As others have said, it belongs in either Magic Kingdom or in Hollywood Studios. Personally, I like the idea of Hollywood Studios. As I have said to anyone who would listen, I'd love to see a major DHS expansion to increase attractions and help with the theming of my beloved park as I can see it is clearly suffering from an identity crisis
Personally, I kind of like the idea of putting it in DAK. If we are going to base a "land" on a single movie, I think that the "
Frozen North" is a whole lot more marketable proposition long-term than "
Avatar's Pandora." My local zoo (one of the top 5 in the US) has a phenomenally popular penguin exhibit. People who live in the subtropical South would be very happy to get a chance to see animals that inhabit the polar and subpolar regions, and if those animals are virtually "frolicking" with folks who are denizens of the fictional Arendelle, well, as a shareholder I say, sign me up for the snowball fight. I wish Disney would just pay off Cameron and get on with building a killer simulated luge.
As for Norway, I think it will still be Norway. (Arendelle was never supposed to be a "country" in the modern sense in any case. It is a kingdom, and modern Norway encompasses at least 15 former kingdoms from the Viking era. Even the average Norwegian doesn't know the names of all of them, so for Americans the fictional Arendelle should fit in fairly easily. ) I'm guessing that this will just Disney-fy the ride, rather as the Three Caballeros now "Disney-fy" the Mexico ride. (And yes, the country has been muddled there, too, as Jose Carioca isn't Mexican, and doesn't speak Spanish, either.)
The thing is, the nations that sponsor the Epcot pavilions don't seem to be worrying too much about keeping the attractions current -- the Mexico ride's film was already becoming outdated by the time the pavilion first opened, and by the time Disney re-worked the ride it had become an anachronism. I like the Norway Shop, but face it, all that Helly Hanson doesn't sell very well in Central Florida, and even less so now that the average person can easily buy it on the web. Disney will keep the popular and profitable aspects of the pavilion and do away with the ones that are slugs in favor of Frozen-themed things. (I do hope that the "scary" trolls stay, though -- it shouldn't be too hard to work in the idea that some trolls are friendly and some are not.)
This has happened before: look at how deeply entrenched the "temporary"
Festival of the Lion King now is at DAK. It's not really African in the least, but the songs are good and people adore the show, even after 18 years.
EPCOT was supposed to, in it's final iteration, be educational entertainment.
Yes, and we were supposed to want to live there, too. What it was supposed to be is yet another once-popular entertainment concept that is now all but dead: the World's Fair. Thanks to modern technology and international migration patterns we really don't need to build ertsatz miniature countries anymore: we can just go visit ethnic neighborhoods in major US cities. There is still plenty that is educational happening in the Mexico pavilion, and I do not doubt that the Norway pavilion will also retain some cultural programming. (Look at the exhibit in the Stave Church: that wasn't put in until after Frozen, and it is a whole lot more educational than winter clothing and pastry sales.)
PS: By way of explanation, I said that
Festival of the Lion King isn't African because the story is English (it's
Hamlet cast with animals), and other than the idea of setting it in Africa and putting a Swahili phrase in the background vocals of
Circle of Life, it's all textbook American Musical Theatre, with a bit of Samoan fire dancing and Cirque du Soleil thrown in. Setting isn't equal to style or artistic origin: the original
Hamlet was set in Denmark, but that didn't make it Danish literature. (Now, back to our regularly scheduled topic.)