DIS Shareholders and Stock Info ONLY

Further to 'The Marvels' opening weekend estimates above:

https://www.the-numbers.com/market/

Current total box office and tickets sold data has 2023 looking worse and worse every week.

- 2023 is currently trending 26.8% behind 2019 in tickets sold
- 2023 Box office is on pace for 16% less revenue
- 2023 has had 149 movies released to date vs 130 released for all of 2019

No bueno.
 
Question to @clarker99

If the "estimated" valuation of ESPN @ $22 billion is accurate, does that make the $10 billion offer for ABC, et al by Byron Allen a number that is "in the ballpark?" Or does it need to be higher/lower?
 
https://finance.yahoo.com/news/disney-offers-peek-espn-profit-224154019.html

ESPN May Be Worth $22 Billion Based on First Look at Results
Thomas Buckley
Thu, October 19, 2023 at 11:45 AM CDT

.....

Although earnings are contracting at the sports media unit, the numbers indicate a still fairly profitable operation, even amid the growing challenges of a weaker TV advertising market and subscribers canceling cable TV in favor of streaming services like Netflix Inc.
The division generated operating income of $2.71 billion on sales of $17.3 billion in the previous fiscal year, Disney said.

The numbers support a valuation of up to $22 billion, Bloomberg Intelligence analyst Geetha Ranganathan said in a research note.
Can someone explain how the profit numbers released by Disney lead to an estimation that ESPN is worth up to $22B?
 
Question to @clarker99

If the "estimated" valuation of ESPN @ $22 billion is accurate, does that make the $10 billion offer for ABC, et al by Byron Allen a number that is "in the ballpark?" Or does it need to be higher/lower?
Was just looking at this. ESPN is getting valued at about 1.3x its yearly revenue.

We don't get specific data from Disney about ABC, so hard to know the revenue it generates. If we value the rest of the Linear networks at the same 1.3x yearly revenue that that analyst used to value ESPN that would equal about $15.6B.
 
Was just looking at this. ESPN is getting valued at about 1.3x its yearly revenue.

We don't get specific data from Disney about ABC, so hard to know the revenue it generates. If we value the rest of the Linear networks at the same 1.3x yearly revenue that that analyst used to value ESPN that would equal about $15.6B.
So, does ABC make up 65% of the total networks revenue?

Linear Networks
◦Domestic: ABC Television Network (ABC Network); Disney, Freeform, FX and National Geographic (owned 73% by the Company) branded television channels; and eight owned ABC television stations
◦International: Disney, Fox (will rebranded in fiscal 2024), FX, National Geographic (owned 73% by the Company) and Star branded general entertainment television networks outside of the U.S.
◦A 50% equity investment in A+E Television Networks (A+E), which operates cable channels including A&E, HISTORY and Lifetime

I think it is possible and $10B is probably in the ballpark if we use the same generic 1.3x valuation.
 
I guess it depends (as always) on what the future prospects are. But then, if I could devine that, I would rent Hollywood Studios for an evening and host several thousand of my closest DisBoard buddies, complete with food and booze.
 
Not a whole lot new in this article, except that it mentions how live sports programming costs will be impacted, due to more competition for the product from tech companies with lots of cash to invest.

https://fortune.com/2023/10/20/disney-espn-sports-streaming-wars-bob-iger-apple-amazon/

Bob Iger revealed ESPN is more important for Disney’s bottom line than its entire entertainment business—but profits are falling
BY Christiaan Hetzner
October 20, 2023 at 9:19 AM CDT

In preparation for an ESPN bridal show, Disney boss Bob Iger offered a first peek behind the curtains on Thursday that revealed just how crucial a contributor the network is to his bottom line.

In a nutshell, investors now have definitive proof the U.S. sports broadcaster is a bigger profit center than its entire movie and television business combined, including everything from Marvel Studios to Disney+.

Fresh from a contract extension, boomerang CEO Iger is on the hunt for a strategic partner for the 80%-owned subsidiary, someone who has the wherewithal to help transition the business from cable to digital as more and more Americans cut the cord.
Iger is realigning the century-old media giant to create a more transparent and comparable business, one in which executives are more accountable and investors can more easily model their value as the share languishes at near-decade lows.

In the process, the CEO is breaking up the previous financial reporting structure and creating a new “Sports” division alongside the content business, which has been renamed simply “Entertainment”.

The operations centering around its extremely lucrative theme parks, cruise lines and merchandising operations are now grouped under “Experiences”.

Ahead of fourth fiscal quarter results that will reflect the new organizational lines for the first time, Disney published restated figures that finally break out the performance of ESPN, a fifth of which is owned by media group Hearst, within the company and its broader Sports division.

For the nine months, the network posted an operating income of $1.9 billion on revenue of nearly $12.6 billion. The overwhelming share of that comes from its domestic U.S. market, where it generates fat affiliate fees from cable companies like Charter eager to distribute its programming.

That represents however a deterioration in both profit and margins compared to the previous year’s period, when ESPN earned $2.1 billion on turnover of just $12.3 billion.
And here lies the potential dilemma that faces Iger and his shareholders, including activist Nelson Peltz, as they go shopping for a new partner for the broadcaster.

Cable television, once highly lucrative, is losing out to less-profitable streaming much like free-to-air programming, as more customers prefer the convenience of watching their favorite films and shows on demand.

Cutting costs, like Iger has with his scripted content, is tricky. Even if producing fewer films and series for Disney+ risked losing subscribers to rivals Netflix, Warner Bros. Discovery’s Max or Paramount+ in the process, this was deemed acceptable and indeed necessary by investors as Disney’s streaming service continues to lose money.

Disney looks to be outgunned in sports streaming wars

But ESPN is in a much different position, not least because the demand for live sports—unlike other scheduled programming—remains extremely resilient to prevailing trends in consumer behavior.

Simply cutting content costs could threaten its status as Disney’s cash cow in the content space, because it could lose out to streaming deals where Disney finds itself bumping up against deep-pocketed rivals in the tech industry.

Amazon pays $1 billion per year to the NFL to secure the digital rights to Thursday Night Football, while Apple inked a $2.5 billion deal to bring Major League Soccer, home to Lionel Messi’s Inter Miami team, to its customers.

