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Yes, their lawyers were always known as the best...or is it worst? LOL

This one just hits way to close to home and our basic rights, if successful, it would have striped the right of a jury trial from 100M+ D+ subscribers for anything that happened at any time with any part of the Disney empire. Way too broad and it probably needs some legislation to prevent that from happening with all app ToS's

Yeah, I think some lawyer overreached on that. To me, the terms for D+ would apply to disputs involving D+. Of course, for something that happens in a park or on property, I would expect that the terms of a park ticket or resort stay might apply. It is pretty ridiculous though to try to get the D+ terms to apply to everything!
 
Yeah, I think some lawyer overreached on that. To me, the terms for D+ would apply to disputs involving D+. Of course, for something that happens in a park or on property, I would expect that the terms of a park ticket or resort stay might apply. It is pretty ridiculous though to try to get the D+ terms to apply to everything!
Well, Disney also referenced those guests' Epcot tickets in its initial response, not just their D+ subscription. But Disney Springs is outside of the parks, so a theme park ticket TOS shouldn't really apply, either.

Other than Disney being the landlord, they have nothing to do with Raglan Road, though. This really looks like the plaintiff trying to go after the company that has more money rather than the one that was actually responsible.
 
Other than Disney being the landlord, they have nothing to do with Raglan Road, though. This really looks like the plaintiff trying to go after the company that has more money rather than the one that was actually responsible.
This is my read as well, though it is hard to know without the full details.
 

And let's say you decide to license some of your TV shows to Netflix.

First, you get a bunch of money, at something close to a 100% margin. You've already paid to make these shows, and (hopefully) made some money from them. Now Netflix is paying you again. Great!

What happens next is up for debate.

One possibility is that Netflix users watch your show, then realize that it came from your
network, and then eventually make their way over to your network to watch more of your programming.

This is what happened years ago when Netflix started showing old episodes of AMC's "Breaking Bad" while AMC was still airing new episodes of the show, and the ratings for "Breaking Bad" shot up. This is good for the long-term health of your network.

Another possibility is that Netflix users watch your show, have no idea it came from your network, and don't care. They just think it's a Netflix show because they saw it on Netflix.

This is bad for the long-term health of your network.

The fact that both possibilities exist helps explain why big media companies have taken an on-off-on approach to licensing their stuff to Netflix.

At first, when Netflix was just building its streaming business, big media was happy to do those deals and thought Netflix was kind of a sucker. Then, once they realized Netflix was killing them, they pulled a lot of their stuff off Netflix and put it onto their own streaming services. Now they've started selling Netflix their good stuff, again, because they need the money.

Which brings us to Monday — the first day of a new licensing deal between AMC and Netflix. In addition to licensing shows that have been on Netflix for a long time, like "Breaking Bad" and "The Walking Dead," AMC is now also selling the streaming rights to shows you may not have seen or even heard about, like "Anne Rice's Interview With the Vampire" and "Monsieur Spade." That's all very standard.

What appears to be new is that Netflix has now agreed to group all of AMC's shows together in a "collection." So that, in theory, a "Better Call Saul" fan might learn that the show is from AMC, and that AMC also has "Gangs of London." And you can see the first two seasons of that on Netflix, too.

AMC is psyched about this, and called it out on its earnings call earlier this summer, describing it as "an innovative deal to strategically curate and window prior seasons of 15 AMC branded shows" on Netflix.

I pay a lot of attention to Netflix, and I've never seen the streamer emphasize the network or studio something comes from. Unless it can call something a "Netflix Original," which it does a lot (sometimes even when that's a bit misleading). And I know that's definitely something the TV and movie guys have asked for in the past.

So I was curious to see what this looked like, and … boy, was it hard to find. There's nothing on my Netflix home screen — either on my phone or my TV — that indicates there's an AMC "collection," even though Netflix knows I've watched a lot of AMC shows, like "Breaking Bad," before.

