Spring Photo Shoot

MarkBarbieri

Semi-retired
Joined
Aug 20, 2006
Messages
6,172
I had my spring "garage studio" photo shoot last weekend. It was fun, but I'm glad it's over. We had 10 families in 2 days. It poured down rain most of the day on Saturday (we got about 10 inches in two days).

The whole job is quite a lot of work. It takes a couple of hours to get everything set up. We had to move one of the canoes to the backyard. We set up six lights (four of mine and two borrowed) and two softboxes. We put up a roll of 9' wide white paper and another roll of 9' wide back paper. We taped the white paper to the floor and pulled the black down over it as needed. We borrowed the second paper stand to make it easier to switch rolls.

I tried a program called DLSR Remote Pro by Breeze Sys. It gives you the ability to remote control your camera (which I didn't do) and the ability to see your shots seconds after taking them (which was nice). The downside was that it locked up a couple of times. I also had to stop in the middle of one shoot because my camera was hung up while writing images. Once I unplugged it from the laptop, it finished writing. Canon makes a wireless connector, but it's a bit more than I want to spend.

I took just over 2,000 shots during the weekend for a total of a bit over 40 gig of data. I'm mostly adjusted to my 5D, but I still like the handling of my old camera better. Having the portrait grip has really helped a lot. Also, downloading the camera profiles for lightroom and switching to Camera Neutral has significantly improved my picture quality. I hate the Lightroom built-in profile for the 5D.

I tried the Canon 85mm on a few of the outdoor shots. It's nice, but i'm not wowed by it. For what I shoot, I now know that I wouldn't pay the premium to go from the 85mm f/1.8 ($400) to the 85mm f/1.2 ($1,850). I'm glad that I rented it because it taught me that I don't really want it.

I shot almost exclusively in the studio with the 70-200mm f/2.8 and shot almost entirely between f/8 and f/11. I switched to f/2.8 to f/5 for the outdoor shots. I hated all of the outdoor shots (lots of failed experiments), but some people claimed to like them.

Here are some of the shots:

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My wife is holding a diffuser panel to smooth the sunlight on the model. I used a 1/2 CTO gel to warm the model. I don't like the look.
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White shirts and a dark dog. Oy! Why me?
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Four girls. All with bright blue eyes. Dad's going to have a tough time in a few years. They want us to go sailing with them in the BVI next summer. They are very photogenic, but I'm not sure I want to be on a sailboat with that many females.
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These are a coworker's girls, not neighbors. They are super sweet and very smart.
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Tried for an unusual crop for this one. He was kind of shy, so I wanted to show him being tentative about being in the picture. I have lots of normal shots of him, but I thought I'd try something different. What do you think?
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This ballerina was amazing.
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Her little sister was a delightful model as well. I'll pay money to take their pictures.
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The whole process was physically exhausting. As a photographer, you have to move around a lot. I was constantly standing on ladders, laying on the floor, sitting, standing, moving. I was very sore by the end of the day on Sunday.

After having read McNally's latest book on using off-camera flashes, I thought alot about how things would be different. It would have been nice not to have power cords to worry about. It would have been rough not to have modeling lights. That would make learning with speedlites much, much more difficult. It would have been really nice to be able to adjust my settings from the camera rather than constantly going to each light to adjust them. Alien Bees should have a solution for that later this year. Having quicker recycle times was also nice, but not a huge deal. I think I like having the studio lights for the garage where I can shut down the other lights and use the modeling lights. Shooting outdoors, I'd probably be happier with speedlights.

I also used a 3' x 6' diffuser on the outdoor shots. My poor wife had to stand on our rock pile holding it over the kids. I was nervous that the wind was going to blow her into the pool. It worked well. I think it will be a useful addition to our tool kit.

In the past, I used the old AB remote or shot tethered to a flash. I had problems with both. I switched to the new AB remote switch and it worked flawlessly throughout the shoot.

I think that for my next shoot, my biggest need isn't more gear (except the remote power adjustment). I need training. I'm going to sign up for some local classes. I'm still fumbling around too much, making too many dumb mistakes, and struggling to get the look that I want. I also need to practice more. In the end, that's what these shoots are really all about. I get to practice my technique and the parents get serviceable shots without having to pay for them.

I used my new Hoodman Loupe for the first time on this job. I was nervous about buying it becaues I thought I wouldn't really use it. I love it. I'm getting old and I need reading glasses to see my LCD. Having the Hoodman allowed me to dispense with the glasses. It worked really well. Even indoors I found it very useful. I think I'm going to like it.
 
love the 4 girls shot, great composition and interest. i wouldn't worry to much about being with so many, they are young yet:lmao:
also most like the boy in blue ( shy one), little purple girl, and dark ballerina shots after that one ( no particular order)
you did a very good job, maybe too good if you don't want to do it every year from now on:)
 
Mark,

Very well done. I think the shots you have posted here are very good - posing is great, facial expressions, lighting - all very good.

