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Feels like Disney shot themselves in the foot with their streaming strategy during 2020 -- now people are conditioned to just wait a little longer and watch at home. I'm not a huge theatergoer so it would be detrimental for me, but from a business standpoint, why don't they wait longer to offer on streaming?

I *still* remember waiting a few months short of a year for The Lion King to be released on VHS. We went to BJ's Wholesale Club to pick it up and when we got there, my dad had forgotten his wallet so we had to go back home and get it. I was freaking out because I thought for sure they would all be gone by the time we got back. There were still some left when we got there but the display had been greatly diminished and we were only gone for 30 minutes. It was a big deal. Why not try to build some of that type of hype back up??
 
https://variety.com/2023/film/news/box-office-wish-napoleon-tuesday-previews-1235805453/

Nov 22, 2023 8:30am PST
by Jordan Moreau
Box Office: ‘Napoleon’ Makes $3 Million in Previews, ‘Wish’ Follows With $2.3 Million

Disney is wishing upon a box office star this Thanksgiving, as its latest animated movie “Wish” takes on Apple and Sony’s historical drama “Napoleon.”

“Wish” is expected to come out on top this weekend, but “Napoleon” won the first box office battle in previews. “Napoleon” made $3 million in previews, which began on Tuesday due to the Thanksgiving holiday, and “Wish” made $2.3 million.

The family-friendly animated movie about Disney’s iconic wishing star is expected to make $35 million over the typical weekend. With the extra-long Thanksgiving holiday, it could add up to between $45 million and $50 million over the five days. “Napoleon,” directed by Ridley Scott and starring Joaquin Phoenix as the brutal French ruler, is projected to make $16 million over the weekend and around $22 million in the extended holiday frame. Apple backed the film but Sony is distributing it, much like how Apple and Paramount rolled out “Killers of the Flower Moon.”

Disney usually dominates during Thanksgiving time, when families arrive in droves to theaters, but “Wish” marks the second smaller opening for the company. Last year’s animated adventure “Strange World” flopped with just $18 million over the five-day holiday. In 2021, the musical “Encanto” made $40.3 million in the same timespan during the pandemic, but didn’t start to really sing until it was made available to stream on Disney+. The years before that had much bigger hits, like 2019’s “Frozen II” ($123.7 million), 2018’s “Ralph Breaks the Internet” ($84.6 million) and 2017’s “Coco” ($71 million).

“Wish” is written and directed by Chris Buck and Jennifer Lee, both of “Frozen” fame, and stars Oscar winner Ariana DeBose (“West Side Story”). She plays Asha, a girl who must save her kingdom from a wish-stealing villain — while she
belts out a few hit songs along the way.

“Napoleon” is Apple’s second big-screen bet this fall, following Martin Scorsese’s “Killers of the Flower Moon.” That movie opened with $23 million and has gone on to make $145 million so far. Like “Napoleon,” they both carry expensive price tags and are adult-skewing, auteur-made dramas backed by the deep-pocketed Apple, so it’s hard to judge their success based solely on the box office receipts. The movie reunites Scott and Phoenix years after “Gladiator” and also stars Vanessa Kirby as Empress Josephine.
 
Feels like Disney shot themselves in the foot with their streaming strategy during 2020 -- now people are conditioned to just wait a little longer and watch at home. I'm not a huge theatergoer so it would be detrimental for me, but from a business standpoint, why don't they wait longer to offer on streaming?

I *still* remember waiting a few months short of a year for The Lion King to be released on VHS. We went to BJ's Wholesale Club to pick it up and when we got there, my dad had forgotten his wallet so we had to go back home and get it. I was freaking out because I thought for sure they would all be gone by the time we got back. There were still some left when we got there but the display had been greatly diminished and we were only gone for 30 minutes. It was a big deal. Why not try to build some of that type of hype back up??
Box office is only part of the fallout of streaming. You can tell no one really thought that Box Office would be impacted by streaming but wait till you see how many $billions a year they gave up in licensing. There were some very big unintended consequences from streaming.
 