Because I knew it's supposed to exist, I did type in "AMC" in the Netflix search bar and eventually got this page, which is indeed a curated collection of things made by AMC.

But what are the odds someone types "AMC" into a Netflix search bar? I'm guessing very, very low.

There has to be more to this, right? Surely Netflix will eventually give AMC a row on its powerful homepage — the kind it uses now, with labeling that's either super generic ("Blockbuster Movies") or embarrassingly detailed ("Because you watched 'The Equalizer'"). At least for some users.

Then again, I'm a user who watches AMC shows, so you'd think they would get this to me quite soon, if not already. And it's one thing to give AMC a row — quite another to put it somewhere where you can find it.

A Netflix rep declined to comment.

But until I hear or see otherwise, I'm finding it hard to believe Netflix will dedicate meaningful screen space to a single provider, even if it gives Netflix really good stuff like "Breaking Bad."

Because Netflix now has the upper hand with the TV guys. Hard to see why they'd make any concessions, at all.

On the other hand, it looks like someone is indeed seeing the new AMC stuff. Three of the network's shows — "Dark Wind," "A Discovery of Witches," and "Fear the Walking Dead" — are now on Netflix's list of top 10 US TV shows.

*Yes, it's a stressful job! In a declining industry! On the other hand, you get paid a ton of money.
 
The Walt Disney Company Board Names James P. Gorman As Succession Planning Committee Chair

The Walt Disney Company (NYSE: DIS) Board of Directors has named Board member James P. Gorman to chair its Succession Planning Committee (the “Committee”), it was announced today by Mark G. Parker, Chairman of the Board.

Gorman, who joined the Disney Board earlier this year, oversaw the recent succession process at Morgan Stanley, where he serves as Executive Chairman following several years as the firm’s Chairman and CEO.

“James is a highly respected leader, and we’ve asked him to serve as the new Chair of the Succession Planning Committee given his deep succession planning experience and long-term strategic mentality,” said Parker, who most recently served as the Committee’s Chair. “Succession planning is a top priority of the Board, and I am eager to continue collaborating with James on the Committee as we advance the important work we have already been doing to identify and prepare the next CEO of The Walt Disney Company.

In addition to Gorman and Parker, directors Mary T. Barra and Calvin R. McDonald will continue to serve on the Committee. All members of the Committee have direct experience in CEO and senior leadership succession planning for Fortune 500 companies.

“I look forward to working alongside Mark and my other fellow Committee members in advising the Board as we continue to press forward expeditiously with this work,” Gorman said.

Succession Planning Committee Background, Process and Progress to Date

In January 2023, the Board intensified and expanded its approach to CEO succession planning through the formation of a special Succession Planning Committee to advise the Board and plan for a transition of leadership that aligns with the Company’s long-term strategic goals. At the direction of the Board, the Committee and the full Board continue to undertake a deliberate succession planning process, including evaluation of transition structures and organizational frameworks, and planning for potential impacts of succession decisions across the Company. The Committee has met six times to date in fiscal 2024, consistently engaging with the full Board on the substance of the decisions to be made. The Board has discussed succession planning at each of its regularly scheduled meetings in fiscal 2024. As detailed in the Committee’s March 2024 letter to shareholders, the Committee and Board are reviewing internal candidates and external candidates. Internal candidates are going through a preparation process that includes mentorship from Disney CEO Robert A. Iger, external coaching, and engagement with all Board directors.