“The sports streaming wars are heating up as Apple, Amazon, YouTube and Peacock vie to create the next ESPN,” former media exec Aden Ikram wrote last month for Fortune. “Some analysts believe Apple should just acquire ESPN and put its many leagues on streaming.”

Disney has always been a major player in the entertainment industry alongside Netflix, but it doesn’t have the financial firepower to match two companies like Amazon and Apple, collectively worth a combined $4 trillion on the stock market.

That’s why Iger, a dealmaker tipped to be eyeing a sale of Disney to Apple, needs help to secure his company’s claim to the thriving sports streaming business.

“If they come to the table with value that enables ESPN to make a transition to its direct-to-consumer offering, then we’re going to be very open-minded about that,” Iger told CNBC in an interview in July, confirming initial exploratory talks have already been held.
Disney’s Sports division isn’t just ESPN though. It also includes the branded sports channels of its Indian broadcaster Star, acquired as part of the 20th Century Fox assets.
Unfortunately for Iger, his subcontinent subsidiary racked up a whopping $444 million in losses on just $637 million in turnover over the past nine months and remained consistently in the red each quarter.
 
https://variety.com/video/disney-jo...=NA-VARI-11240264&mvl= [Homepage Latest News]

Disney’s John Campbell on How the ‘Toy Story’-NFL Collaboration Brought in ‘Millions’ of New Audiences
by Jaden Thompson

How can a company use marketing to make a memorable impact when the average human attention span is less than that of a goldfish?

Shreya Kushari, chief client officer at OMD USA, noted this statistic in conversation with Frank Cortese, global head of brand media at Canva, and John Campbell, senior vice president of client partnerships at Disney. They spoke on a panel together as part of the Variety Studio presented by Canva at Advertising Week.

“Use those two seconds really well,” Kushari continued. “And go into the insights of ‘What is it that they’re doing, what are they looking for? Are they laid back? Are they leaned in?’ And therefore, customize the branded experience that we do for them.”

Cortese mentioned that Canva is working on the fourth version of a campaign called “What Would You Design Today?”

He noted the importance of finding ways to make a campaign interesting: “Showing up with experiential activations at tentpole moments, integrating ourselves into popular television and film content along the way, where we can take the message from the campaign and also infuse it into various touch points that a consumer might come into contact with.”

Campbell shared an anecdote about creatively using technology to capture audiences’ attention — especially new audiences. Disney recently partnered with the NFL to showcase Pixar’s “Toy Story” characters playing football, which brought in “millions of new audiences.”

He said, “You start to have families watching the NFL that never looked at that before, just because it didn’t appeal to them. But when you put it in a ‘Toy Story’ format, all of a sudden, my 7 and 5-year-old love Woody, and they want to watch the NFL.”

Also on the topic of technology, Cortese discussed how AI can be used to facilitate a more efficient and creative experience in Canva’s Magic Studio. He offered several examples; users can, for instance, have a brainstorming session summarized into a document.

“We’re really trying to make it easy for people to take the mundane tasks that maybe they’ve had to spend a lot of time on, but give them more time to think creatively and think strategically. So that’s how we think about it being a co-pilot for people on the side,” Cortese said. Kushari agreed that AI should be used to “make life easier.”

“We can’t teach emotions, true emotions,” Campbell said. “We want to make sure we have that balance of technology as well as human creativity.”

Cortese concluded the conversation by saying, “We are trying to do bigger, fewer, better partnerships with our partners, making sure that we’re really driving impact and attention with our consumers, and engaging them in a way that is helpful to them.”

Watch the full conversation above.
 
https://www.fool.com/investing/2023...hoo-host&utm_medium=feed&utm_campaign=article

Netflix Is Getting Into Experiences, and It Could Be a Game Changer
By Jeremy Bowman–Oct 21, 2023 at 1:00PM CDT\

Key Points
  • Netflix is finally stepping up its presence in the experiences category.
  • With its new Netflix House, the company plans venues with retail, dining, and immersive experiences.
  • The strategy has been highly successful for peers like Disney and could drive Netflix stock even higher.
The streaming giant is set to debut a new experience called Netflix House.
Netflix (NFLX -0.20%) has transformed the entertainment industry by making your living room the center of entertainment.

By disrupting the industry first through DVDs by mail and later video streaming, Netflix has allowed anyone paying a modest monthly fee to enjoy a smorgasbord of movies and TV shows without even having to get up from their couch. Along the way, the movie theater industry has been decimated, and the silver screen has lost its primacy.

However, after staking its business on digital technology for so many years, Netflix now seems poised to tap into a business it has long shunned: brick-and-mortar experiences.
Image source: Netflix.

Netflix House is coming

According to Bloomberg, Netflix is planning new destinations where fans of shows like Stranger Things and Squid Game can go to have thematic, immersive experiences built around retail, dining, and things like a Squid Game-based obstacle course.

This is the first time the company is building permanent brick-and-mortar locations that will serve as extensions of its brand. The new spaces will be called Netflix House, and the company is expected to open the first two in 2025, expanding the concept globally from there.

Thus far, Netflix has dabbled in pop-up style experiences, which recently included a Bridgerton-themed ball, with drinks, dancing, and costumes inspired by the royal-themed show.

Netflix has also experimented in the past with consumer product promotions, making a Stranger Things-branded frozen pizza, and a tie-in with Nike on a Nike x Stranger Things shoe release. It also has a pop-up retail store in Los Angeles, testing demand for its branded merchandise.

Borrowing a page from Disney

Netflix has taken a different course to industry leadership than the legacy studios, and that's partly why the streaming giant hasn't really tapped into the power of experiences and consumer products. However, its legacy media peers offer plenty of evidence that this is a tried-and-true strategy for increasing customer affinity and growing profits.

Walt Disney offers the best example of how entertainment supports experiences and vice versa, but it's not the only major studio to operate from that playbook. Comcast, for example, has five Universal Studios theme parks, and there's plenty of branded merchandise that stems from popular movies and TV shows from the Hollywood studios.

For Disney, its Parks, Experiences, and Products segment now drives the majority of its profits, contributing 77% of segment operating income in this fiscal year so far, and the House of Mouse is literally doubling down on that business, saying it would nearly double its capital expenditures on theme parks over the next decade to around $60 billion.

A natural next step

Netflix doesn't need to build out its own theme parks to tap into the real-world magic inspired by its content. The Bridgerton ball is a good example of what Netflix can do here, bringing unique experiences for fans that they can't get anywhere else.