Box office is only part of the fallout of streaming. You can tell no one really thought that Box Office would be impacted by streaming but wait till you see how many $billions a year they gave up in licensing. There were some very big unintended consequences from streaming.
That’s why Warner and Paramount are dishing off their popular movies/shows to other streamers to keep things going.
 
Box office is only part of the fallout of streaming. You can tell no one really thought that Box Office would be impacted by streaming but wait till you see how many $billions a year they gave up in licensing. There were some very big unintended consequences from streaming.
The licensing wont be a big of a deal going forward once Disney Plus starts to break even this year (assuming Disney is telling the truth they will).

I agree that box office is certainly a huge drag as that has significantly cratered in recent months. Though it's not just Disney feeling the pain in that regard, they are at the forefront thanks to the 2019 film slate pumping out winners.

Disney was pro active in making their streaming service during a time where they needed one for the future. They made a myriad of mistakes putting Luca and Turning Red straight to service and having movies like Encanto and Strange World be on the service in 30 days. They have already lengthened the window for most movies being somewhere around 3 months. I would like to see them lengthen that just a tad more to 4.
 
Feels like Disney shot themselves in the foot with their streaming strategy during 2020 -- now people are conditioned to just wait a little longer and watch at home. I'm not a huge theatergoer so it would be detrimental for me, but from a business standpoint, why don't they wait longer to offer on streaming?

I *still* remember waiting a few months short of a year for The Lion King to be released on VHS. We went to BJ's Wholesale Club to pick it up and when we got there, my dad had forgotten his wallet so we had to go back home and get it. I was freaking out because I thought for sure they would all be gone by the time we got back. There were still some left when we got there but the display had been greatly diminished and we were only gone for 30 minutes. It was a big deal. Why not try to build some of that type of hype back up??
They’ve started doing this. Indy 5 was released 5 months ago and will start streaming next month. They definitely know it’s an issue and honestly they could stretch it further.
 
Feels like Disney shot themselves in the foot with their streaming strategy during 2020 -- now people are conditioned to just wait a little longer and watch at home. I'm not a huge theatergoer so it would be detrimental for me, but from a business standpoint, why don't they wait longer to offer on streaming?

I *still* remember waiting a few months short of a year for The Lion King to be released on VHS. We went to BJ's Wholesale Club to pick it up and when we got there, my dad had forgotten his wallet so we had to go back home and get it. I was freaking out because I thought for sure they would all be gone by the time we got back. There were still some left when we got there but the display had been greatly diminished and we were only gone for 30 minutes. It was a big deal. Why not try to build some of that type of hype back up??
Although, I do not disagree with your comment. I will add one consideration or observation to your "shot themselves in the foot . . . streaming strategy".

In 2020, put yourself in Bob Chapek's shoes for a moment. You just became the chief of TWDC. You know TWDC is an entertainment business. About 3 months after taking over, you are being told by different government officials, at home and abroad, that: (1) movie theaters are closed; (2) cruise ships cannot sail; (3) theme parks must be shuttered; (4) live productions shows are prohibited; (5) you can't book hotel reservations; and, (6) merchandise may be barred from being sold as "non-essential".

Sincerely,

The Unofficial Bob Chapek Apologist
 
The licensing wont be a big of a deal going forward once Disney Plus starts to break even this year (assuming Disney is telling the truth they will).

I agree that box office is certainly a huge drag as that has significantly cratered in recent months. Though it's not just Disney feeling the pain in that regard, they are at the forefront thanks to the 2019 film slate pumping out winners.

Disney was pro active in making their streaming service during a time where they needed one for the future. They made a myriad of mistakes putting Luca and Turning Red straight to service and having movies like Encanto and Strange World be on the service in 30 days. They have already lengthened the window for most movies being somewhere around 3 months. I would like to see them lengthen that just a tad more to 4.
It’s just they cut off from their revenue stream while they were growing their service. Rather than leaving linear to continue carrying the weight of DMED post pandemic.

