Mckymousefn
DIS Veteran
- Joined
- Feb 12, 2008
- Messages
- 1,314
Thanks... something to check out. 

Actually, I created the watermark itself offline (it's just a transparent PNG file, pretty much any image creation program can make one) and my web gallery adds it. When I upload photos, I can choose whether or not to add the watermark, and can even choose between different ones. I only use the one style, which I tried to make pretty unobtrusive as I find large watermarks... "distracting" is the nice way of saying it, I guess.Groucho.. i was wondering how you get your own personal copyright on your pictures. I mean, how do you make it and put it on the picture.. Photoshop?
Thanks! Congrats on the K200D, I'm sure you'll love it! I see it got just an Editor's Choice award from Digital Camera Review. The shots inside HM were either taken with the 50mm F1.4 (a terrific lens which is extremely fast and a steal at only $200) and the 31mm F1.8 (which has been called the best autofocus lens ever and has a price tag to match, yikes) - the 50mm is a half-stop faster than the 31mm but sometimes you want the wider prospective of the 31mm. Other options for wider lenses are the Pentax 35mm F2.0 and the Sigma 30mm F1.4. The kit lens and the 18-250mm just won't cut it for doing on-ride photos in the dark rides like Haunted Mansion.Awesome pictures and great trip report. The pictures are inspiring me.
I just ordered a new K200D w/ the kit lens and an 18-250 as a "walk around" lens. It gets here Tuesday and I can't wait!
What lens were you shooting in the HM shots? Those types of low light shots are one of the main reasons I am buying a DSLR. You are the man!![]()
Can't wait for the rest of the trip report and some more shots!
Thanks! Congrats on the K200D, I'm sure you'll love it! I see it got just an Editor's Choice award from Digital Camera Review. The shots inside HM were either taken with the 50mm F1.4 (a terrific lens which is extremely fast and a steal at only $200) and the 31mm F1.8 (which has been called the best autofocus lens ever and has a price tag to match, yikes) - the 50mm is a half-stop faster than the 31mm but sometimes you want the wider prospective of the 31mm. Other options for wider lenses are the Pentax 35mm F2.0 and the Sigma 30mm F1.4. The kit lens and the 18-250mm just won't cut it for doing on-ride photos in the dark rides like Haunted Mansion.
Don't resist it, they are superb.DebºoºS;24888372 said:Thanks for the trip report and pics. You'e amazingingly creative. Each shot is beautiful and unique. The POC shot is one of my fav thus far. Taken @ 2:20am and there's a wheelchair parked outside. Luv it!
I'm leaving in a few hours for the airport. That cherry turnover looks sooo good. It's beckoning me![]()
It will be a lot better than the kit lens certainly, and really not much different than the F1.8 of the 31mm. The manual focus may be slightly tricky but I didn't find it to be as bad as I feared - usually you're pretty close to infinity anyway. Quality-wise, nearly all the Pentax 50mm are superb, so you should get very good image quality in general. I'd keep it handy for any time you want indoor or small DoF shots.I have an old Pentax 50mm f/2 from my film days. I know it won't be as wide as the 31mm, but do you think it will be fast enough for the dark rides?
I appreciate all the help for a newbie!
I have an old Pentax 50mm f/2 from my film days. I know it won't be as wide as the 31mm, but do you think it will be fast enough for the dark rides?
I appreciate all the help for a newbie!
Thanks! The photos all still have their exif data attached. If using Firefox (and if you're not, you should beJust wanted to say how much Ive enjoyed reading your report and your pics. The 3 above stand out for me, and if you have the time in the future, Id be really interested in the EXIF for those.
Ive never thought Id want a fisheye - but now I crave one! Superbly creative shots!
Those actually are better than many of the ones that I got.These were taken with the SMC-A 50mm f/2. Not the greatest, but it is capable.
Here's a few more mildly adjusted photos, then I'll continue the trip report later.
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Here's the new DVC add-on at the Contemporary.
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Don't resist it, they are superb.I found myself using my 31mm F1.8 much more than my 50mm F1.4. This was not a slight against the superb 50mm, but just that it was more useful to shoot wide than narrower, so I chose the wider of two great lenses. There were exceptions, and I wouldn't leave behind the 50mm (especially as it's pretty small and light), but for someone on a non-Pentax system considering their first fast prime and wanting something better than the <$100 cheapies, the Sigma 30mm should probably get some serious consideration vs their OEM's 50mm.
Speaking of which... I'm very happy with my decision to go with the 50-135mm F2.8 rather than a 70-200mm F2.8. The smaller size and much lighter weight meant that it was no issue at all leaving it on the camera and hanging from the next strap regularly. Furthermore, I think the extra range of 50-70mm is much more useful than the lost 135-200mm, which you can generally get back via cropping. Starting at 70mm is just too long for many situations IMHO and may really limit the lens' day-to-day usefulness. The 50-135mm was a very useful range (as it should be, being basically the same range as the classic 70-200mm on a 35mm camera) and a very nice level of quality - comparing the feel of the zoom ring to the one on the Tamron is like comparing a Mercedes to a Kia.And the optical quality is certainly very nice, and it sports 9 aperture blades, which I like a lot.
Tokina's 50-135mm is the same optical formula as the Pentax, though in a different mount (including adding a tripod mount, which the Pentax doesn't have and I think really doesn't need). I'm not sure how the Sigma compares, but I have seen one or two reviews of the Tokina and it's well reviewed.This is excellent information. Even though the 50-135mm f/2.8 is a Pentax lens, Sigma makes a 50-150mm f/2.8 that has gotten excellent reviews. Its less expensive than the 70-200mm f/2.8's.
Your experience with your 50-135mm will put the 50-150 on my radar screen now. Definately something to seriously consider over the 70-200's for price considerations.
Thanks! (And thanks to everyone else, too.) Lots more once I start processing them properly soon.Thanks again for the report. Wonderful job and once again, outstanding photography!!
These were taken with the SMC-A 50mm f/2. Not the greatest, but it is capable.
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