DIS Shareholders and Stock Info ONLY

If there is a space, it's the tiniest space that no company can ever thread.

Disney could make 99 straight cookie cutter prince/princess movies that draw up 0 criticism and decide on the 100th to do a prince/prince or princess/princess movie and I guarantee they would get hit with negative press about them being to political. People will disregard everything they did previously and just harp on what they are doing in the now. Complain that they are changing for the bad and should stay out of politics, pretty similar to what we see nowadays.
 
People are already outraged about a Disney movie whose trailer hasn’t even released yet because of a production photo and a couple of blown out of proportion comments from an actress.

Right? There's literally nothing they can do. Some people are just going to find fault with something. How good would movies that take no position on anything even be? Every movie ever made has a message after all. How boring would they be if they didn't?
 
You aren’t wrong. But it’s not absolute. Some things are enough to boycott a company. Most things aren’t. It’s kind of a sliding scale. One of society’s problems right now is that people are too absolutist. There’s plenty of grey space where everyone can reside.

Even the most divisive political issues of our day have lots of overlap of agreement. But consensus and overlap don’t go viral.

So, question: this is all art in one way or another. You're saying an artist needs to compromise their vision or intent to cater to the masses, right? Where does that end? Who is the arbiter of what is "appropriate"?

I, for instance, boycott Chick-Fil-A and Hobby Lobby for their stances on certain things. It is 100% allowed for any of us to do that and I'd never begrudge anyone for boycotting for their beliefs. But when that boycott tries to change art or tie an artists hands behind their back, that's when I have a problem.

What harm came from a non-white Little Mermaid? Zero, but some folks made it out to be the End of Civilization. Spoiler Alert: it's not.
 

https://www.financialexpress.com/bu...aid-to-draw-firms-including-reliance-3247454/

Disney India sale talks said to draw firms including Reliance​

The US entertainment giant has discussed a range of options with would-be suitors, from a deal for the entire Disney Star business to a piecemeal transaction that may include some combination of its assets including sports rights and regional streaming service Disney+ Hotstar.​


Written by Bloomberg
September 18, 2023 17:19 IST

Walt Disney Co. has held preliminary talks with potential buyers for its India streaming and television business including billionaire Mukesh Ambani’s Reliance Industries Ltd., according to people familiar with the matter. The US entertainment giant has discussed a range of options with would-be suitors, from a deal for the entire Disney Star business to a piecemeal transaction that may include some combination of its assets including sports rights and regional streaming service Disney+ Hotstar, the people said.

Disney has been weighing strategic options for the business including an outright sale or setting up a joint venture, Bloomberg News reported in July after the Indian unit lost its streaming rights to the Indian Premier League cricket tournament to Viacom18 Media Pvt., a tie-up between Paramount Global and Reliance. Disney had approached Reliance about potentially buying a stake in the business, a person familiar with the matter said at the time.

Discussions are ongoing and may not lead to any deal, the people said, asking not to be identified as the information is private. Disney could decide to hold onto the assets for longer, they added. A representative for Disney declined to comment.

A spokesman for Reliance said the company “evaluates various opportunities on an ongoing basis” and will make the required disclosures when necessary, declining to comment further.

Though Disney Star has seen declining subscriber numbers after losing the IPL streaming rights, it hasn’t ceded the entire cricket business, securing the television rights through 2027. Last year it agreed to license the TV rights for International Cricket Council men’s matches to ZEE Entertainment Enterprises Ltd. for four years, with Disney+ Hotstar retaining the digital rights.

