Neue Wache and Käthe Kollwitz
In 1933, after the establishment of the National-Socialist regime, the Nazi Party authorities forced her to resign her place on the faculty of the Akademie der Künste following her support of the Dringender Appell. Her work was removed from museums. Although she was banned from exhibiting, one of her "mother and child" pieces was used by the Nazis for propaganda.
Working now in a smaller studio, in the mid-1930s she completed her last major cycle of lithographs, Death, which consisted of eight stones: Woman Welcoming Death, Death with Girl in Lap, Death Reaches for a Group of Children, Death Struggles with a Woman, Death on the Highway, Death as a Friend, Death in the Water, and The Call of Death.
In July 1936, she and her husband were visited by the Gestapo, who threatened her with arrest and deportation to a Nazi concentration camp; they resolved to commit suicide if such a prospect became inevitable. However, Kollwitz was by now a figure of international note, and no further action was taken. On her seventieth birthday, she "received over one hundred and fifty telegrams from leading personalities of the art world", as well as offers to house her in the United States, which she declined for fear of provoking reprisals against her family.
She outlived her husband (who died from an illness in 1940) and her grandson Peter, who died in action in World War II two years later.
She evacuated Berlin in 1943. Later that year, her house was bombed and many drawings, prints, and documents were lost. She moved first to Nordhausen, then to Moritzburg, a town near Dresden, where she lived her final months as a guest of Prince Ernst Heinrich of Saxony. Kollwitz died just before the end of the war.
Kollwitz made a total of 275 prints, in etching, woodcut and lithography. Virtually the only portraits she made during her life were images of herself, of which there are at least fifty. These self-portraits constitute a life-long honest self-appraisal; "they are psychological milestones".
Mother with her Dead Son a World War II war memorial. The sculpture is directly set under an oculus and is exposed to the weathers, symbolizing the suffering of civilians during the war.
This is a Parliament Building but nicknamed the Washing Machine
The Reichstag is one of the most popular and historical Berlin’s landmarks; this imposing building is the seat of the German Parliament. It was designed by Paul Wallot after the founding of the German Empire and constructed between 1884 and 1894, mainly funded with wartime reparation from France. The building was burnt in 1933 and was left as a ruin for a long time, during the cold war; it was restored after the German reunification and became again the seat of the parliament. There is a huge glass dome where the views over Berlin are impressive especially around sunset.
As we were leaving the area, I picked some random shots again...
Soviet War Memorial (Treptower Park) This war memorial was built to honour the Soviet soldiers that fell in the battles against the German army in the Second World War. It was located at the 17 June Street very close to the German parliament - the Reichstag
Weisse Kreuze, white crosses, as a reminder of all those who died trying to escape to West Berlin from the GDR after the border was sealed off.
Situated on an area of 20 hectares (about 50 acres) beside the River Spree, Schloss Bellevue was built for Prince August Ferdinand of Prussia, the younger brother of King Frederick II of Prussia. It sits on the north edge of the large Tiergarten park and served as the Prince's summer residence.
The Victory Column is a monument in Berlin, Germany. Designed by Heinrich Strack after 1864 to commemorate the Prussian victory in the Danish-Prussian War, by the time it was inaugurated on 2 September 1873, Prussia had also defeated Austria in the Austro-Prussian War (1866) and France in the Franco-Prussian War (1870–71), giving the statue a new purpose. Different from the original plans, these later victories in the so-called unification wars inspired the addition of the bronze sculpture of Victoria, 8.3 meters high and weighing 35 tonnes, designed by Friedrich Drake. Berliners, with their fondness for giving nicknames to buildings, call the statue Goldelse, meaning something like "Golden Lizzy".
We came back to our starting point and the crowds and left, so I got some better shots of the statues...
We rode back in what seemed like forever on the highway back to the ship. We made it back dropped everything off and headed for food. We ate some Italian and some sushi that turned out very good.
JoAnne and Albert both joined after their meal and listened to the music. The guitar and singing was pretty good.
Off to bed we go, so very tired, but there is that noise again. It is awful!