How to shoot fireworks

Sadly, I got one, but do not think I will be able to use it :sad2:

:eek: Blasphemous!! Someone that I work with that is a huge WDW fanatic and goes every year got one for the first time. I'm so jealous..wish they were transferable. :mad:
 
What PIN code e-mails are these coming from? Where do I sign up for that?
 
What PIN code e-mails are these coming from? Where do I sign up for that?

You can't sign up...you can make an account on the WDW website, order the planning DVD each year, sign up for the newsletter AND have the Disney Visa and still not get them...from what anyone can tell, completely random unfortunately. You will get a code that only pertains to your household in the mail..it can't be transferred. They can also come in e-mail. Lots of people get them...just not me. :sad1:
 
:eek: Blasphemous!! Someone that I work with that is a huge WDW fanatic and goes every year got one for the first time. I'm so jealous..wish they were transferable. :mad:

I know! We have not decided when we are going to go back and might wait to buy APs until '10. Whenever we need a fix, we have a CM friend that can get us in for the day and it is only two and a half hours away.


What PIN code e-mails are these coming from? Where do I sign up for that?

Make sure you are registered at the Disney website. I also think it helps to do the surveys as you enter the parks. Look for a person in a different costume holding a little handheld computer. They will swipe your pass in it, ask you some questions, and usually ask for an E-mail address. Their databases are able to link all your information together anyway.
 

Sign up for the Disney Destinations newsletter. What is really cool is you can use it multiple times. I am trying to figure out a quick trip towards the end of MAY. From all of the pics I have seen, I think I did the right thing to upgrade to the Theme Park view.
 
I've just returned from the Mouse with my very own fireworks pictures to share. Since it was my first time out, I'm pretty happy with it. I've had to remind myself that there will be many, many ones that get thrown away. I also had to remind myself that killing the man in front of me with the wedding Mickey ears on his head would be a bad thing. ;)

Here are my shots at 200 ISO, focus on the castle and then turned the auto focus off, changed WB to tungsten as suggested here, took my position at the trash can at Casey's corner also as suggested here, used the tripod, and for the most part had my shutter speed at two seconds but as the show went on I kept up it because I was getting blown out a bit.

With no further ado, I present the best of my Wishes photos:

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And

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And this was my dry run night to see what I needed to review for the Main Street night. I also got the idea to shoot from the Contemporary from here.

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I wanted to thank everyone so much for all of their help and advice. I never could have gotten these shots without all of you, and it's been a big goal of mine for a while to have some nice fireworks shots of my own. I can't wait to go back next year and try again!
 
/
Waaaay back near the start of this thread, someone mentioned being concerned about other guests tripping over your tripod's legs, and it has come up from time to time.

What I do is try to shield my tripod with my body, with my feet wide enough apart to encompass the tripod legs. As I'm a little over six feet tall and fairly physically imposing, that tends to save me from guests approaching from behind. I also try to have something to one side of the tripod (a trash can, planter, railing or some such) so that no one tries to walk past that way. You still have to watch for guests coming from one side or approaching head on. Disney seems to attract guests who cast their gaze in every direction except the direction they're actually moving. I've had minor incidents now and then, but nothing that caused my camera to take a tumble. Still, it is a real danger and it pays to be very cautious -- I'd say be excessively cautious. Always be ready to grab the tripod or camera to save it. I try to keep at least one hand near the camera without actually touching it. I'm not afraid to yell if I see an impending collision, but I've rarely had to do so.

I've gotten some good photos in the past. My best Wishes photos have been from what some consider the optimal viewing spot -- just off the curb on Main Street USA, next to Casey's Corner. Unfortunately, that is a high traffic area. People don't tend to move around so much once the show begins ("For your safety, and the safety of those around you, we ask that you remain in one place ..."), but it can be especially touchy while you're trying to set up before the show starts. If you set up right by the curb, there is "side cover" to the left in that spot that is helpful, so you can wind up with only having to be really concerned about guests approaching from your right, from behind you (hence using your body and legs to protect the tripod), and from the direction of the hub. You also have to be especially watchful when there are children sitting on the curb nearby -- they tend to shift and squirm, and they're not typically mindful of keeping their feet from getting entangled with your tripod. You might have to shift the position of your tripod's feet to take care of this -- remember that to a limited extent you can change the position of the feet without changing the camera's position. If your tripod has a center column with a hook, try hanging your camera bag or another bag (maybe that 40-pound bag of pins you bought ;) ) from the hook -- it will help dampen vibration, and might make it less likely to take a tumble if another guest collides with it. Another safeguard you can take is to have your camera strap looped loosely around one wrist or in your hand. As long as you don't jostle the camera during an exposure, this will help if there's an impact you don't see coming in time to avoid.

I've been pretty fortunate; using the steps I've outlined above, I've had only the most minor of impacts with guests vs. tripod. Indeed, the most annoying incidents have come when my own stupid, clumsy feet have caused problems!