It's clear by now that Netflix's programming, on which it spends roughly $15 billion a year, deserves more than just to be stuffed into your living room TV screen, where its menu can show only a handful of the thousands of titles at once.

Netflix fans, like those who travel to Disney World and other theme parks, want to have immersive experiences with the characters and storylines that they love, and tapping into that demand should improve subscriber retention and add a new revenue stream.

Netflix also has an easy way to advertise such experiences on its streaming platform. For example, it could easily include a teaser for the Bridgerton ball once viewers start watching the show. Co-CEO Ted Sarandos shared on the recent earnings call that there have been dozens of marriage proposals at the Bridgerton events, showing how deeply it's resonating with fans.

Management sees the Netflix House project as a way to support its content, rather than a new revenue stream, but that could change as it evolves.

The company also has another experience-based opportunity sitting right under its nose. It could host theatrical showings of some of its movies and TV shows at the Netflix Houses. They could even be accompanied by Q&A with stars or directors, and the company could host select sneak previews of upcoming seasons for fans of certain shows, charging extra for the privilege.

Such events would further encourage community among fans, who have until now mostly enjoyed their favorite shows and movies alone.

For comparison, Disney is set to bring in roughly $10 billion in operating income from Parks, Experiences, and Products, showing there's a huge market for content-related products and experiences.

Netflix isn't about to open six global theme parks, but the streaming giant is taking a good first step with Netflix House. It will be years before this new concept has the potential to deliver meaningful results on the bottom line, but it's the latest evidence that Netflix isn't afraid to break the mold that made it so successful in the 2010s but is now looking staid.

Its decisions to crack down on password-sharing and launch an advertising tier are paying off as the post-earnings pop stock shows, and Netflix Houses should also yield a return for the company, both financially and in building its brand equity.

Viewed as part of a broader push to grow the company beyond its traditional streaming platform, it's another reason to buy Netflix stock.
 
https://www.cnbc.com/2023/10/22/paramount-shari-redstone-might-have-missed-deal-window.html

Paramount’s Shari Redstone is open for business, but business may not be open for her
Published Sun, Oct 22 20238:00 AM EDT
Alex Sherman@sherman4949
Key Points
  • Paramount Global controlling shareholder Shari Redstone is open to doing a transformative deal, but she hasn’t been able to figure out the right one yet, sources say.
  • Large media companies need to consolidate, but market conditions make it tough.
Shari Redstone may have missed her window.

Paramount Global’s controlling shareholder is open to a merger or selling the company at the right price, according to people familiar with her thinking. And she has been open to it for several years, said the people, who asked not to speak publicly because the discussions have been private.

Spokespeople for Redstone and Paramount Global declined to comment.

The problem has been finding the right deal for shareholders. Market conditions have made a transformative transaction difficult at best and highly unlikely at worst.

“The market is crying out for reshaping media company portfolios and consolidation,” said Jon Miller, chief executive at Integrated Media and a senior advisor at venture firm Advancit Capital, which Redstone co-founded. “But the deck is stacked against large-scale transactions now because of both immediate concerns in terms of ad sales, subscription video numbers and the cost of debt. No one wants to transact at the current market valuations that these companies are given.”

Paramount Global is an archetype for the media industry’s consolidation conundrum. The company consists of Paramount Pictures, the CBS broadcast network, 28 owned-and-operated local CBS stations, the streaming service Paramount+, free advertising-supported Pluto TV, “Star Trek,” “SpongeBob SquarePants,” MTV, Nickelodeon, Comedy Central, BET and Showtime. It also owns the physical Paramount studio lot in Los Angeles, California.

From a sum-of-the-parts perspective, the company holds a strong hand. Many of Paramount Global’s assets would fit nicely within larger media companies.

“Paramount has a tremendous amount of assets in its content library and they own some pretty powerful sports rights in the form of the NFL contract, Champions League soccer and March Madness,” Guggenheim analyst Michael Morris told CNBC last week.

“But, they are still losing money on their streaming service,” Morris said. “They need to pull these things together, right-size the content, super charge that topline through pricing and penetration, and then we can see investors get excited about this idea again.”

Declining revenue from the acceleration of pay-TV cord-cutting, continued streaming losses and rising interest rates have put Redstone in a bind. The company’s market capitalization has slumped to $7.7 billion, nearly the company’s lowest valuation since Redstone merged CBS and Viacom in 2019. At the time, that transaction gave the combined company a market valuation of about $30 billion.

It’s unclear whether staying the course will help turn investor sentiment. Warren Buffett, CEO of Berkshire Hathaway, one of Paramount Global’s biggest shareholders, told CNBC in April that streaming “is not really a very good business.” He also noted that shareholders in entertainment companies “really haven’t done that great over time.”

Warren Buffett on Paramount: It’s never good when a company cuts dividend dramatically

Paramount Global’s direct-to-consumer businesses lost $424 million in the second quarter and $511 million in the first quarter. The company reports third-quarter earnings Nov. 2.

CEO Bob Bakish said 2023 will be the peak loss year for streaming. Paramount Global cut its dividend to 5 cents per share from 24 cents per share to “further enhance our ability to deliver long-term value for our shareholders as we move toward streaming profitability,” Bakish said in May.

Wells Fargo analyst Steven Cahall suggested earlier this year that Bakish should shut down the company’s streaming business entirely, despite the fact that Paramount+ has accumulated more than 60 million subscribers.

“We believe Paramount Global is worth a lot more either as a content arms dealer or as a break-up for sale story,” Cahall wrote in a note to clients in May. “Great content, misguided strategy.”

Big Tech lifeline

Executives at Paramount Global continue to hold out hope that a large technology company, such as Apple , Amazon or Alphabet, will view the collection of assets as a way to bolster their content aspirations, according to people familiar with the matter.
Paramount+’s 61 million subscribers could help supersize an existing streaming service such as Apple TV+ or Amazon’s Prime Video, or give Alphabet’s YouTube a bigger foothold into subscription streaming beyond the National Football League’s Sunday Ticket and YouTube TV.

While Federal Trade Commission Chairman Lina Khan has been particularly focused on limiting the power of Big Tech companies, Apple, Amazon and Alphabet may actually be better buyers than legacy media companies from a regulatory standpoint. They don’t own a broadcast TV network, unlike Comcast (NBC), Fox or Disney (ABC). It’s highly unlikely U.S. regulators would allow one company to own two broadcast networks. Divesting CBS is possible, but it’s so intertwined with Paramount+ that separating the network from the streaming service would be messy.

