Mickey Mouse in US Supreme Court

Here's another article about this from the op-ed section of today's Boston Globe:

One fight for rights that's wrong


By Alex Beam, Globe Columnist, 10/8/2002

Tomorrow in Washington, Stanford University law professor Lawrence Lessig will ask the Supreme Court to overturn the 1998 Sonny Bono Copyright Term Extension Act, cynically dubbed the Mickey Mouse Preservation Act. The act is notorious not only because its sponsor was one of the dimmer bulbs in the Congressional chandelier, but also because it purports to be the handiwork of the evil Walt Disney Co. (remember when Disney was good?), which wants to lock up its rights to Mickey and Donald for another 20 years.


The plaintiff in the case is Eric Eldred, of Derry, N.H., who publishes public domain books on his Web site. With plenty of Visine, you could read, say, Henry James's ''Daisy Miller'' at www.eldritchpress.org. His legal brief likens his Web site to a public library, except that, unlike a library, he cannot just buy books, he has to buy copyrights to copy books. ''Eldred's need for a rich public domain is therefore greater than the need of an ordinary library,'' the argument asserts. It seems worth mentioning that Eldred's bid to roll back the 1998 copyright extension has yet to succeed in any US court.

The docket names are a social register of American creativity. Eldred's legal supporters include the American Library Association, Milton Friedman, Barry Lopez, and Ursula K. Le Guin. Opposing them, we find media behemoth AOL Time Warner, Houghton Mifflin Co., Dr. Seuss Enterprises, the odious Jack Valenti, Philip Glass, and David Mamet, to name a few.

For right-thinking people everywhere, this case is a no-brainer. Disney wants to lock up their copyrights for 20 more years, in addition to the 50 years after the creator's death allowed under current law. Bad! Eldred and the Webby dreamers who support him insist that ''information wants to be free.'' Good! It all seems so obvious until you realize that the plaintiff's assumptions are totally flawed.

First off, information does not want to be free. Some people want information to be free, usually freeloaders who had nothing to do with creating it. I would estimate, conservatively, that this computer I am typing on has committed 6,000 copyright violations in the last four years, due to my sons' ''liberating'' musical information, i.e. MP3s, from record companies.

But most information comes at a cost. The Globe charges you for the information you are reading now. Do you think you are reading this column on the Web for free? Then come pay my $45 monthly check to the Internet pirates at AT&T Broadband. Free Web service died around the time ''X-Files'' plots went south.

The second flaw in the plaintiff's argument is the myth of the public domain. We accept without question that certain intellectual property, like books, should eventually belong to the public. Why? My friend Dean Crawford builds houses and writes novels. Would we confiscate his rights to a home he built after 70 years? Of course not. Would we restrict his freedom to sell a home to whomever he chooses? No.

I first noticed the Eldred case several months ago, when I was reading Alexandre Dumas's ''The Three Musketeers'' aloud to one of the aforementioned copyright thieves. Would I pay Dumas's heirs a small fee to enjoy this wonderful book? Of course. Who loves the public domain? The creator's enemy - publishers. They take a story like Mark Twain's '' Huckleberry Finn,'' tart it up with some new illustrations, and make a killing. ''You might just as well, after you had discovered a coal mine and worked it 28 years, have the government come in and take it away,'' was Twain's famous comment on the American copyright laws of his time. Sometimes people forget: Writers work for a living.

I am not blind to the allure of works in the public domain. But the distinction between so-called real property - a house - and intellectual property - a book - is not so vast. Plenty of people donate all kinds of property to the public; let's allow authors to make that same choice, instead of having the government choose for them.
 
According to a similar article on CNN, this wouldn't have an immediate impact on Disney. It would only apply to some of their very early works (Steamboat Willie, etc) but not the modern version of Mickey Mouse for a few more years. Also he's registered as a corporate logo and the rules are different for that. Regardless of the outcome, it will be a many more years before the currect Mickey we know would enter into public domain.

http://www.cnn.com/2002/TECH/biztech/10/07/copyrightchallenge.ap/index.html
 
However,there could be a ton of Merchandising of the Mickey Public Domain items with no profit for Disney who created him.
 

This is true. Then again, I'm sure the original creator's family of Cinderella and other such stories gets the same treatment as the rest of us when it comes to getting CRT resssies. And I'm sure they didn't get any money from it either. ;)

What's that you say??? Mr. Walt Disney and his team didn't invent Cinderella themselves?!?!?!? :rolleyes:
 
I thought they bought the rights to the story like Cinderella beauty and the beast...etc. Like MGM did with the wizard of oz.
 
Originally posted by moosebug
I thought they bought the rights to the story like Cinderella beauty and the beast...etc. Like MGM did with the wizard of oz.

Who would they have bought the rights from??? The stories of Cinderella, Snow White, Pinocchio, B&B, etc were all in the public domain at the time they were made into Disney movies. For example, while there are numerous versions of a Cinderalla type story, the Brothers Grimm's version is probably the closest to our modern day version....and they were both dead by 1863. If they had bought the rights, you wouldn't see any version of a Cinderella story on the market that didn't have a Disney logo on it...and well, this simply isn't the case. Think of Rogers & Hammersteins musical version or Ever After, a Cinderall story. Disney just happened to make the most memorable version of a modern Cinderella...from a story that is over a hundred years old. As for MGM, I think you may be right about that, but that's because the book was written around the turn of the 20th century (maybe around 1899-1900) and the movie made about 30 years later. Thus, MGM had no choice but to buy the rights if they wanted to make a movie out of it. For a timeline of this, check out this page: http://www.geocities.com/Hollywood/Hills/6396/timeline.htm

Why does this matter? Disney, being the giant corporation that they are, doesn't want to give up their intellectual rights and or have what they created enter into public domain. Some people find this hypocritical though, because Disney became popular by doing exactly what they want to prevent others from doing.
 












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