James P. Gorman Background

James P. Gorman is Executive Chairman of Morgan Stanley and has announced that he will be ceding this role in December 2024. Previously, Mr. Gorman served as Morgan Stanley’s Chief Executive Officer from 2010 to 2023 and Chairman from 2012 to 2023. He joined the firm in 2006 and was named Co-President in 2007. Before joining Morgan Stanley, Mr. Gorman held executive positions at Merrill Lynch and was a senior partner at McKinsey & Co. He serves as a Director of the Council on Foreign Relations and is a member of the Business Council. He formerly served as a Director of the Federal Reserve Bank of New York and President of the Federal Advisory Council to the U.S. Federal Reserve Board. Mr. Gorman has been a Director of the Company since 2024.
 
https://variety.com/vip/disney-theme-parks-decline-1236116719/

August 26, 2024 - 6:00am PDT
by Robert Steiner - commentary
Disney’s Theme Parks Problem Is a Monster of Its Own Making

  • The Walt Disney Company had a solid Q3 aside from one glaring sore spot: its theme parks’ 3% decrease in operating profit
  • While Disney ruled global park attendance, its U.S.-based locations are struggling to reach or surpass pre-pandemic levels
  • Disney’s parks issue is part of an industrywide drop, but years of higher prices and nickel-and-diming guests might be catching up
click on reader view toggle in your browser to read entire article.
 
https://www.wsj.com/business/media/...chairman-0dbdb13c?mod=media_news_article_pos2

He Raised Disney Park Prices—and Fans Still Love Him. Now He’s on the CEO Shortlist.
Josh D’Amaro, head of the entertainment giant’s theme-park division, is in contention to succeed Bob Iger

By Robbie Whelan
Aug. 29, 2024 - 5:30 am EDT

ANAHEIM, Calif.—Hours before taking the stage in front of 12,000 screaming fans for the biggest presentation of his career, Disney’s top parks executive flitted among a throng of Mickey devotees, shaking hands and smiling for selfies.

Josh D’Amaro, widely praised by fans and investors, is in the throes of a high-stakes audition for the top job at Disney when Chief Executive Bob Iger’s contract ends in 2026. At Disney’s D23 fan event in early August, he needed to drum up excitement for billions of dollars in theme-park expansions after years with few new major attractions.

In four years as chairman of Disney’s Experiences division, which includes theme parks, cruises, consumer products and videogames, the 53-year-old has imposed price hikes and delivered new products that have added hundreds of millions of dollars in new revenue. The unit has transformed from a drag on Disney during the pandemic to its main profit engine, thanks in large part to pricing and operational changes conceived by D’Amaro.

Now, he faces his biggest test yet: squeezing growth out of the parks when consumers are increasingly tapped out.

As the economy slows, the American families that form Disney’s core customer base are feeling the weight of inflation and a cooling job market. In the two most recent quarterly earnings reports, Disney reported that softening consumer demand had stalled growth in D’Amaro’s division, setting off alarm bells among investors.

"The next set of challenges will be very, very different. I don’t think you can really raise prices much more,” said Jim Shull, who worked as an Imagineer, one of Disney’s elite theme-park designers, for 33 years before retiring in 2020.

Marc Benioff, the CEO of software company Salesforce, said D’Amaro has become a regular presence at Iger’s side at big events like the Sun Valley media conference, a sign of the CEO’s trust.

“He’s become someone who has to be considered as a future CEO of Disney,” said Benioff, who counts both Iger and D’Amaro as friends.

Iger calls the parks chief “every day,” D’Amaro said in a recent interview with a Disney fan-radio show, to check on plans for new attractions, a level of attention to detail D’Amaro described as “special.”

“I think it’s so important that we have Bob here at this time,” D’Amaro said.

D’Amaro has told confidants in recent weeks that he’s interested in the CEO job and ready to take the reins if they’re offered. Insiders say he’s neck-and-neck with Dana Walden, co-chair of Disney’s Entertainment division, which includes its streaming business.

Privately, some of his supporters say they worry that if he’s passed over, he might be recruited to leave Disney and run a different company.

‘Chief’

Born and raised in Medfield, Mass., a middle-class suburb of Boston, D’Amaro grew up playing soccer and basketball. The yearbook from his graduating class at Medfield High School lists his nickname as “Chief.”