“We believe Paramount Global is too small to win the streaming wars, but it is bite-size enough to be acquired by a larger streaming competitor for its deep library of film and TV content, as well as its sports rights and news assets,” Laura Martin, an analyst at Needham & Co., wrote in an Oct. 9 research note to clients.

Acquiring Paramount Global would be a relative drop in the bucket for a Big Tech company. Paramount Global’s market value was below $8 billion as of Friday. It also has about $16 billion in long-term debt.

Still, even with huge balance sheets and trillion-dollar valuations, there’s no evidence technology companies want to own declining legacy media assets such as cable and broadcast networks. Netflix has built its business specifically on the premise that these assets will ultimately die. Paramount’s lot and studio may be appealing for content creation and library programming, but that would leave Redstone holding a less desirable basket of legacy media assets.

Breakup difficulties

It’s possible Redstone could break up the company and sell off legacy media assets to a private equity firm that could milk them for cash. But Paramount Global’s diminished market valuation, relative to its debt, likely makes a leveraged buyout less appealing for a potential private equity firm.

Moreover, rising interest rates have generally slowed down take-private deals in all industries, as the cost of paying debt interest has soared. Globally, buyout fund deal volume in the first half of 2023 is down 58% from the same period a year ago, according to a Bain & Co. study.

If a full sale to Big Tech and a partial sale to private equity won’t happen, another option for Redstone is to merge or sell to another legacy media company. Warner Bros. Discovery could merge with Paramount Global, though putting together Warner Bros. and Paramount Pictures may hold up deal approval with U.S. regulators.

Beyond regulatory issues, recent history suggests big media mergers haven’t worked well for shareholders. Tens of billions of dollars in shareholder value have been lost in recent media mergers, including WarnerMedia and Discovery, Disney and the majority of Fox, Comcast/NBCUniversal and Sky, Viacom and CBS, and Scripps and Discovery.
Merger partners such as Warner Bros. Discovery also may prefer to sell or merge with a different company, such as Comcast’s NBCUniversal, if regulators allow a big media combination.

Redstone has recently dabbled around the edges, shedding some assets, such as book publisher Simon & Schuster, and engaging in talks to sell a majority stake in cable network BET.

But Paramount Global shelved the idea of selling a stake in BET in August after deciding sale offers were too low to outweigh the value of keeping the network in its cable network portfolio. With the total company’s market valuation below $8 billion, it’s difficult to convince buyers to pay big prices for parts. A change in broader investment sentiment that pushes the company’s valuation higher may help Redstone and other Paramount Global executives get more comfortable with divesting assets.

Selling National Amusements

If Redstone can’t find a deal to her liking, she could also sell National Amusements, the holding company founded by her father, Sumner Redstone, that owns the bulk of the company’s voting shares. National Amusements owns 77.3% of Paramount Global’s Class A (voting) common stock and 5.2% of the Class B common stock, constituting about 10% of the overall equity of the company.

Redstone took a $125 million strategic investment from merchant bank BDT & MSD Partners earlier this year to pay down debt, reiterating her belief in Paramount Global’s inherent value.

“Paramount has the best assets in the media industry, with an incredible content library and IP spanning all genres and demographics, as well as the No. 1 broadcast network, the leading free ad-supported streaming television service and the fastest-growing pay streaming platform in the U.S.,” Redstone said in a statement in May. “NAI has conviction in Paramount’s strategy and execution, and we remain committed to supporting Paramount as it takes the necessary steps to build on its success and capitalize on the strategic opportunities in our industry.”

Selling National Amusements wouldn’t alter Paramount Global’s long-term future. But it is a way out for Redstone if she can’t find a deal beneficial to shareholders.

Paramount Global isn’t actively working with an investment bank on a sale, according to people familiar with the matter. The company is content to wait for a shift in market conditions or regulatory officials before getting more aggressive on a transformational deal, said the people.

Still, Redstone’s predicament aptly sums up legacy media’s current problems. The industry is counting on a turn in market sentiment, while executives privately grumble that in the near term there’s little they can do about it.
 
https://finance.yahoo.com/news/disney-said-near-multibillion-dollar-101508944.html

Disney Said to Near Multibillion-Dollar India Deal With Reliance

by Baiju Kalesh, P R Sanjai and Preeti Singh
Mon, October 23, 2023 at 5:15 AM CDT

(Bloomberg) -- Reliance Industries Ltd., controlled by Asia’s richest tycoon Mukesh Ambani, is nearing a cash and stock deal to buy Walt Disney Co.’s India operations, according to people familiar with the matter.

The US entertainment giant may sell a controlling stake in the Disney Star business, which it values at around $10 billion, as opposed to piecemeal transactions weighed earlier, the people said, asking not to be named because the discussions are private.

Reliance views the assets at between $7 billion to $8 billion, some of the people said.

The acquisition could be announced as early as next month with some of Reliance’s media units merged into Disney Star, the people said, without providing further details.

Under the proposal, Disney will likely continue to hold on to a minority stake in the Indian company after any cash and stock swap transaction is completed, the people said. No final decision has been made on the deal or the valuation, and Disney could still decide to hold onto the assets for a bit longer, they added.

A representative for Disney in India didn’t respond to a request for comment and a spokesperson for Reliance declined to comment.

The deal talks are illustrative of Ambani’s disruption of India’s entertainment industry after he scooped up the streaming rights to the Indian Premier League for $2.7 billion in 2022. The billionaire’s JioCinema platform then chose to broadcast the hugely popular domestic cricket tournament for free earlier this year.

Reliance then scored another win by bagging a multi-year pact to broadcast Warner Bros Discovery Inc.’s HBO shows in India, content that was previously with Disney.

Even as Disney Star struggled with sliding subscriber numbers, the media group hasn’t ceded the market and had been making investments. It has been weighing other options for the business, including an outright sale or setting up a joint venture, Bloomberg News reported in July.

Still, Disney’s India streaming platform managed to draw in a record 43 million viewers on Sunday for the men’s Cricket World Cup 2023 match between India and New Zealand, the company said in a statement. That was higher than the 35 million viewership the highly anticipated India-Pakistan grudge match drew earlier this month.
 
