I just can't do it. $$ Concert tickets

back in the late 70's i was working and handling calls for this guy (who i later found out was part of jackson browne) and he must of liked the work i did for him. he asked me what i was doing the next night. when i said i had to work ..he said what time .. i replied 11:30pm. he said good would you like free tickets to our concert.

wow what a concert and what seats..dead center about 10 rows back.

after words i talked to him again and he asked what i thought .. i loved it.


i later found out that night the group sent the lounge bar band packing for the night and they played in the hotel lounge.


jackson browne put on one hell of a concert.
 
Jeez, $198 per ticket is insane. I would never pay that. :eek: That's almost the price for park hoppers - a MUCH better value imo!
 
It's a business and its all about the money. If it wasn't about the money then a lot of these artists, bands, and shows wouldn't be charging upwards of $100.00 just for the nose bleed section seats alone. The more sell out shows there are on a tour then the more likely it is that the ticket prices will go up. Until these artists are playing to arenas and other venues that are sold to half capacity and less than half capacity then they will be forced to change their prices, until then, don't expect to see cheaper concert ticket prices anytime soon.

Also too, if more artists would actually go out on tour, and ditch the back-up dancers, leave the absurdly expensive production behind, and actually set a per week budget and go out and do a stripped down tour with a simple stage set up that costs no more than $1 million a week (covering: crew payroll, busses, hotels, lighting, staging, audio *all of this and more is paid per week before the artist sees a penny*). Then and only then will ticket prices become reasonable again. Until then we are stuck with sky high ticket prices.

My fiance is in the entertainment/music business as a front of house engineer (sound guy) and deals with all of this on a daily basis.
 
Consider it the subsidization for all the "free" music out there now.

Sales of albums used to be a major source of revenue. File sharing has just about killed that business model. Now the actual music is seen as a way of getting people to buy concert tickets and merchandise. Between that and increased audience expectations for what a show should include (i.e. heavily produced) ticket prices have gone way up and likely will continue to.

One can also argue that a lot of these artists are way over-paid for what they do. Myself and my fiance are in the business.

Ex #1: The average working road crew guy works on average from 7AM-2AM the next morning, very long hours, often times more than one show in a row and get highly under-paid, and are not paid when they are not on the road in most cases. In some rare cases some crew guys and gals are paid retainer, which can be the same if not less than their base pay on tour. Some of these crew guys are on big national and international tours just making ends meet and having a little left over for savings.

Ex #2: These days there is a computer program out there called pro tools that has contributed to artist laziness today. Before this software existed an artist had to do take after take in the studio before they were satisfied with what they wanted on the physical copy of the album to be distributed to their fans. These days artists can go into the studio, spend half an hour per track, do four or five takes and leave it to the audio engineer to fix it in the mix, in the past fixing a problem part on a track was the artist responsibility to spend a week if need be on a track to make it right. So artists, these days are doing a lot less in the studio, and relying on pre-programmed instruments and loops on their loops. Its just not worth the money it used to be to buy a whole CD, its a singles market these days. An artist wont profit off of a 99 cent song anyway. I've also yet to hear quality music to come out in recent years except for.

Scorpions - Sting In The Tail
AC/DC - Black Ice
KISS - Sonic Boom

All of which was done old school style, no filler material on either album, audio quality is amazing, and its all 100% legit (vocals, and instruments) both of which are easily replicated live without the need for backing tracks. Hence creating a legit live act.

Not a show that has a zillion costume changes, a stage that spells over production, canned vocals, and over choreographed to the point where you just cant enjoy it at all. Simply being used as a cover up because the artist cant sing live and using all of the listed as a cover up. This is why these shows are so expensive. If they went out with just themselves, and a band backing them up, did a legit live show with a simple stage, lighting, and audio set-up, and traveled by tour bus instead of private jet their ticket prices would drop due to less tour expenses. So instead of having the expense of a $2 million a week show, they could cut back to $750,000.00-$1 million a week.

Ex #3: Artist goes out and does a 90 minute-2 hour show, sure there was rehearsal on their part to be done. But for their 8 or so hours of rehearsal they do in a day, their crew is there long after they leave and late in the night (often times their days run 11AM-4AM the next day during rehearsals), they do not get a day off just because the artist does, if they are blocked in for 3 weeks of rehearsal its 3 weeks, they don't see a day off until the first official day off on tour, and the crew is working before rehearsals even start.

*While I understand that guys and gals chose the entertainment/music business as a career, this is just another perspective you don't hear about often*
 













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