2019 the studios got $4.7B in various licensing and other purchases, 2023 that’s down to $2.6B.

Now as much as is made about the hundreds of millions of dollars lost at the studio side of the company it has technically posted a profit of $173M after the ESPN recast over the last 2 years. Lost $179M this past year.
 
https://www.cnbc.com/2023/11/21/disney-thanksgiving-wish-box-office.html

Disney used to own the Thanksgiving box office. ‘Wish’ is trying to win it back

Published Tue, Nov 21 2023 - 6:00 PM EST
Sarah Whitten@sarahwhit10

Key Points
  • “Wish,” which arrives in theaters the day before Thanksgiving, has two goals: Pull Disney out of its animation rut and kickstart the holiday weekend.
  • Early ticket sales suggest the film could secure $55 million for the Wednesday-to-Sunday period including Thanksgiving.
  • Before Covid, the five-day Thanksgiving spread tended to result in more than $250 million in ticket sales. In the last two years, it has yet to reach $150 million.
Disney is wishing on a shooting star this week, hoping that its celebratory 100th anniversary film “Wish” will mark a turning point for its beleaguered animation division and jumpstart the Thanksgiving box office.

The House of Mouse posted its biggest year ever theatrically in 2019 — with a whopping seven films surpassing $1 billion in global ticket sales — but has yet to recapture that magic even after relaxed Covid restrictions brought moviegoers back to cinemas.

Its Marvel Cinematic Universe films have been hit-or-miss with audiences, with “The Marvels” most recently opening to an all-time franchise low. But Disney’s animation arm, which has ruled the box office for decades, has had more rotten eggs than golden ones in the last three years.

Much of Disney’s troubles have stemmed from executive decisions to pad its fledgling streaming service Disney+ with content, stretching its creative teams thin, and sending theatrical movies during the pandemic straight to digital.

This has been particularly apparent with Disney’s animated features, both from its Walt Disney Animation studio and from Pixar. Parents, confused about when and where animated films from the studio were being released, didn’t show up to theaters. And the films that were released weren’t all well-received by critics or audiences.

This has had a direct impact on the key Thanksgiving holiday, which Disney has long dominated at the box office.
Disney declined to comment for this story.

Feast or famine

The week of Thanksgiving is typically a robust time at the box office, a tradition for many families who gather during extended time off from school and work.

In the last decade, not counting 2020, 2021 and 2022, the five-day Thanksgiving spread — from the Wednesday before Thanksgiving through Sunday — has resulted in more than $250 million in ticket sales each year.

Many of those weekends were fueled by Disney animation hits as well as Lionsgate’s Hunger Games films.

However, in the wake of the Covid pandemic, the box office has struggled to regain its foothold on the Thanksgiving holiday.

“Thanksgiving as a holiday moviegoing corridor has diminished in its revenue-generating horsepower in the post-Pandemic era and this means that at least for now, the odds are against any film becoming a massive breakout hit over the five-day frame,” said Paul Dergarabedian, senior media analyst at Comscore. “Thanksgiving films in this movie marketplace must rely more heavily on December moviegoing to determine their ultimate box office fate.”

Box office analysts often disregard 2020′s $21.4 million Thanksgiving haul, as few theaters were open and there were few films to watch. But, 2021 and 2022 had more titles available and neither reached $150 million in domestic ticket sales for the five-day period.

Early ticket sales suggest “Wish” could secure up to $55 million for the Wednesday-to-Sunday period including Thanksgiving. That trails previous Thanksgiving openers from Disney including “Ralph Breaks the Internet,” “Coco,” “The Good Dinosaur” and “Tangled” but is higher than the $18.9 million brought in by “Strange World” last year and the $40.6 million from “Encanto” in 2021, according to data from Comscore.