Netflix House sounds a lot like DisneyQuest 2.0. I'll be curious how many of these see the light of day.
 
https://www.yahoo.com/entertainment/espn-disney-crown-jewel-financials-131500643.html

ESPN Is a Disney Crown Jewel, but Its Financials Demand ‘Drastic Pivot’ to Direct-to-Consumer | Analysis
Lucas Manfredi
Tue, October 24, 2023 at 8:15 AM CDT


Disney’s disclosure last week that ESPN generated $17.3 billion in revenue last year — 21% of the entertainment giant’s $82.7 billion total — showed that the sport network remains a crown jewel for the company. But ESPN’s standalone financials highlight the urgency for Disney to make an aggressive direct-to-consumer pivot for the legacy network, analysts told TheWrap.

ESPN has lost 19% of its pay-TV subscribers since 2018, and sports rights remain its biggest expense at about $9 billion in 2023, Bloomberg Intelligence analyst Geetha Ranganathan said in a Friday note to clients that this cost was up more than 20% from about $7.3 billion in 2022.

“We calculate that operating income could decline to around $2.5 billion in fiscal 2023 vs. $2.9 billion last year on new NFL and college football contracts,” she wrote. And despite streaming service ESPN+ having 25 million subscribers, it is “unlikely to be a major profit contributor, implying that a drastic pivot to a premium streaming model is necessary.”


Disney broke out its sports division’s financials for the first time last week. The division, which includes ESPN, ESPN+ and Star India, generated $2.7 billion operating profit and revenue of $17.3 billion in revenue for fiscal year 2022 and $1.5 billion in operating profit and $13.2 billion in revenue for the first nine months of fiscal 2023, which ended on July 1.

Of that total, ESPN generated a $2.9 billion operating profit on $16.07 billion in revenue for fiscal year 2022, compared to an operating profit of $1.89 billion on $12.56 billion in revenue for Disney’s first nine months of 2023. Star India accounted for the remaining $637 million in revenue and a $444 million operating loss in the first nine months of 2023 and $1.2 billion in revenue and a $237 million operating loss in fiscal 2022.

Affiliate fees from cable providers made up $10.8 billion of Disney’s total sports revenue during fiscal year 2022 and $8.05 billion during the nine-month period, while advertising made up $4.37 billion and $3.19 billion, and subscription fees made up $1.1 billion and $1.14 billion, respectively. Other revenue — which came from pay-per-view events on ESPN+, ESPN programming on ABC, sub-licensing of sports rights and licensing the ESPN brand — made up the remaining $991 million in fiscal year 2022 and $814 million in the nine-month period for fiscal 2023.

In comparison, the entertainment networks division brought in $39.6 billion in revenue and $2.1 billion in net income in fiscal year 2022 and $31.1 billion in revenue and $1.21 billion in operating income for the first nine months of 2023.

Direct-to-consumer services accounted for $17.98 billion and $14.85 billion of total revenue, linear networks accounted for $12.83 billion and $9.07 billion. Linear networks generated $5.2 billion and $3.3 billion in operating income for fiscal year 2022 and the first nine months of 2023, while direct to consumer (DTC) posted operating losses of $3.4 billion and $2.08 billion.

Despite the apparent downward trajectory, the financials suggest that Disney’s sports division, excluding Star, “is not declining at an overly precipitous rate,” Wells Fargo analyst Steve Cahall wrote in an Oct. 18 note to clients. “This does not solve the problems of taking sports from linear to DTC while rights fees climb, but it may provide some semblance of relief that the main Sports biz isn’t imploding as we speak.”

Keybanc Capital Markets analyst Brandon Nispel, who has previously compared ESPN to a “melting iceberg,” has said that ESPN’s standalone financials “reflect negatively” on the firm’s previous valuation estimate of $30 billion. Ranganathan values ESPN at roughly $22 billion, based on seven times its $2.9 billion EBITDA for fiscal 2022.

The Search for Strategic Partners

In July, Disney CEO Bob Iger told CNBC that the company was on the hunt for a strategic partner that could help take ESPN fully direct-to-consumer.

“Sports stands very, very tall in terms of its ability to convene millions and millions of people all at once,” Iger said on the network. “We’ve had a great business, and we want to stay in that business. That said, we’re going to be open minded there too. Not necessarily about spinning ESPN off, but about looking for strategic partners that could either help us with distribution or content, but we want to stay in the sports business.”

Potential partners who have been floated in recent months have ranged from sports leagues themselves — such as the NFL, NBA and MLB — to telecommunications giant Verizon and tech giant Amazon, according to various media reports.

“Iger is showing those types of partners that the ESPN business has a strong balance sheet that is not being weighed down by the general entertainment networks,” Scott Robson, an S&P Global analyst, told TheWrap.

Wedbush Securities analyst Dan Ives has also previously suggested a potential Apple-ESPN strategic partnership or acquisition, calling the move a “no brainer.” Following the latest disclosure, Ives believes the tech giant is now more likely to try to head down that path.

“The financials show the difficulty of this business in Disney’s business model and we see Apple likely acquiring ESPN over the next six-12 months,” Ives told TheWrap.

But West Monroe M&A senior partner Brad Haller told TheWrap that he “wouldn’t bet” on an Apple acquisition, emphasizing that ESPN is a “declining business.”

Representatives for Disney declined to comment on the strategic partner search. Apple did not immediately return TheWrap’s request for comment.

Can ESPN Grow?​

Morgan Stanley analyst Benjamine Swineburne said that growing ESPN won’t be easy, given cord-cutting trends and escalating sports-rights costs.

“However, it is starting off on a more stable base than we had expected and should benefit from broadly rising engagement levels across both its live content and shoulder programming,” he wrote in an Oct. 19 note to clients.

MoffettNathanson estimates that ESPN linear networks EBIT grew 6% in fiscal year 2022, which the firm sees as evidence that the network’s decision to pass on some of its prior sports rights may have helped it remain more stable and grow more than expected. In addition to passing on the NFL Sunday ticket, ESPN has pared down or entirely dropped rights to the Big 10, Pac 12, MLS, Champions League and a smaller MLB package.

Ranganathan expects “robust” bidding for NBA sports rights, which come up for renewal after the 2024-25 season, with potentially interested parties including NBC Sports, Apple and Amazon. She noted that the current NBA rights deal is valued at $2.6 billion per year, with ESPN currently paying $1.4 billion, while Turner is paying $1.2 billion.