JioCinema, the streaming service backed by Reliance, netted a record 32 million concurrent viewers in May for the IPL final, which was free to watch on the platform. The venture has begun charging for some content on the platform after signing a multi-year pact to stream Warner Bros Discovery Inc.’s exclusive content in india.
 

https://www.wsj.com/business/media/how-prime-time-tv-will-look-different-this-fall-63ff818c?mod=hp_lista_pos2

How Prime-Time TV Will Look Different This Fall

As dual strikes grip Hollywood, the new season’s network schedules lean heavily on reality and game shows


By Nate Rattner and Sarah Krouse
Sept. 17, 2023 9:00 pm EDT

Production delays caused by the monthslong Hollywood writers and actors strikes mean the coming slate of shows on ABC, NBC, CBS, Fox and the CW will look a lot different from past years.


This year, viewers will see lineups heavy on reality and game shows, with titles such as “Shark Tank," “The Masked Singer," “Celebrity Jeopardy!" and “Raid the Cage." Networks are also turning to reruns of hits such as “Law & Order" and “Blue Bloods" to fill their airtime.

Some, like NBC and the CW, are trying to replicate the typical fall viewing experience by licensing shows that have been released on television overseas. Many international productions have been immune from strike-related disruptions.

At Fox, new scripted fare includes “The Simpsons" and “Family Guy," animated shows that are typically made with a longer lead time than live-action programs.

Here is what you can expect on prime-time TV this season.

At Paramount Global’s CBS, fall offerings include some long-running reality franchises and old episodes of the hit show “Yellowstone," which has never been broadcast on the network. CBS will also air the first international edition of the NCIS franchise, which was produced in Australia and wasn’t affected by the U.S. strikes.

Data on the share of new scripted content on each network in prior years is based on a Wall Street Journal analysis of scheduling data from TV ad-measurement company iSpot.tv.

Later in the fall, the network plans to roll out additional scripted content that will be new for CBS viewers, including the U.K. version of the sitcom “Ghosts" as well as the drama “SEAL Team" from the Paramount+ streaming platform.

At Fox, weeknight prime time this fall is full of reality and game shows, such as “Hell’s Kitchen" and “Celebrity Name That Tune." The only new scripted content scheduled for the network is animated fare on Sunday nights.

Fox’s fall prime-time programming also typically includes the end of an afternoon National Football League game and postgame programming.

NBC is home to the hit vocal-competition show “The Voice," which runs on Monday and Tuesday nights and isn’t affected by the strikes.

Instead of new seasons of long-running scripted franchises such as “Law & Order" and “Chicago," NBC is showing reruns of those titles because of strike-related production delays. NBC has five other new scripted dramas planned, including Canadian import “Transplant."

The network had already adopted a more flexible scheduling process during the pandemic, said Jeff Bader, president of program planning and strategy for NBCUniversal Entertainment’s program scheduling and research. It also ordered some shows early and in bulk as a strike precaution. “Quantum Leap," for example, stayed in production after it finished filming its debut season, which aired last fall.

“We are going to miss not having the Dick Wolf shows on," said Bader, referring to new shows from the “Law & Order" and “Chicago" executive producer. “But as far as viewers are concerned, those will come on eventually and we have good stuff for them in the meantime."

ABC’s announced lineup is heavy on reality and game-show fare, including the debut of “The Golden Bachelor," featuring a bachelor who is over 70 years old.

It has yet to announce which shows will appear at the start of the week.

CW viewers this fall will find original, scripted content that is new to the U.S. but premiered in other markets, such as Canadian show “Son of a Critch."

The decision to air those shows was rooted in their affordable price, rather than the continuing strikes, and was made well before Hollywood productions shut down, said Brad Schwartz, president of entertainment at the CW, which he calls “the underdog" among the major networks.

The network asks how it can do more with less and licenses overseas content that executives think viewers will enjoy, Schwartz said. “None of those decisions were made because of a strike," he said.

Among the major streaming TV shows that have so far been delayed by the strikes are Netflix’s “Stranger Things," Max’s “White Lotus" and “Euphoria" and Showtime’s “Yellowjackets." Work on some shows paused when writers went on strike in May, while production was under way for others but paused when actors went on strike in July.