Yet, if “Wish” does reach that $55 million mark, it would be the seventh-biggest Thanksgiving opening of all time.
Add in second-week sales from Universal’s “Trolls Band Together,” Lionsgate’s “Hunger Games: The Ballad of Songbirds and Snakes,” and TriStar’s Eli Roth slasher flick “Thanksgiving,” as well as new entrants such as Apple’s

“Napoleon,” and box office analysts foresee a haul of between $150 million and $160 million for the five-day spread.
“This is shaping up to be a very crowded Thanksgiving at the multiplex,” said Dergarabedian. “And ‘Wish’ will have to hope that the other new PG-rated animated family films on screens, like ‘Trolls Band Together,’ will not siphon off a larger-than-expected share of the target audience.”

Not to mention, box office expectations have not been particularly accurate this year. Taylor Swift’s Eras Tour concert film, Disney’s “The Marvels” and “Ballad” all delivered opening weekends that were shy of expectations.

Trouble in the Magic Kingdom

“Wish” has a lot riding on its opening weekend, as Disney looks to rebound from a slew of box office letdowns.

“After the misfire of ‘Strange World’ last year and the lingering impact of short-lived streaming strategies, it’s important for ‘Wish’ to bring back a bigger portion of their core audience now that other studios and animated franchises have performed so well over the last 18 months,” said Shawn Robbins, chief analyst at BoxOffice.com.

Universal’s animated films, in particular, have excelled. In 2022, “Minions: The Rise of Gru” snared $942.5 million at the global box office, and earlier this year “The Super Mario Bros. Movie” tallied more than $1.35 billion globally. Similarly, Sony saw great success with “Spider-Man: Across the Spider-Verse,” generating $684.9 million globally.

Meanwhile, Disney has yet to secure more than $500 million worldwide from an animated feature since 2019.

“Elemental,” released over the summer, managed to collect $479.8 million. The last time a Pixar film grossed less than $500 million was 2017′s “Cars 3,” which drew $383.5 million in ticket sales. On the Walt Disney Animation side, the last film to fall short of the $500 million mark before 2020 was 2014′s “Planes: Fire and Rescue,” which racked up $151.4 million globally.

Whether “Wish” wins over audiences is up in the air. It hasn’t inspired critics. The day before its opening, the film was hovering under 60% on Rotten Tomatoes, which translates to a “rotten” rating. Still, other Disney films such as “Pocahontas,” “Robin Hood,” “Oliver and Company,” “Atlantis: The Lost Empire” and “Brother Bear” all hold a rating under 60% on the review aggregator but are fan-favorite films for many.

So, even if “Wish” doesn’t have an immediately strong box office, it could find life on Disney+. After all, that’s what happened for Disney’s “Encanto.”

Released in 2021 for the Thanksgiving holiday, “Encanto” generated $40.6 million from the five-day Thanksgiving weekend domestically and went on to tally $257.5 million globally during its run. In the home market, the film continued to capture the attention of kids and adults alike with catchy tunes such as “We Don’t Talk About Bruno” and “Surface Pressure.”

″‘Wish’ comes at an opportune time because the market has been starved for family content since summer ended,” said Robbins.

Disclosure: Comcast is the parent company of NBCUniversal and CNBC. NBCUniversal is the distributor of “Trolls Band Together,” “The Super Mario Bros. Movie” and “Minions: The Rise of Gru.” NBCUniversal also owns Rotten Tomatoes.

– CNBC’s
Gabriel Cortés contributed to this article.
https://www.boxofficepro.com/5-day-...ish-aim-to-bring-out-thanksgiving-moviegoers/

To add to the PP's article, Box Office Pro is projecting Wish to come in first over the holiday weekend with $49M - $66M forecast over the 5-day holiday weekend.
Still, I doubt Wish, even with great box office results, will save Disney from a lousy 2023 movie year.
Here's hoping Apple will buy the rights to "The Bikeriders". Jeff Nichols deserves a studio better than what TWDC has to offer.
The Bikeriders has been acquired by Universal's Focus Features division.
https://variety.com/2023/film/news/the-bikeriders-lands-focus-features-2024-release-1235805739/amp/
 
It’s just they cut off from their revenue stream while they were growing their service. Rather than leaving linear to continue carrying the weight of DMED post pandemic.