I'll have to change my routine the next time I go. I'll be shooting with mostly different equipment. Where in the past I was shooting a Nikon D80 with the 18-135 kit lens on a piece-of-crap tripod, all that has changed. I got a decent tripod -- the first one I've ever owned. A couple of others recommended this one, which comes with a ball head -- http://www.bhphotovideo.com/c/product/496266-REG/Bogen_Manfrotto__190XDB_Tripod_Legs_Black_.html. I've had it a few weeks and I'm very pleased. I'll also be shooting with my new D300 and, most likely, my new Sigma 10-20 lens. The base ISO on the D300 is ISO 200, and I'm used to shooting ISO 100 at around f8, so I'll have to stop down a bit more to compensate. That is, unless I decide to try shooting at the out-of-spec "LO 1.0" setting, which is pretty much the equivalent of ISO 100. I'll also definitely be using the mirror lock-up function, which my D80 lacked. I did use the exposure delay on the D80, which works, but does (naturally) introduce a bit of a delay between hitting the shutter release and the actual exposure.

SSB
 
That is, unless I decide to try shooting at the out-of-spec "LO 1.0" setting, which is pretty much the equivalent of ISO 100

From things I've read at Nikonians.com and Nikon Cafe.com LO -3 is pretty much the optimum for the D300. Its "equivalent" to ISO160 and is actually the "best" low ISO on the D300. However, since its not ISO200 or ISO100 they added the LO -.3, -.7 and -1 to get it in. Apparently it has better dynamic range than ISO200 and is even better with noise. -.7 and -1 are basically created with exposure compensation.
 
But, Kyle, I think I said if AFTER you, so I'm the most recent, right? :thumbsup2

So, I win! :lmao:
 
From things I've read at Nikonians.com and Nikon Cafe.com LO -3 is pretty much the optimum for the D300. Its "equivalent" to ISO160 and is actually the "best" low ISO on the D300. However, since its not ISO200 or ISO100 they added the LO -.3, -.7 and -1 to get it in. Apparently it has better dynamic range than ISO200 and is even better with noise. -.7 and -1 are basically created with exposure compensation.
Okay, I'll give that a try. I had read Thom Hogan saying that shooting the equivalent of ISO 100 on the D300 was tricky because it was easy to blow out highlights if the exposure wasn't dead on, which gave me pause in this situation because the main subject pretty much is the highlights in each shot. But maybe 160 is less subject to this issue.

SSB
 
I too had the conundrum of "where to shoot". There are so many variables to take into consideration that I was really not able to make a decision on where and feel good about it. I guess it's a good thing we go often, so I can try out more spots each time:

These are from Nov 08:

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Taken from the walkway between fantasy land and "hub center". It's the closest walkway to the castle. 3seconds / F14 / ISO200 with a 35mm lens on Nikon D90. Smoke can be your friend or foe. One thing to take into consideration is wind direction. Some nights that there is a steady breeze it could be smart to pick a totally unconventional spot maybe in frontier land if it keep the smoke away.

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Taken during the dreams come true pre show before spectromagic starts, I about 7pm, from a good distance in the center hub. I really like this better than true night fireworks because of the sky color. Next time Im going to shoot this from the front row fence with a wider lens to have the characters being a larger part of the total image.

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This was from in front of Casey's Corner. 4Sec, F13, ISO100. I LOVE the depth and sense of space created by the crowd being included, although the fireworks are quite overexposed. But the one guy jumping around ruined it (blur on bottom right). Next time I will get a shot like this with blown out fireworks and use it for a "bottom half" composite.

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This is what most of the "same" shot look like when exposed for the firework with no exposure on the crowd. It looks 2D and flat to me.

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Quck 2 minute composite

I have seen some shots on this thread that look to be taken from around crystal palace. I think Im going there next to get a castle/firework reflection in that small pond. Another spot I want to try is mainstreet train station (for the crowd/mainstreet lamps included). Another thought was to try to get the typical "partners - castle" shot with fireworks and using an off camera speedlight held by wife for the statue.
 
Geez, I'm on a variety of Disney email lists, Disney Movie Club, Disney Movie Rewards, Disney Visa, DVC, etc, etc... and I didn't even know anything about codes being emailed. :teeth: I've been a little out of the loop, getting buried with stuff at work will do that to you!

I know! We have not decided when we are going to go back and might wait to buy APs until '10. Whenever we need a fix, we have a CM friend that can get us in for the day and it is only two and a half hours away.
Hmm... guess that means that we won't be running into you over the next couple weekends when we're down there! Maybe next time...
 
Hmm... guess that means that we won't be running into you over the next couple weekends when we're down there! Maybe next time...

As it turns out, our CM friend is coming down here to visit us either this weekend or next weekend and we are going to Kissimmee the middle of next month for their anniversary party. :sad2:
 
Be sure to check the weather down here! My local news said that it is going down to the mid 30's Saturday night down here in The Cape. It will likely be 5-10 cooler in Orlando.
 
Next time, maybe. We should have an extra little one in tow by then. ;)

Re: the weather. Yeah, I've been keeping an eye on it... looks like we'll be wanting a jacket most days. However, around here, we're looking at a high of four degrees on Thursday and 9' on Friday! So even mid-60s will be quite a bit nicer. But my plan is to hang around MK until 2am the night we arrive, but if I see Splash Mt starting to ice up, I'm going back to the hotel room!
 
We were going to watch the fireworks from the observation deck outside the Cali Grill before dinner but they called us in early. I did snap a few of the MK itself - sans fireworks, alas.

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