He studied painting and sculpture at Skidmore College in New York before transferring to Georgetown University to study business. He worked in the finance department of shaving-products maker Gillette before joining Disney in 1998, where he quickly rose through the ranks.

D’Amaro spent time in Hong Kong helping repair frayed commercial relationships and developed the travel-tour business Adventures By Disney. He was vice president of the Animal Kingdom theme park in Florida, overseeing the building of Pandora, the park’s “Avatar”-themed area, and later served as president of Disneyland, in Southern California, and held several top management roles at Florida’s Walt Disney World.

“The minute I met the guy, I said, ‘Whoa, this guy is a hard-charger. He’s going to light this place up,’ ” said Jim MacPhee, a former Disney parks executive who spent nearly 43 years with the company before retiring in 2021.

Over the past year, D’Amaro has taken on a more prominent role in dealmaking while overseeing a capital-investment budget that doubled in size last year, to $60 billion over the next decade.

His observers note a paradox in his leadership: Disney fans seem to adore D’Amaro, even though starting in 2021, he repeatedly raised ticket prices, did away with beloved freebies and made changes that drove up the complexity and cost of visiting the theme parks.

Charismatic and affable, D’Amaro inspires loyalty in his subordinates and is a celebrity of sorts among fans, with 154,000 Instagram followers. During frequent strolls through Disney parks, fans and employees mob him for handshakes and selfies.

He’s known to doodle anime-like characters on notepads during meetings without missing a beat of the conversation, and friends say he’s a lover of the Boston Celtics and rock bands like the Red Hot Chili Peppers and Foo Fighters. D’Amaro lives with his wife, Susan—they were high-school sweethearts—in Coto de Caza, Calif., a wealthy suburb about 30 minutes from Disneyland. Many other senior executives at Disney, including Iger and Walden, live in the tony enclaves of Los Angeles’s West Side, closer to the company’s headquarters.

Fast Pass

D’Amaro took the helm of the parks business after his predecessor, Bob Chapek, was promoted to CEO in February of 2020. Chapek, who was fired after just over 2½ years in the top job, was viewed primarily as an operator who struggled to build productive relationships with Hollywood talent, manage studio executives and connect with fans.

When the Covid-19 pandemic shut most movie theaters and Disney’s theme parks, Chapek asked D’Amaro’s team to come up with proposals to help maximize parks revenues and make up for shortfalls in other units, according to people familiar with the matter.

D’Amaro presented three main ideas, including Genie+, a smartphone app feature that lets visitors skip some lines for about $20 a day, and individual Lightning Lanes that offer shorter waits for popular rides for an added fee. His third idea, a new online reservation system, limited crowds and restricted how often annual passholders could visit.

All three changes helped the company claw its way back to financial health after the pandemic. The line-skipping add-ons have added hundreds of millions of dollars in new revenue to Disney’s coffers.

As these changes rolled out, Chapek, then CEO, was pilloried by fans who felt they were being nickel-and-dimed, but D’Amaro largely escaped their ire.

D’Amaro’s top priority is improving the guest experience, a Disney spokesperson said, and the company credits him with helping the parks division recover from the disruptions of the pandemic. “He took the rare opportunity while the train was stopped at the station to implement substantial transformation,” the spokesperson said in a written response to questions. Disney declined to make D’Amaro available for an extended interview.

This year, D’Amaro angered some fans by putting new restrictions on a program that allows some visitors with disabilities to skip lines. Before, guests with a wider range of issues could qualify, but the system was widely abused. Now, the service is limited mainly to visitors with serious developmental disabilities like autism.

Regular Disney parks visitors have complained in recent years that the pace of new attractions at the U.S. theme parks seems to have slowed and that Disney isn’t keeping up with rivals.

On the Saturday night in August, onstage at Anaheim’s professional ice-hockey arena, D’Amaro did his best to reassure fans and investors that Disney is serious about bringing them new, exciting attractions.The Disney faithful gasped and leapt to their feet in cheers as D’Amaro rolled out plans that included a new “Monsters, Inc.” roller coaster and new theme-park areas based on Disney villains and the “Avatar” movies.