2019 the studios got $4.7B in various licensing and other purchases, 2023 that’s down to $2.6B.

Now as much as is made about the hundreds of millions of dollars lost at the studio side of the company it has technically posted a profit of $173M after the ESPN recast over the last 2 years. Lost $179M this past year.
I think the pandemic changed a lot of plans they originally had for the service. If they could go back they probably would try a more slow approach but it is what it is. This year is a big year and they need to show results.
 
Couple Disney DTC division tid-bits after going through the 10K report:
- DIS+ had a significant reduction is programming costs last quarter
- This allowed Dis+ to overtake Hulu in Operating Income both in the quarter and on a rolling 4-quarter basis.
- A significant increase in Tech costs in Q4
- Q4 SG & A costs highest in FY23. Not sure why but this and tech costs are the reason why DTC OI was not as good as I expected.
- Ad revenue is still disappointing, IMO.
- Gap to profitability closed from approx -$1.45/mo per sub down to -$1.05/mo per sub.
 
Still too many deadheads on the payroll, maybe?
SG & A costs
FY22 $5.4B
FY23 $4.2B

So, $1.2B saved vs previous FY. The plan was for $2.5B in savings in the end plus Iger stated they will likely realize even more savings. So, FY24 should be better overall. I was expecting more of a linear drop in the costs over time.
 
Couple Disney DTC division tid-bits after going through the 10K report:
- DIS+ had a significant reduction is programming costs last quarter
- This allowed Dis+ to overtake Hulu in Operating Income both in the quarter and on a rolling 4-quarter basis.
- A significant increase in Tech costs in Q4
- Q4 SG & A costs highest in FY23. Not sure why but this and tech costs are the reason why DTC OI was not as good as I expected.
- Ad revenue is still disappointing, IMO.
- Gap to profitability closed from approx -$1.45/mo per sub down to -$1.05/mo per sub.
Interesting. I wonder if the writers and the actors strikes had much influence on these numbers
 
https://variety.com/2023/film/news/...isney-wish-bombing-apple-napoleon-1235806537/

Nov 23, 2023 8:54am PST
by Brent Lang
Thanksgiving Eve Box Office: Disney’s ‘Wish’ Grosses $8.3 Million, Apple’s ‘Napoleon’ Earns $7.7 Million

Hollywood might not be feeling so festive this Thanksgiving.

The holiday period is traditionally a busy time for moviegoing, but audiences aren’t turning out in force over Turkey Day, leaving the box office suffering from too much tryptophan. In this drowsy state of play, Disney’s “Wish” earned a lackluster $8.3 million on Wednesday. The animated film, which tells the origin story of the wishing star that’s featured prominently in other Disney adventures, cost a hefty $200 million to produce. It is projected to earn more than $37 million over the five-day period, a disappointing number given its cost and another sign that the studio is mired in a creative and commercial rut. Disney, once a teflon brand, has seen both its animation business and its Marvel division struggle to maintain their fanbases. In the case of “Wish,” the hope is that families seek out the film over the holiday season, which could compensate for the slow start (that happened with last summer’s “Elemental,” which finished much stronger than its poor opening weekend would have suggested).

Apple Original Productions’ “Napoleon,” a $200 million Ridley Scott epic, grossed $7.7 million on Wednesday for a second place finish. It is expected to earn more than $30 million over the five-day period. Globally, “Napoleon” should generate roughly $65 million. On one hand, it’s a solid number considering that the film is over two hours long, carries an R rating, and centers on a long-dead military genius, but the budget is eye-popping.

