Beth76 said:I don't like these things. I don't like other people making money off of censoring someone else's work. If there's something in the movie I don't want my kids to watch, then they don't need to see the movie.
marybet said:The one that amazed me was "Titanic", they removed all the sex scenes but left the ones of the people drowning and dying. If the child was to young for the sex they were to young for the dying. I just don't understand people who think this is okay. Let your child wait until he is old enough to see the movie.
Ask yourself: Why did this change? The answer is all around you: Because it is what people want, what they believe is right. It is a very clear reflection of the free market at work, and as a American, I find that very encouraging -- a very positive thing.That wasn't the case not too long ago.
This is really the most disturbing aspect of this conflict. The "filter-ers" seem to have a very warped sense of propriety. They are far too much concerned about nudity and nowhere near concerned enough about violence. It isn't just their actions, in violating copyrights, that is reprehensible, but their moral compass itself appears to be totally misdirected.The one that amazed me was "Titanic", they removed all the sex scenes but left the ones of the people drowning and dying. If the child was to young for the sex they were to young for the dying. I just don't understand people who think this is okay.
TheOtherVillainess said:Beth..the way the sanitizers got around the "We're stealing money from Hollywood' argument is that for every 'sanitized' copy of a movie that was sold, they had bought a regular copy of *X* to go with it.
TOV
MICKEY88 said:the copyright laws only allow you to make a copy of a movie you buy for your own personal use, they do not allow you to profit by selling or renting those copies....
or do they rent or sell you the original and give you the free copy to view...
Actually, that's not even true. (We've had this discussion before on the Community Board. It was actually very interesting, for anyone really interested in what is and isn't allowed according to the law. Check the archives.)the copyright laws only allow you to make a copy of a movie you buy for your own personal use
TheOtherVillainess said:ITAWTC.
*ETA--just to prove it, I went to MeeVee.com and looked to see what's on tonight during 'prime time'. I found the following 'kid-friendly' programs:
Full House
The Planet's Funniest Animals
W.I.T.C. H.
Zixx
Andy Griffith
The Lizzie Maguire Movie (which actually started at like 6 or something)
Emeril Live (Bam baby!)
This Old House Hour
Jack Frost (a PG movie)
Little House on the Prarie
Don't tell ME there's nothing on in prime time your child can watch.![]()
TOV
I thought it was supposed to be a nice, friendly debate per your first post.That's not really the issue. Rather, the issue is that IP owners are being "forced" to have their artistic work presented in a manner they don't condone. To many artists, this is akin to superimposing the face of their child onto a nude photo of a woman and then publishing the photo. You cannot tell them that they're not allowed to have that kind of feeling about their IP. The film is their property, unequivocally, and they get to say what goes with regard to it.Nobody is forcing anyone to buy the sanitized versions.
That is correct. It's a common copyright misconception that you are allowed to make "backup" copies or other duplicates of copyrighted materials that you own without expressed permission from the rights holder to do so. While such permission is often granted in the software world, it rarely is done so in the entertainment world.Actually, that's not even true.
Geoff_M said:A couple of final thoughts on the OP... It seems very inconsistent that directors claim that outside firms altering their works to make them "family friendly" is tantamount to artistic heresy but (contract or not) they have no qualms about allowing people others than themselves to edit for much of the same reasons (nudity, langauge, excessive violence, etc.) for TV or in-flight films. Why is one form is editing artistically tolerable, but not the other?
If the objections are related to a copyright issue (and the director rarely is the rights holder anyway, unless it was self-produced) that people are objecting to, then that's another matter. I agree that copyrights should not be violated in such efforts.
nkjzmom said:As Barb mentions we are all given the "choice" to edit what comes into our homes in the negative sense...why can't we also be given a "choice" to allow cleaner versions of films into our homes? If they can find a way to make it legal then great.
That, too, isn't the point. The buyers aren't the instigators of the copyright violation; rather it is the companies, like "CleanFlix" that abridge films without permission. They are who should be preventing what they're doing; prosecuted and punished.As Barb mentions we are all given the "choice" to edit what comes into our homes in the negative sense...why can't we also be given a "choice" to allow cleaner versions of films into our homes?
OK, let me be a little more clear then:Since you understand the copyright issue I don't see why it needs to go any further. Contract vs. no contract, not that hard to understand.
Marseeya said:What I don't get is the attitude of those who want these "clean" versions, but find it perfectly acceptable that it's illegal to do so! Those are some fuzzy morals.
Geoff_M said:OK, let me be a little more clear then:
The argument that any attempt to present the work in a manner (be it via CleanFlix or CleanPlay) other than as created by the director is wrong because it violates the director's "artistic vision" is a bogus argument as no such outrage is expressed at TV networks or Airlines. "Artistic vision" isn't preserved by the presence of legal documents allowing the work to be "artistically violated" by others. Am I to believe that if CleanFlix were to negotiate a similar licensing agreement with the motion picture studios as the airlines have done, then all objections would simply vanish?
The "artistic" argument is totally seperate from the "legal" argument. CleanFix appears to be headed for a legal dead-end unless it can negotiate a licencing agreement. However, the CleanPlay system appears to pass legal muster, but still most of the same crowd of people object to its function and use. It's this objection I find puzzling. Why should anyone get bent out of shape if I were to choose to play my legally purchased store-bought DVD in a CleanPlay player? Why does the "mind your own business" crowd mind?
I'm just not following your argument, here, Geoff. If I create an artistic work, and I say it is okay for someone I trust to maintain key aspects of my artistic vision to abridge it, then, well, it's "okay". That doesn't mean that it is okay for just anyone to do whatever they want to my artistic work!The argument that any attempt to present the work in a manner (be it via CleanFlix or CleanPlay) other than as created by the director is wrong because it violates the director's "artistic vision" is a bogus argument as no such outrage is expressed at TV networks or Airlines. "Artistic vision" isn't preserved by the presence of legal documents allowing the work to be "artistically violated" by others. Am I to believe that if CleanFlix were to negotiate a similar licensing agreement with the motion picture studios as the airlines have done, then all objections would simply vanish?