For now, the streaming pipeline hasn’t totally run dry because some content was already completed and awaiting release. In August, Hulu released Season 3 of its “Only Murders in the Building" and Showtime released the final season of “Billions." The prior month, Netflix’s “Sweet Magnolias" hit the streaming service and the second season of Amazon Prime Video’s “Good Omens" premiered.

Overall, major streaming services released 91 U.S.-produced scripted TV seasons during the strike-affected months of May through August, according to research firm Ampere Analysis, down from 111 during the same period last year.

The next few months will be a test. While streamers can in some cases lean on stockpiles of already-produced content, industry data show orders for new content have fallen sharply.

Major platforms placed 45 scripted U.S. season orders from May through August, down from 118 orders placed over the same months in 2022 and 112 in 2021, according to Ampere Analysis. Those titles were largely season renewals and animated content unaffected by the strikes, the data provider said.

Methodology

Fall prime-time programming data for 2019-22 are from TV ad-measurement company iSpot.tv, which created a fall schedule for each network between Labor Day and mid-December of each year using the programs in which the most ads aired—a proxy for the shows that aired most frequently—in each time slot. The fall 2023 prime-time schedules are from each network as they define prime time and as of Sept. 15. Times shown on 2023 fall schedules can vary by program, network and time zone. Programming that made its debut on another network or overseas, or has been available on streaming services, is counted as new scripted content for a given network, while rerun programming isn’t.

Sources: WSJ analysis of iSpot.tv data (networks’ fall prime-time schedules, 2019-22); the companies (networks’ prime-time schedules, 2023); Ampere Analysis (streaming releases and orders)
 
But what would it look like for them to produce work that nobody would see any controversey in? I'm willing to bet that someone would find something to complain about. Really that's always been the case, folks are just louder now. The fact is that most people are already totally fine with most of the content that Disney has put out, or at least they don't really buy into the controversey's that people whine about on the Internet. They may like or dislike the final product, but the reason why is not what most of those loud voices think it is.
as in most cases, the loudest people to complain, are in the minority. i think you're right that most people are ok with the content disney has put out.

we have more ways with todays technology to express our opinions, therefore we're much louder.
 
Except they didn't go see that content in the theater and that content didn't drive new subscribers to Disney+, so it's become a problem.

If they learn anything (especially Marvel), quality over quantity.
ehhhh i think there are many reasons for that.

I havent seen a disney movie in the theaters in a few years, its got nothing to do with politics or the "slant" that people claim they have.
 
ehhhh i think there are many reasons for that.

I havent seen a disney movie in the theaters in a few years, its got nothing to do with politics or the "slant" that people claim they have.
Recon what it is then? Poor acting or casting? Poor stories or writing? Poor release timing? Iger told us at the first of the year, it was to be a jam-up box office for DIS this year. So far, not so much.

"Looking ahead, we are excited about our fantastic lineup of new films coming to theaters this year, starting with next week’s release of Marvel’s Ant-Man and The Wasp: Quantumania, followed by other highly anticipated theatrical titles including The Little Mermaid, Guardians of the Galaxy Vol. 3, Pixar’s Elemental, Indiana Jones and the Dial of Destiny, and Disney’s Haunted Mansion."

https://thewaltdisneycompany.com/app/uploads/2023/01/q1-fy23-earnings-transcript.pdf
 
Recon what it is then? Poor acting or casting? Poor stories or writing? Poor release timing? Iger told us at the first of the year, it was to be a jam-up box office for DIS this year. So far, not so much.

"Looking ahead, we are excited about our fantastic lineup of new films coming to theaters this year, starting with next week’s release of Marvel’s Ant-Man and The Wasp: Quantumania, followed by other highly anticipated theatrical titles including The Little Mermaid, Guardians of the Galaxy Vol. 3, Pixar’s Elemental, Indiana Jones and the Dial of Destiny, and Disney’s Haunted Mansion."

https://thewaltdisneycompany.com/app/uploads/2023/01/q1-fy23-earnings-transcript.pdf
Domestic ticket sales are on pace to be down 25% from 2019.