It’s also a sign of where things may be headed in a movie business that’s still struggling to re-adjust its business models for the streaming era. For a traditional movie studio — one interested in, say, profits and losses — a result like that could be worrisome, potentially foretelling a lot of red ink that will need to be mopped up. But Apple, with its nearly $3 trillion market cap, prefers to look at these expenditures as marketing costs. It wants to generate buzz for Apple TV+, its streaming service. At least that was how the industry chose to view the financial results for Martin Scorsese’s “Killers of the Flower Moon,” which Apple shelled out $200 million to make, only to see it earn less than $150 million globally. It’s unclear if Tim Cook and crew will continue to see this as a winning strategy, but exhibitors are certainly happy to have Apple essentially subsidizing their industry as it looks to raise the profiles of the movies it releases. Joaquin Phoenix stars as the French dictator in Scott’s historical drama, which has received mixed reviews from critics. Sony Pictures is distributing the movie for Apple.

In third place, Lionsgate’s “The Hunger Games: The Ballad of Songbirds & Snakes” earned $7.3, bringing its domestic total to roughly $63.6 million. The return to Panem hasn’t been as lucrative as the original series. Still, the prequel is expected to end the five-day stretch with $40 million. Unlike its pricey competition, “The Ballad of Songbirds & Snakes” cost $100 million to produce — a relatively economical budget for a blockbuster hopeful. As it stands, “The Ballad of Songbirds & Snakes” has a strong chance of overtaking “Wish” over the five-day holiday to become the week’s highest grossing film. That would be a major upset. Even if it falls short, the “Hunger Games” prequel should end the week having generated nearly $100 million at the domestic box office.

Universal and DreamWorks Animation’s “Trolls Band Together” took fourth place with $5.1 million. It’s expected to earn $27 million over the five days, bringing its earnings to $66 million. That left TriStar and Spyglass Media’s “Thanksgiving” in fifth place. The holiday-themed horror flick grossed $1.8 million on Wednesday and is expected to generate $10.1 million over the five day period, lifting its domestic gross to $23.2 million.

“The Marvels,” the latest comic book adventure in the MCU, continued to crater, earning $1.5 million on Wednesday. That brings its stateside gross to a less-than-heroic $69.1 million, a disastrous result for Marvel.

This Thanksgiving holiday is expected to lap the last two post-pandemic editions, generating nearly $190 million in revenues. That would top the 2021 five-day haul, which hit $142.7 million and the 2022 edition, which topped out at $142.7 million. Even if it does beat those figures, the 2023 Thanksgiving period will result in a lot less gravy than the 2019 one, where total revenues ended up at $263.4 million, or the 2018 extravaganza, when they hit a record-shattering $315.6 million.

Clearly, there’s still a lot of ground to make up.
 
https://variety.com/2023/film/news/...isney-wish-bombing-apple-napoleon-1235806537/

Nov 23, 2023 8:54am PST
by Brent Lang
Thanksgiving Eve Box Office: Disney’s ‘Wish’ Grosses $8.3 Million, Apple’s ‘Napoleon’ Earns $7.7 Million

Hollywood might not be feeling so festive this Thanksgiving.

The holiday period is traditionally a busy time for moviegoing, but audiences aren’t turning out in force over Turkey Day, leaving the box office suffering from too much tryptophan. In this drowsy state of play, Disney’s “Wish” earned a lackluster $8.3 million on Wednesday. The animated film, which tells the origin story of the wishing star that’s featured prominently in other Disney adventures, cost a hefty $200 million to produce. It is projected to earn more than $37 million over the five-day period, a disappointing number given its cost and another sign that the studio is mired in a creative and commercial rut. Disney, once a teflon brand, has seen both its animation business and its Marvel division struggle to maintain their fanbases. In the case of “Wish,” the hope is that families seek out the film over the holiday season, which could compensate for the slow start (that happened with last summer’s “Elemental,” which finished much stronger than its poor opening weekend would have suggested).

Apple Original Productions’ “Napoleon,” a $200 million Ridley Scott epic, grossed $7.7 million on Wednesday for a second place finish. It is expected to earn more than $30 million over the five-day period. Globally, “Napoleon” should generate roughly $65 million. On one hand, it’s a solid number considering that the film is over two hours long, carries an R rating, and centers on a long-dead military genius, but the budget is eye-popping.