“We think Turner and ESPN might pursue smaller deals given their focus on cost cuts,” she added. “The NBA’s allure is its global brand appeal and a younger demographic (men 18-34), a key cohort for advertisers.”

Meanwhile, ESPN’s domestic EBIT declined by 4% for the first nine months of 2023, according to MoffettNathanson. When factoring in adjustments for ESPN+, the research company estimates linear ESPN EBIT is down “mid-to-high teens year to date.”

“We will have to wait to see if [the fiscal fourth quarter] can help reverse some of that decline as we were expecting a much improved quarter relative to the drop in EBIT during the first nine months of the fiscal year,” MoffettNathanson added.

Disney shares, which closed at $83.10 apiece at the end of Monday’s trading session, have fallen 6.6% year to date and 18.3% in the past year. The company will report earnings on Nov. 8 after the bell.
 
https://finance.yahoo.com/news/1-apple-raises-subscription-prices-145510540.html

Apple raises subscription prices for TV+, News+

Wed, October 25, 2023 at 9:55 AM CDT

Oct 25 (Reuters) - Apple on Wednesday increased the subscription prices of Apple TV+ and Apple News+, according to its website, the latest company to raise rates following similar moves by media giants.

The per month price of Apple TV+ has been increased by $3 to $9.99, while Apple News+ has been priced at $12.99, up from $9.99.

Recently, streaming giants Netflix and Disney too had raised their prices as they look to boost growth amid intense competition.

Netflix increased subscription prices for some streaming plans in the United States, Britain and France when it reported results last week.

Disney said in August it would raise by 27% the price of the ad-free tier of the Disney+ service to $13.99 and hike by 20% the no-ad version of Hulu.
 
all that I could get so far, the rest of the article is behind the paywall

https://www.bloomberg.com/news/feat...line-as-expenses-overwhelm-visitors#xj4y7vzkg

At $40,000, Disney World Vacations Drain Wallets of Die-Hards
Higher prices and growing complexity dim the Magic Kingdom’s allure

By Anna Jean Kaiser and Guillermo Molero
October 26, 2023 at 4:30 AM CDT

Walt Disney Co. raked in record theme-park revenue last year, boosted by a strategy that puts a price tag on everything from dinner with Cinderella and lightsaber workshops to skipping the line to join the Guardians of the Galaxy.

That tactic is now being challenged, as the era of free-spending revenge travel fades away and inflation pinches the pocketbooks of US families.
 
https://variety.com/vip/disney-could-be-better-off-without-espn-1235768689/

October 26, 2023 6:00am PDT
Why Disney Could Be Better Off Without ESPN
by Tyler Aquilina

Bob Iger seems to be working awfully hard to figure out ESPN’s future. A new direct-to-consumer option, getting into sports gambling and seeking a strategic partner to help steer strategy and manage costs — it’s all in the interest of keeping the sports giant in the Disney fold.

Is Iger trying too hard? I’m far from the first to suggest Disney would do better to offload ESPN, but the deeper we get into the CEO’s new, increasingly underwhelming tenure, the more it seems the network is getting a disproportionate share of time and energy that would be better spent on other endeavors.

After all, Iger seems eager to get Disney out of the linear TV business — except where ESPN is concerned. He has infamously said linear networks “may not be core” to the company and is widely rumored to be considering a sale of those assets.

Why keep ESPN, then? Several reasons are readily apparent: the sterling brand, continued strong ratings amid cable’s decline and, as a new financial disclosure revealed last week, healthy profit margins.

ESPN generated nearly $2.9 billion in operating income for fiscal year 2022, notably more than Disney’s Entertainment segment — linear TV, streaming, theatrical and home video — brought in altogether. The sports network’s revenues and profit are down year-to-date for the first nine months of fiscal 2023, but it still posted a 15% margin, a figure most linear TV execs would likely kill for.

So what’s the problem? Well, for one thing, sports rights costs are escalating quickly and will continue to be driven up by the deep-pocketed tech companies looking to expand their presence in the space. ESPN managed to hold onto Formula 1 through 2025, but Apple is rumored to be considering a bid of up to $2 billion per year for F1 rights in the next round of negotiations.

Wall Street, however, would like to see ESPN take “a disciplined approach” to future rights negotiations, as MoffettNathanson put it in a recent research note, in the interest of revenue and profit growth. “Perhaps passing on some of the prior sports rights has helped ESPN remain more stable and even grow more than we expected,” the analysts added.

Meanwhile, Disney is preparing to launch an SVOD version of ESPN (distinct from the slimmed-down offering of ESPN+) that could retail for at least $20-$35 per month — more than any other streaming platform — and will have to demand higher affiliate fees from cable providers to offset both higher rights costs and revenues lost to cord-cutting.

ESPN may be essential to hardcore sports fans, but will most consumers really be eager to pay more for less? Cable subscribers are already frustrated with the cost ESPN adds to the pay TV bundle, and it’s hard to see a thinner version with less live sports content sweetening the deal.

Making the network’s content available outside the cable bundle will also likely heighten cord-cutting, though Disney will probably strike more deals like its pact with Charter Communications — which makes the future ESPN SVOD available in select pay TV packages — in an attempt to stem the tide.

In short, ESPN is facing an array of challenges, all stemming from the larger crises currently embroiling the media business at large. While the value it brings Disney remains considerable, it’s looking more and more like an albatross around the Mouse’s neck as CEO Iger attempts to position the Disney empire he helped build for the future.

Frankly, Iger already has enough to worry about without ESPN — restoring creative vitality to Disney’s film studios, managing the company’s franchise properties, revitalizing theme parks, making streaming profitable and, oh yeah, finding a successor — and plenty he should be concerned with if he wants to put Disney on a path for future success.

For instance, other execs are encouraging Iger to consider buying video game publisher Electronic Arts, per a Bloomberg report, though he is evidently “noncommittal” about such a purchase.

You can debate whether Disney should be making more acquisitions right now, but either way I think charting a successful games strategy is much more important to Disney’s future than the live sports business. The Mouse House remains woefully behind in the gaming space, which will only be a greater handicap in the years to come.