People are not going back to theaters. This is an industry wide problem not a Disney specific problem.
 
FilmBudgetMarketingWorldwide Gross
#4 Guardians of the Galaxy Vol 3$250,000,000$100,000,000+$845,555,777
#7 The Little Mermaid$250,000,000$140,000,000$569,541,460
#9 Elemental$200,000,000$100,000,000+$484,356,927
#10 Ant-man Quantumania$200,000,000$100,000,000+$476,071,180
#14 Indiana Jones Dial of Destiny$294,700,000$100,000,000+$382,688,455
#28 Haunted Mansion$157,000,000$150,000,000+$106,612,671

https://www.boxofficemojo.com/year/world/2023/
 
FilmBudgetMarketingWorldwide Gross
#4 Guardians of the Galaxy Vol 3$250,000,000$100,000,000+$845,555,777
#7 The Little Mermaid$250,000,000$140,000,000$569,541,460
#9 Elemental$200,000,000$100,000,000+$484,356,927
#10 Ant-man Quantumania$200,000,000$100,000,000+$476,071,180
#14 Indiana Jones Dial of Destiny$294,700,000$100,000,000+$382,688,455
#28 Haunted Mansion$157,000,000$150,000,000+$106,612,671
Yeah Ant Man is Marvel’s first “Dud” in the post Endgame Era. Eternals probably would join the list but it released when theatrical performance was even lower than it is now globally.
 
Where'd you come up with 8?
Numbers includes holdovers of 2022 releases.

So the box office gross earned in 2023 from Black Panther 2, and Strange World were attributed to this years’ total gross along with the 6 Disney releases.

Numbers also separated 20th Century Studios which was 3 films with about 5% of the domestic gross.
 
https://www.thewrap.com/elemental-opening-week-disney-streaming/

‘Elemental’ Draws Most Opening Week Views for Any Disney+ Film This Year​

Jeremy Fuster


September 18, 2023 @ 3:08 PM

Disney/Pixar’s “Elemental” is continuing its rebound from the worst opening weekend in Pixar history on streaming, as the studio reported Monday that the animated film drew 26.4 million views worldwide in its first five days on Disney+.
That’s enough to make “Elemental” the most watched film on Disney’s streaming service in its opening week this year, and the most viewed animated movie premiere on Disney+ since Pixar’s “Turning Red” premiered exclusively on the service in March 2022.

Directed by Peter Sohn, “Elemental” first seemed doomed to be another box office bomb akin to Pixar’s 2022 bust “Lightyear” after it suffered the worst opening weekend in studio history with $29.6 million grossed in North America back in June. A lack of widespread prerelease interest among moviegoers, combined with mixed reviews at its Cannes Film Festival premiere, were likely to blame for the bad start.

But after it hit theaters, “Elemental” earned the stellar word-of-mouth usually expected from Pixar films and legged out for over two months in theaters, going on to gross $154 million domestic and $484 million worldwide in a run similar to DreamWorks’ “Puss in Boots: The Last Wish” this past winter. The film’s romantic story and familial themes particularly resonated in South Korea — the native country of Sohn’s parents — where it became Pixar’s highest grossing film ever.

Disney is hoping that the strong word-of-mouth for “Elemental” will help build momentum for future films coming from both Pixar and Walt Disney Animation. Disney’s next animated release in theaters will be its centennial anniversary film “Wish” on Thanksgiving weekend, followed by Pixar’s “Elio” in March 2024.
 












Save Up to 30% on Rooms at Walt Disney World!

Save up to 30% on rooms at select Disney Resorts Collection hotels when you stay 5 consecutive nights or longer in late summer and early fall. Plus, enjoy other savings for shorter stays.This offer is valid for stays most nights from August 1 to October 11, 2025.
CLICK HERE













DIS Facebook DIS youtube DIS Instagram DIS Pinterest

Back
Top