It’s also a sign of where things may be headed in a movie business that’s still struggling to re-adjust its business models for the streaming era. For a traditional movie studio — one interested in, say, profits and losses — a result like that could be worrisome, potentially foretelling a lot of red ink that will need to be mopped up. But Apple, with its nearly $3 trillion market cap, prefers to look at these expenditures as marketing costs. It wants to generate buzz for Apple TV+, its streaming service. At least that was how the industry chose to view the financial results for Martin Scorsese’s “Killers of the Flower Moon,” which Apple shelled out $200 million to make, only to see it earn less than $150 million globally. It’s unclear if Tim Cook and crew will continue to see this as a winning strategy, but exhibitors are certainly happy to have Apple essentially subsidizing their industry as it looks to raise the profiles of the movies it releases. Joaquin Phoenix stars as the French dictator in Scott’s historical drama, which has received mixed reviews from critics. Sony Pictures is distributing the movie for Apple.

In third place, Lionsgate’s “The Hunger Games: The Ballad of Songbirds & Snakes” earned $7.3, bringing its domestic total to roughly $63.6 million. The return to Panem hasn’t been as lucrative as the original series. Still, the prequel is expected to end the five-day stretch with $40 million. Unlike its pricey competition, “The Ballad of Songbirds & Snakes” cost $100 million to produce — a relatively economical budget for a blockbuster hopeful. As it stands, “The Ballad of Songbirds & Snakes” has a strong chance of overtaking “Wish” over the five-day holiday to become the week’s highest grossing film. That would be a major upset. Even if it falls short, the “Hunger Games” prequel should end the week having generated nearly $100 million at the domestic box office.

Universal and DreamWorks Animation’s “Trolls Band Together” took fourth place with $5.1 million. It’s expected to earn $27 million over the five days, bringing its earnings to $66 million. That left TriStar and Spyglass Media’s “Thanksgiving” in fifth place. The holiday-themed horror flick grossed $1.8 million on Wednesday and is expected to generate $10.1 million over the five day period, lifting its domestic gross to $23.2 million.

“The Marvels,” the latest comic book adventure in the MCU, continued to crater, earning $1.5 million on Wednesday. That brings its stateside gross to a less-than-heroic $69.1 million, a disastrous result for Marvel.

This Thanksgiving holiday is expected to lap the last two post-pandemic editions, generating nearly $190 million in revenues. That would top the 2021 five-day haul, which hit $142.7 million and the 2022 edition, which topped out at $142.7 million. Even if it does beat those figures, the 2023 Thanksgiving period will result in a lot less gravy than the 2019 one, where total revenues ended up at $263.4 million, or the 2018 extravaganza, when they hit a record-shattering $315.6 million.

Clearly, there’s still a lot of ground to make up.
I'm worried more movie theaters around the world will permanently close.
 
https://finance.yahoo.com/news/amaz...another-blow-to-traditional-tv-153415374.html

Amazon to debut first-ever NFL Black Friday game — another blow to traditional TV
Alexandra Canal · Senior Reporter
Fri, November 24, 2023 at 9:34 AM CST

Amazon Prime Video's (AMZN) debut of the first Black Friday NFL game — between the New York Jets and Miami Dolphins — serves as the latest blow to traditional, or linear, television.

Amazon agreed to spend $1 billion annually for its 11-year NFL Thursday Night Football deal while Google's YouTube (GOOG, GOOGL) coughed up a reported $2.5 billion to acquire the sought-after rights to NFL Sunday Ticket.

The deals come as old-school media grapples with steep streaming losses and major declines in linear advertising revenue. Cord-cutting has accelerated, with linear TV viewership falling below 50% for the first time in July while Big Tech has utilized its deep pockets to snatch up pricey sports contracts.

