
 
nope just didnt know thought the larger the number the more likely it was used to take faster motion since any pic taken in macro is like an iso 50 and something that has motion or is far away is usually a higher number like a 200 or 400 like i said still a novice but learning lots since I started lurking here :) so didnt know that larger numbers also means more light as well get to the sensor still learning things everyday:woohoo:




if you are familiar with film, the iso speeds work about the same with digital ie 100 would be "daylight", 200 was "daylight and i think flash"( how quickly we forget, plus i never bought 200:) ) while 400 or above would be "low light". you probably bought 400 film to take photos inside sometimes or at night. low light but high speed

i'm not sure about the 50 200 and 400 in your post. you may be thinking MM instead of iso. although a higher iso does allow you to take a motion photo due to allowing a higher shutter speed. but macro you usually want as much light as possible so i would think a higher iso would help there as well.( so i would think at least 100)

anyway, terminology can be confusing's ie aperture's "big number"=small hole, who thought that one up:)and that it's a fraction is just more monkey wrenches in the pot:rotfl:
 
After deciding that I was not ready to head down the DSLR road I settled on the inbetween solution and have gone out and bought a cannon S3 after checking into it and talking to some s3 people and looking at pics there it. I think this is a good choice to fill my demands that i was looking for. will start experimenting and learning it over the weekend
 
Congrats on the new camera, I am sure you will love it
 
After deciding that I was not ready to head down the DSLR road I settled on the inbetween solution and have gone out and bought a cannon S3 after checking into it and talking to some s3 people and looking at pics there it. I think this is a good choice to fill my demands that i was looking for. will start experimenting and learning it over the weekend

lots of people seem to love it and imo it seems like a great "mid-skil"l camera that would help you advance if you want to ...looking forward to your photos:thumbsup2
 
this is a pic from a hill
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this is a zoom of the little ball on the horizon in the first pic towards the left in the image
IMG_0043.jpg

a bird
IMG_0027.jpg
 
this is a zoom of the little ball on the horizon in the first pic towards the left in the image
IMG_0043.jpg

Very impressive zoom capabilities, are you using some digital zoom?

It looks like it focused a bit on the trees in the foreground(bottom right hand corner) instead of the horizon.
 
Very impressive zoom capabilities, are you using some digital zoom?

It looks like it focused a bit on the trees in the foreground(bottom right hand corner) instead of the horizon.

had the digital zoom turned on and i think by that point it was digital but man it sure has legs to it
 


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