The Long Lense League

To clear up a very common misconception, "reach" is what long lenses offer. Perspective compression is a factor (and *only* a factor) of the relative distances between the camera and picture elements. If I had taken the photo of Cindy's castle with a 50mm and used editing software to zoom in on the central portion of the image the perspective would be identical to the 200mm, this has been proven many times.

The difference is I would have had to zoom in quite a bit and most of the frame would have been outside my area of interest (not to mention the pixelation from zooming), hence the need for reach and the need for a long lens. What the long lens gives us is the ability to fill the frame with what we are interested in.

Point #2: a 200mm is a 200mm even on most crop dSLRs. Why? Because almost all dSLRs use the same lens mounts and dimensions as their full frame counterparts. This allows use of the full line of lenses but also locks in the magnification of the lens to be the same as on a FF. Yes, the angle of view is narrower but the magnification (which is what we use a long lens for) is identical.

This may seem trivial but by knowing how long lenses work may also help to clear up "why" and "when" to use a long lens (or a wide angle lens). Once we have visualized the image and how the subjects relate within it *then* we can decide what lens we need to fill the frame with what we want to keep.
 
200mm shot from the last row of the 100 section, 25 rows up I believe:

1006662555_Rhjyv-L.jpg


1006661074_yjwha-L.jpg


Next time I go I'm bringing my 70-300mm lens. Had NO problems at all bringing in my camera bag. Quick check at security, that was about it.
 
^I understand your point, but If I'm using the lens in such a manner that I intentionally move backwards and zoom in to achieve the effect of perspective compression--regardless of whether this could also (poorly) be done by an editing program--what does it matter what you call it?

I'm probably in the minority here in not caring, and this is just because I am somewhat averse to the technical side of photography.
 
Here's one at 130mm taken with the Nikon 70-200mm f/2.8 VR that I rented last year and will be renting again in November. Charity hockey game with the Boston Bruins Alumni.

Former Bruin and NHL Hall of Famer Brad Park:
723127435_RJisr-L.jpg
 

Drum line

Nikon D300; ISO 200; f/2.8; 1/80 at 200mm
33730_1642473590527_1497474591_1612623_2466223_n.jpg
 
Both sons age 11 and 13 on the same football team. Having a long lens has made the shots from the stands seem like I'm right on the sidelines.

Shot at 500mm f/6.3 1/1600 sec
985924669_uw9Jr-M.jpg
 
Here is the view from our seats. Upper deck row N. These are taken with a Nikon D90 and Tamron 18-270mm lens.

Shot at 18mm f11 1/400
_DSC9996.jpg


Shot at 270mm f6.3 1/800
_DSC0092.jpg


Sometimes it comes in handy to have the reach of a long lens.
 
I love big teles for getting incredibly detailed, count-the-feathers closeups when I'm out birding, not to mention the shallow DOF and creamy backgrounds...here are a few from my 300mm F4 APO:

original.jpg


original.jpg


original.jpg


original.jpg


original.jpg


original.jpg
 
Cocoa Beach 70-200 f/4 L IS at 200 f/10

I'm trying to decide if I should crop out the horizon


1039430397_8gJNP-XL.jpg
 
It's football season baby!! Most of these are with the good ole 18-200VR

705423939_u5wja-L.jpg


705494568_xU5HU-L.jpg
 
Blue Angels @ 200mm - Jacksonville Beach

blue-angels_4563.jpg


blue_angels_4574.jpg
 

New Posts


Disney Vacation Planning. Free. Done for You.
Our Authorized Disney Vacation Planners are here to provide personalized, expert advice, answer every question, and uncover the best discounts. Let Dreams Unlimited Travel take care of all the details, so you can sit back, relax, and enjoy a stress-free vacation.
Start Your Disney Vacation
Disney EarMarked Producer






DIS Facebook DIS youtube DIS Instagram DIS Pinterest DIS Tiktok DIS Twitter

Add as a preferred source on Google

Back
Top Bottom