And indeed, it’s worth wondering at this point whether Disney truly needs a presence in live sports. It’s a business that will make far less sense without other linear TV assets and an anomaly for what is otherwise one of the most synergistic companies on the planet.

As Iger continues his seemingly endless reign, he should have a long, hard think about whether he really needs ESPN, because if it’s just a keepsake of bygone better times, he’d be better off letting go.
 
New financial report shows how important espn is to overall profitability. No more hiding the losses of your theatrical slate with live sports profit & theme park profit.

If I were Bob I would be focusing on theatrical / Disney+ budgets and getting better creatives in the building.

Work on what’s failing and not whats actually making money.
 
https://www.cnbc.com/2023/10/26/comcast-cmsa-q3-earnings.html
Comcast sinks despite profit beat, as broadband subscribers slip and ad revenue slumps

Published Thu, Oct 26 2023 - 7:00 AM EDT - Updated 18 Min Ago
Alex Sherman@sherman4949
Key Points
  • Comcast lost 18,000 residential broadband subscribers and gained 294,000 wireless subscribers.
  • NBCUniversal streaming service Peacock added 4 million subscribers and generated $830 million in revenue, up 64% from a year earlier.
  • “Oppenheimer” became the highest-grossing biopic of all time, bringing in more than $900 million in box-office revenue. Still, theatrical revenue fell 25% in the quarter from a year ago.
In this article

Comcast topped both revenue and profit estimates in the third quarter, but the largest U.S. internet provider lost high-speed broadband customers and NBCUniversal advertising revenue slumped.

Shares of the company slipped more than 7% on Thursday morning.

NBCUniversal’s flagship streaming service Peacock added 4 million subscribers and revenue increased 64% to $830 million, stemming the subscription service’s quarterly loss to $565 million. Peacock lost $614 million in the same period a year prior on $506 million in revenue.

Here’s how Comcast performed, compared with estimates from analysts surveyed by LSEG, formerly known as Refinitiv.
  • Earnings per share: $1.08 adjusted vs. 95 cents estimated
  • Revenue: $30.12 billion vs. $29.68 billion estimated
For the quarter ended Sept. 30, Comcast reported net income of $4 billion, or 98 cents per share, compared with a loss of $4.6 billion, or $1.05 cents per share, a year earlier. Adjusted for one-time items, per-share earnings were $1.08 in the quarter. The prior year’s results were affected by one-time impairment and goodwill charges associated Comcast’s 2018 acquisition of Sky.

Revenue rose 0.9% compared to the prior year period. Adjusted earnings before interest, taxes, depreciation and amortization (EBITDA) rose 5.1% to $9.96 billion.
Read Comcast’s full earnings release.

Theme parks’ adjusted earnings before interest, taxes, depreciation and amortization increased 20% to $983 Million — the highest quarterly profit on record for the division — driven by the popularity of Super Nintendo World in Universal Studios Hollywood, Comcast said.

Comcast lost 18,000 high-speed broadband customers in the quarter and 490,000 video subscribers as Americans continue to drop traditional cable TV for streaming services. Comcast ended the quarter with 14.5 million video subscribers and 29.8 million residential broadband customers.

U.S. broadband revenue rose 3.8% to $6.4 billion even as subscribers fell due to higher rates.

Wireless revenue rose 16% to $917 million in the quarter on a net addition of 294,000 customers. Comcast ended the quarter with 6.3 million wireless customers. Comcast uses Verizon’s network to provide branded Xfinity wireless coverage from an agreement struck in 2016.

‘Oppenheimer’ breaks biopic record

Christopher Nolan’s “Oppenheimer,” which chronicled the life of physicist J. Robert Oppenheimer, became the highest grossing biopic of all time at the box office, taking in more than $900 million worldwide. Still, theatrical revenue fell 25% to $504 million as last year’s “Minions: The Rise of Gru” and “Jurassic World: Dominion” were bigger hits than NBCUniversal’s overall 2023 summer slate.

NBCUniversal media revenue rose 0.4% to $6 billion as distribution revenue rose while U.S. advertising sales fell 8.4% to $1.9 billion. The media division’s adjusted EBITDA increased 6.5% to $723 million as promotional and marketing expenses dropped.

Comcast generated free cash flow of $4 billion in the quarter and returned $4.7 billion to shareholders through dividend payments and share buybacks.

Disclosure: Comcast owns NBCUniversal, the parent company of CNBC.
 
all that I could get so far, the rest of the article is behind the paywall

https://www.bloomberg.com/news/feat...line-as-expenses-overwhelm-visitors#xj4y7vzkg

At $40,000, Disney World Vacations Drain Wallets of Die-Hards
Higher prices and growing complexity dim the Magic Kingdom’s allure

By Anna Jean Kaiser and Guillermo Molero
October 26, 2023 at 4:30 AM CDT

Walt Disney Co. raked in record theme-park revenue last year, boosted by a strategy that puts a price tag on everything from dinner with Cinderella and lightsaber workshops to skipping the line to join the Guardians of the Galaxy.

That tactic is now being challenged, as the era of free-spending revenge travel fades away and inflation pinches the pocketbooks of US families.

After a blowout 2022 driven by pent-up demand, visits to Florida’s Disney World are down as much as 15% this year, according to one analysis. As the House of Mouse pushes up against the limits of what vacationers are willing to pay, travel planners say families are often cutting trips short to cope with peak-season ticket prices that have almost doubled over the past decade.

On top of the surging admission prices, vacationers are balking at a system that’s become so complex that the bewildered turn to a parallel economy of planning blogs, social media accounts and message boards, as well as Disney-affiliated travel agents, to help navigate it all.

Myriad add-ons that are now a standard part of most visits — Bibbidi Bobbidi Boutique princess makeovers or passes that let antsy kids skip lines — have boosted the cost for a typical, week-long trip for a family of four by $5,000 to $25,000, or as much as $40,000 for a top-end experience, according to travel agents.

With all the frills, a six-night Disney resort stay, including a VIP tour to skip all lines, could cost 10 times more than a budget vacation

Note: Budget is for 2 adults, 2 children. High-end prices are for peak-season Christmas week. Low-end are for August low-season. Skip-the-line prices are averages of Disney's dynamic pricing. High-end Genie+ and Lightning Lane passes are for five days. Sixth day VIP tour includes line-skipping. *Park hopper plus includes access to all theme and water parks, plus one add-on experience

All told, Disney officials have indicated that visitors spend 40% more per day in US parks than they did pre-pandemic. The company's operating income from parks and experiences fell 13% last quarter, but was still 24% above where it was in 2019.