Did you by chance take any setup shots you can post? I'd love to see "behind the scenes."

Great job!

Scott
 
Mark,

Did you by chance take any setup shots you can post? I'd love to see "behind the scenes."

Scott

I'd like to see shots of the setup as well if you have them.

Also love the composition of just the four girls' heads. Nice work :thumbsup2
 

Mark, these are fantastic.

I agree with Jann, really like the shot from above of the four blue-eyed girls.

And as far as the "unusual" crop of the neighbor-boy, I really like that as well.

You did a great job and your neighbors are lucky that you are so generous to do this each Spring for them. I'm sure they really appreciate you taking the time to do it.
 
I love the 4 girls, the unusual crop and the ballerina against black. And I really like the outdoor shot, maybe it's the colors she's wearing against the rocks. The only thing about that pic is her foot sticking up is distracting to me.

They are all great!
 
WONDERFUL...love them all!! I have always wanted to try the family one with the white shirts...jeans, bare feet but with an American Flag background. Have you tried that?
 
Sounds like a lot of work!

OT: We are also considering going sailing around BVI next summer. So, I need to get my rear in gear and learn this summer or pay for a captain next summer.
 
The four blue eyed girls and the shy boy are my favorites. Really nice work Mark!
 
Wonderful work! I concur with most - my personal faves were the boy in the blue (great composition) and the four girls.
 
I'd like to see shots of the setup as well if you have them.

Also love the composition of just the four girls' heads. Nice work :thumbsup2

I didn't do any shots of the setup. I'll sketch something up and post that. I'll also add some tips on getting similar effects with more basic stuff (sheets instead of softboxes, windows instead of lights, etc.
 
I love the 4 girls shot and the ballerina against the black background...love the uplighting on that. Actually, they are all great, but those are my favs. Can I bring my kids over too?
 
Great job as always Mark!!! My favorite shot is the shy guy :) Sounds like it was a lot of work and very tiring but the payoff was huge imo. I am sure your neighbors are more than a little pleased with the shots of their families and young ones.
 
Good work as always Mark. Am I correct that the ballerina in the dark was just a redesign of the lights not a different background?

Your reflector you used outdoors, was it silver, white or gold. I think what you do not like about that shot has more to do with the fair skin of the girl against the rocks vrs the quality of the shot. If you used gold she must be really fair skinned.

Also did you use strobes inside and portable flash outside or all strobes?

Thanks as always for sharing.
 
Excellent series Mark- very nice.
 
Good work as always Mark. Am I correct that the ballerina in the dark was just a redesign of the lights not a different background?

It can be done that way, but it is difficult. You could start with a medium toned background and flood it with light to make it white and then starve it for light to make it black. That's tough, though. If you flood it with light, you'll get reflected light hitting the sides of your models. So for a white background it is easier to use white paper and to give it just enough light to blow out but not more than necessary. To get a black background, you have to be careful not to let much light hit it. The darker you start with, the more room you have for error. Both get really tricky when you include their feet because you can't over-light or under-light their feet or the material under them. For a really interesting demonstration of using lights to change background appearance, watch the video for Beyonce's "All the Single Ladies." I'm not sure how they did it, but it was really impressive. BTW, it is a clear sign that a guy is a photo geek when he watches that video and is engrossed by the lighting.

Your reflector you used outdoors, was it silver, white or gold. I think what you do not like about that shot has more to do with the fair skin of the girl against the rocks vrs the quality of the shot. If you used gold she must be really fair skinned.

For the outdoor shots, I used a diffuser rather than a reflector. The diffuser was white. I added some light to the subject from an on-camera flash. I used a 1/2 CTO (light orange) gel on the flash to warm the subject. I'll make some major changes before I do the outdoor shots again. Shooting indoors in a light controlled environment is much easier. Outdoors, I had to contend with light from the sun, green light reflecting from the plants. Orange light reflecting from the rocks. No modeling light on the flash. Wind was blowing my diffuser stand (AKA my wife) like crazy. I was limited on my angles because of the fence behind the rocks. All in all, it was a pain for very little gain. I don't think that I got a single shot outside that I was really happy with.

Here are a few of the other outdoors shots.

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Also did you use strobes inside and portable flash outside or all strobes?

Thanks as always for sharing.

I used Alien Bees (mostly AB800s) for the garage stuff. Outside, I used a single 580EXII Speedlight. I've got a portable power pack for the strobes for outside use (although for a backyard shoot I'd just use an extension cord).
 












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