Asked by text message after the presentation how he felt it had gone, D’Amaro wrote back, “If the fans are happy, I’m happy.”

Write to Robbie Whelan at robbie.whelan@wsj.com
 
Last edited:
https://www.wsj.com/business/media/...chairman-0dbdb13c?mod=media_news_article_pos2

He Raised Disney Park Prices—and Fans Still Love Him. Now He’s on the CEO Shortlist.
Josh D’Amaro, head of the entertainment giant’s theme-park division, is in contention to succeed Bob Iger

By Robbie Whelan
Aug. 29, 2024 - 5:30 am EDT

ANAHEIM, Calif.—Hours before taking the stage in front of 12,000 screaming fans for the biggest presentation of his career, Disney’s top parks executive flitted among a throng of Mickey devotees, shaking hands and smiling for selfies.

Josh D’Amaro, widely praised by fans and investors, is in the throes of a high-stakes audition for the top job at Disney when Chief Executive Bob Iger’s contract ends in 2026. At Disney’s D23 fan event in early August, he needed to drum up excitement for billions of dollars in theme-park expansions after years with few new major attractions.

In four years as chairman of Disney’s Experiences division, which includes theme parks, cruises, consumer products and videogames, the 53-year-old has imposed price hikes and delivered new products that have added hundreds of millions of dollars in new revenue. The unit has transformed from a drag on Disney during the pandemic to its main profit engine, thanks in large part to pricing and operational changes conceived by D’Amaro.

Now, he faces his biggest test yet: squeezing growth out of the parks when consumers are increasingly tapped out.

As the economy slows, the American families that form Disney’s core customer base are feeling the weight of inflation and a cooling job market. In the two most recent quarterly earnings reports, Disney reported that softening consumer demand had stalled growth in D’Amaro’s division, setting off alarm bells among investors.

"The next set of challenges will be very, very different. I don’t think you can really raise prices much more,” said Jim Shull, who worked as an Imagineer, one of Disney’s elite theme-park designers, for 33 years before retiring in 2020.

Marc Benioff, the CEO of software company Salesforce, said D’Amaro has become a regular presence at Iger’s side at big events like the Sun Valley media conference, a sign of the CEO’s trust.

“He’s become someone who has to be considered as a future CEO of Disney,” said Benioff, who counts both Iger and D’Amaro as friends.

Iger calls the parks chief “every day,” D’Amaro said in a recent interview with a Disney fan-radio show, to check on plans for new attractions, a level of attention to detail D’Amaro described as “special.”

“I think it’s so important that we have Bob here at this time,” D’Amaro said.

D’Amaro has told confidants in recent weeks that he’s interested in the CEO job and ready to take the reins if they’re offered. Insiders say he’s neck-and-neck with Dana Walden, co-chair of Disney’s Entertainment division, which includes its streaming business.

Privately, some of his supporters say they worry that if he’s passed over, he might be recruited to leave Disney and run a different company.

‘Chief’

Born and raised in Medfield, Mass., a middle-class suburb of Boston, D’Amaro grew up playing soccer and basketball. The yearbook from his graduating class at Medfield High School lists his nickname as “Chief.”

He studied painting and sculpture at Skidmore College in New York before transferring to Georgetown University to study business. He worked in the finance department of shaving-products maker Gillette before joining Disney in 1998, where he quickly rose through the ranks.

D’Amaro spent time in Hong Kong helping repair frayed commercial relationships and developed the travel-tour business Adventures By Disney. He was vice president of the Animal Kingdom theme park in Florida, overseeing the building of Pandora, the park’s “Avatar”-themed area, and later served as president of Disneyland, in Southern California, and held several top management roles at Florida’s Walt Disney World.