“Disney has done a lot to increase pricing and per-cap spending,” helping to blunt the effects of lower attendance, said Laura Martin, a media analyst at Needham & Co. who rates Disney stock a hold. “It’s a premium product, and it’s basically for rich people.”

While Disney doesn’t share specific numbers on park attendance, executives acknowledged on the most recent earnings call that the Florida resorts — which also include Animal Kingdom, Hollywood Studios and Epcot — were underperforming due to lower attendance and higher operating costs.

But that’s not stopping Disney from betting big on parks. The company said last month that it’s going to double investments to $60 billion over the next 10 years.

Disney acknowledges the complexity issue, and says it’s trying to tackle it.

“Everyone vacations differently, so we offer a wide range of options, including ways to save and find great value, all while continuing to roll out updates that make planning simpler and easier,” Avery Maehrer, Disney World’s communications director, said in an email.

And Disney isn’t the only park operator feeling the downturn in leisure spending. Comcast Corp. reported lower attendance at Universal Orlando this year and SeaWorld Entertainment Inc., which operates a site in Orlando, said that visits to its 12 parks were down 2% compared to last year.

But the situation at Disney World — far and away Disney’s most visited resort — comes during a difficult stretch for the company as Chief Executive Officer Bob Iger tries to reverse a slump in its movie business, losses in its streaming operations and struggles at its TV division. The stock has declined 60% since reaching a record high in March 2021.

In Florida, the company has been feuding with Governor Ron DeSantis over his school policies, and other conservatives have called for boycotting Disney. While there’s no evidence the tension has had any impact on park attendance, it adds to the pressures on Disney’s Florida business.

Disney Parks, Cruises Account for Nearly 30% of Revenue
2022 revenue sources for Walt Disney Co.
Source: Company filings

Entrance to the flagship Magic Kingdom costs as much as $189, and accessing all four of Disney World’s Orlando parks in a single day reaches $252, about as much as a lift ticket at premier ski resorts like Aspen and Vail and in line with prices for parks run by Universal and SeaWorld.

That pricing is fairly straightforward. What’s now grating on travelers is the dizzying array of add-ons that Disney offers. That includes various skip-the-line passes with dynamic pricing, which Disney says about half of park-goers purchase, up to the top-of-the-line VIP tour, where a private guide escorts visitors to the front of lines and into exclusive areas at a cost of as much as $6,300 a day.

Other options include princess makeovers that go for as much as $230, build-your-own Star Wars lightsaber workshops for $250, dinners at Cinderella’s Royal Table for $79 a pop (excluding drinks) and an electronic wristband that stores tickets and unlocks hotel rooms, a convenience that costs as much as $46.

How Much Time Does the Lightning Lane Save?
Minutes saved using skip-the-line passes for five Magic Kingdom rides on a busy day

Source: Touringplans.com

Note: Wait data is from Easter week, Tuesday, April 4, 2023. Assumes three rides reserved on Genie+ and the maximum two Lightning Lane purchases for four people. Assumes 7-minute wait in each Lightning Lane. Cost range reflects the dynamic pricing structure for Lightning Lane and posted $35 Genie+ pass price on April 4.

“The parks have become much more expensive with complexities,” said Len Testa, who runs the website Touring Plans, which harvested ride data to estimate that attendance is down by 15% this year. “The average guest is spending more, and cutting back the length of stay.”

Parents who thought simply buying an admissions ticket would guarantee them an easy day of fun with their kids may find themselves losing hours without those skip-the-line passes or find their kids disappointed they didn’t get to dine with Chef Mickey.

“Not only is it confusing,” said Quincy Stanford, who writes for Disney vacation planning website AllEars.Net. But “now a lot of the things you’re confused about cost money.”

Some vacationers choose Disney Cruise Lines as an alternative, and even California’s Disneyland is considered much easier to handle.

It’s “a cakewalk in comparison,” said Abby Finkel, a Disney travel planner with Wave of a Wand Travel. She recommends clients take a trip out west if they’re too stressed by Disney World.

But even with the hurdles, Disney’s most loyal fans will do what it takes to make it to the Magic Kingdom, including taking on debt.

Eli Trowbridge, a 44-year-old father who works at a food distribution company in northwest Indiana, saved up for two years for his family’s Disney World vacation in 2019. As the trip approached, he realized his savings weren’t enough for the Disney experience of his dreams. So he borrowed an additional $5,000 from his 401(k) to pay for the trip for him, his wife, their four kids and his mother-in-law.

Trowbridge estimates that the experience set his family back $15,000 to $17,000. He knows that seems excessive to a lot of folks.

“Is it something that you value and is it worth it?”
he said. “For some people it’s not. For us, it was.”

— With assistance by Dave Merrill and Felipe Marques
 
Some Theme Park related comments from the Comcast conference call. Looks like the domestic parks are finally moving back to pre-covid attendance, as we all expected. And as expected, new attractions drive increased attendance...what a concept:

At theme parks, revenue increased 17% and EBITDA increased 20% to $983 million, our highest level of EBITDA on record. Our international parks continued to experience nice rebounds post-COVID.


Leading this growths was Osaka, which benefited from strong demand from Super Nintendo World, and our park in Beijing achieved another EBITDA record, driven by increases in attendance and per capita spending.


In Hollywood, the positive consumer reaction to Super Nintendo World, which we opened earlier this year, drove strong attendance and per cap growth, helping Hollywood to deliver its best quarterly EBITDA in its history.


In Orlando, our results were also strong, with attendance relatively in line with 2019 pre-pandemic levels and revenue substantially ahead.

The third area to highlight is our parks business, which generated a record high level of EBITDA, surpassing the previous record that we'd just set in second quarter. The reaction to Nintendo and Hollywood in Japan continues to be fantastic, and we are very excited about bringing the experience to Florida soon.



I was just in Orlando with the parks leadership team last week, reviewing our plans for the new Halloween Horror experience in Las Vegas and kids theme park in Frisco, Texas. I also spent a few hours on a site tour of the Epic Universe park, which is deep in construction and is simply breathtaking.


So thanks to the momentum of our third quarter results and what we have in the pipeline, I could not be more excited about our parks business.
 
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