And I'm talking about the Disney that developed IllumiNations, SpectroMagic,
Hasn't Illuminations been around since the 80's, meaning it was inclusive in the time period I was talking about? While I dearly love both of those shows, and yes, live up to the "Disney of old" moniker, I'm talking rides. Not shows.
Legend of the Lion King (and The Lion King on Broadway, for that matter),
Never saw Legend, but as I recall that was in the mid 90's, and see my argument for the above. And the Lion King on Broadway? Disney FINANCED it. They really had nothing to do with the creation of it. That credit belongs to Julie Taymor. And while we're on the subject of it - it's amazing visually. But as a piece of theatre (mainly, the book)? It's really weak.
I'll give you that one flat out. I haven't ridden it, so I'm trusting the reviews of everybody - which is a stretch for me. I usually reserve judgement until I've seen something.
I do have one gripe with this though - they should have changed the dang film. So they dropped the "Over California" from the name. Doesn't help it fit any better into the Epcot landscape.
That's one I'm discounting. I've ridden it. Disney doesn't do simulators well at all. It fell flat to me on both story and experience. I can feel a bunch of G forces on any linear induction motor coaster.
Maybe at Disneyland, but the WDW version? Had our feet not been so tired, we would have left. Splashy spectacle does not a Disney show make. AND - it ain't a ride. It's a show. I'm talking rides.
You've flat out got that one. I was actually thinking Terror when I made my list, but I forgot to put it on. It opened in '93 which is only a year after Splash opened up - so while I forgot it, it still was in the era I was talking about.
and even smaller stuff like talking trash cans and Turtle Talk.
You're right there again - but again I say - those aren't rides. Those are SHOWS. I think Turtle Talk has AMAZING potential. It's now a question of implementation of the technology.
I happen to think those things are original, popular and reek of Disney quality. But I realize that's subjective. I also tend to assign a lot more importance to the shows, because I believe that a great show can be an e-ticket too. I guess the difference is that you're lamenting what you believe is a lost creativity, whereas I still see it thriving. It's just a matter of perspective. I'm happy to "agree to disagree" on this one.
One of the things I've noticed is that the story of a ride no longer seems to be of the utmost importance. When I think of Mission: Space, I think of a simulator. When I think of Test Track, I think of a car.
When I think of Spalsh Mountain, I think of the briar patch and the laughing place. When I think of Tower of Terror, I think of seeing a decrepit hotel. When I think of Pirates of the Caribbean, I think of floating through a pirate battle, and a ransacked town.
See what I mean? All of those rides pre-95: it's seemingly the story that endures. The stuff post-95: it's the ride mechanism. The stuff that I look at lovingly transports through the story. The others transport through the use of a vehicle.
And while we're at it - MOST of the stuff that's out there now, I like too! But I don't see it as living up to the same standard that the older rides lived up to.