“The minute I met the guy, I said, ‘Whoa, this guy is a hard-charger. He’s going to light this place up,’ ” said Jim MacPhee, a former Disney parks executive who spent nearly 43 years with the company before retiring in 2021.

Over the past year, D’Amaro has taken on a more prominent role in dealmaking while overseeing a capital-investment budget that doubled in size last year, to $60 billion over the next decade.

His observers note a paradox in his leadership: Disney fans seem to adore D’Amaro, even though starting in 2021, he repeatedly raised ticket prices, did away with beloved freebies and made changes that drove up the complexity and cost of visiting the theme parks.

Charismatic and affable, D’Amaro inspires loyalty in his subordinates and is a celebrity of sorts among fans, with 154,000 Instagram followers. During frequent strolls through Disney parks, fans and employees mob him for handshakes and selfies.

He’s known to doodle anime-like characters on notepads during meetings without missing a beat of the conversation, and friends say he’s a lover of the Boston Celtics and rock bands like the Red Hot Chili Peppers and Foo Fighters. D’Amaro lives with his wife, Susan—they were high-school sweethearts—in Coto de Caza, Calif., a wealthy suburb about 30 minutes from Disneyland. Many other senior executives at Disney, including Iger and Walden, live in the tony enclaves of Los Angeles’s West Side, closer to the company’s headquarters.

Fast Pass

D’Amaro took the helm of the parks business after his predecessor, Bob Chapek, was promoted to CEO in February of 2020. Chapek, who was fired after just over 2½ years in the top job, was viewed primarily as an operator who struggled to build productive relationships with Hollywood talent, manage studio executives and connect with fans.

When the Covid-19 pandemic shut most movie theaters and Disney’s theme parks, Chapek asked D’Amaro’s team to come up with proposals to help maximize parks revenues and make up for shortfalls in other units, according to people familiar with the matter.

D’Amaro presented three main ideas, including Genie+, a smartphone app feature that lets visitors skip some lines for about $20 a day, and individual Lightning Lanes that offer shorter waits for popular rides for an added fee. His third idea, a new online reservation system, limited crowds and restricted how often annual passholders could visit.

All three changes helped the company claw its way back to financial health after the pandemic. The line-skipping add-ons have added hundreds of millions of dollars in new revenue to Disney’s coffers.

As these changes rolled out, Chapek, then CEO, was pilloried by fans who felt they were being nickel-and-dimed, but D’Amaro largely escaped their ire.

D’Amaro’s top priority is improving the guest experience, a Disney spokesperson said, and the company credits him with helping the parks division recover from the disruptions of the pandemic. “He took the rare opportunity while the train was stopped at the station to implement substantial transformation,” the spokesperson said in a written response to questions. Disney declined to make D’Amaro available for an extended interview.

This year, D’Amaro angered some fans by putting new restrictions on a program that allows some visitors with disabilities to skip lines. Before, guests with a wider range of issues could qualify, but the system was widely abused. Now, the service is limited mainly to visitors with serious developmental disabilities like autism.

Regular Disney parks visitors have complained in recent years that the pace of new attractions at the U.S. theme parks seems to have slowed and that Disney isn’t keeping up with rivals.

On the Saturday night in August, onstage at Anaheim’s professional ice-hockey arena, D’Amaro did his best to reassure fans and investors that Disney is serious about bringing them new, exciting attractions.The Disney faithful gasped and leapt to their feet in cheers as D’Amaro rolled out plans that included a new “Monsters, Inc.” roller coaster and new theme-park areas based on Disney villains and the “Avatar” movies.

Asked by text message after the presentation how he felt it had gone, D’Amaro wrote back, “If the fans are happy, I’m happy.”

Write to Robbie Whelan at robbie.whelan@wsj.com
I disagree on this. Josh should NOT be the next Disney CEO, or he'll make things worse like Chapek. Alan Bergman should be the next CEO, since he is of the film side (the creative side) of Disney, and he's been with them since 2001.
 














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