New Fantasyland Dusk-hour HDRs from last week

zackiedawg

WEDway Peoplemover Rider
Joined
Aug 5, 2008
Messages
3,940
I just got finished going through all my photos from last week's trip to Disney World. I decided this trip, with a friend along and the heat and crowds of summer, to leave the DSLR home and just bring my NEX mirrorless...I used 4 lenses this trip - 18-55mm kit, 16mm F2.8 with .75x adapter, 55-210mm zoom, and manual 35mm F1.4.

One of my favorite times of day are the few hours around sunset and dusk - three very different types of light, but all interesting - the reddish/yellow glows of sunset, then the weird midtones and glow of dusk, followed by the electric 'blue hour'. While roaming Magic Kingdom, I found myself in New Fantasyland right around the dusk hour, just before blue hour, and decided that the odd, flattish light would be enhanced by using in-camera HDR set to 3 stops for some handheld scenery - it helps capture that 'glow' that dusk hour can produce, and that a single shot doesn't seem to capture. Here we go:

The landscape next to Beast's castle, which you really only get a good look at when heading over the bridge to Be Our Guest restaurant:
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Be Our Guest entrance doors:
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The bridge and castle backdrop:
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Belle's storytime cottage:
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Village Haus restaurant, as seen from the newly opened Fantasyland area that Dumbo once occupied:
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Carousel and castle:
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Little Mermaid building:
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New castle walls and castle:
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Lovely shots as always Justin. What a great time of day to shoot!
 
Thanks mom2rtk. I like dark and night shots, so it's a great time for me. Some wouldn't like the photos to have such a dim, dark or 'creepy' look, but I've always loved the failing light and the strange minor glow of colors in the dim light and wanted to try to capture that.
 

Great pictures. Just wondering, you said they are HDR--- In-camera HDR or did you post-process?
 
Thanks both.

HAvoc - all are in-camera HDRs...I was manually set to 3 stops most of the time (I never use 'auto') for these, whereas I usually stick to around 1-2 stops...here, I didn't want to make the exposures bright and daylight looking, so I kept the HDR at the point where it could give me nice highlight glow to the colors, but leave the overall metering darker. I metered the camera off the brighter parts of the scenes (sky or lights) then let the 3-stop HDR rebuild shadow detail.

No processing on the photos other than what was in the camera.
 
Beautiful pictures!
 


















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