On average, media networks — whose parent companies include Disney (DIS), Paramount Global (PARA), Warner Bros. Discovery (WBD), Comcast (CMCSA), and others — posted another 12% decline in revenue from linear ads during Q3 after reporting a 13% decline in Q2, according to a recent note from Macquarie.

Companies warned that the negative trend will likely continue, with Macquarie anticipating another overall 12% linear ad market decline in the current quarter.

It's a much different story compared to non-linear TV ad sales — such as advertising video-on-demand platforms, connected TV, and free ad-supported services, or FAST formats, like Roku — which grew by 7%, according to a recent report from media investment and intelligence company Magna Global.

Direct-to-consumer (DTC) services posted 29% average ad revenue growth thanks to new advertising tiers introduced by Netflix (NFLX) and Disney. Alphabet (GOOG, GOOGL) and Meta (META) also saw renewed strength in digital advertising.

Amazon Prime Video's Thursday Night Football cast is shown on set before the Pittsburgh Steelers host the Tennessee Titans against at Acrisure Stadium on Nov. 2, 2023. (Charles LeClaire-USA TODAY Sports/Reuters) (USA TODAY USPW / reuters)

Amazon will reportedly charge $880,000 for a 30-second ad spot, more than double the traditional rate for Thursday Night Football games, according to AdAge.

Danielle Carney, head of NFL ad sales for Amazon, confirmed earlier this month the tech giant sold out of all of its ad inventory for the Black Friday game, which cost a reported $100 million for the exclusive streaming rights. Non-prime viewers will also be able to access the game.

Carney added there will be "twice as many interactive video ads airing" during the game, such as QR codes and interactive banners, compared to its typical Thursday night game. Ad buyers will include Google, Columbia Sportswear, Bose, Carnival Cruises, and Hasbro.

The company will also promote products on its extended pregame show, in addition to leveraging a new "audience-based creative" strategy to better target different audience segments.

"When we talked with the NFL, this is a perfect marriage," Prime Video vice president Jay Marine told the Associated Press (AP). "Black Friday is a huge event for us every year. We're really putting everything behind this."

Besides it being the biggest shopping event of the year, Amazon is also hoping the Black Friday game will be an extension of the NFL's Thanksgiving Day winning streak.

Last year's Thanksgiving games averaged 33.5 million viewers, including the most-watched regular season game of all time between the Dallas Cowboys and New York Giants, which attracted a whopping 42 million viewers.

"It’s an opportunity for us to continue to innovate with Amazon," Hans Schroeder, NFL's executive vice president for media distribution, said in a statement to AP.

"I think some of what they’ve done this year on Prime Vision is exciting with seeing that intersection of data and AI predictability and taking fans deeper inside of X’s and O’s," he added. "I think the viewing experience will feel a little bit different and unique for that day and appropriately. We’re excited about that."

Alexandra Canal is a Senior Reporter at Yahoo Finance. Follow her on Twitter @allie_canal, LinkedIn, and email her at alexandra.canal@yahoofinance.com.
 
https://variety.com/2023/film/news/...he-ballad-of-songbirds-and-snakes-1235807997/

Nov 24, 2023 8:52am PST
by Brent Lang
Thanksgiving Box Office Battle Heats Up: Disney’s ‘Wish’ Struggling Against ‘Hunger Games: The Ballad of Songbirds and Snakes’

There’s a good old fashioned box office battle brewing.

Disney’s “Wish,” an animated adventure that had been expected to dominate the Thanksgiving holiday is facing off against Lionsgate’s “The Hunger Games: The Ballad of Songbirds and Snakes” for the top spot over the five-day stretch. And the dystopian prequel, which is currently in its second week of release, is showing impressive resilience against the family flick. Plus, Apple Original Productions’ “Napoleon” is out-pacing initial estimates and giving the other two, more commercially-oriented films a run for their money.

Well, that’s the good news. The bad is that neither “Wish” nor “Napoleon” are performing like Thanksgiving blockbusters of yore, with the Disney movie looking like another box office dud for a studio that had previously enjoyed an unprecedented record of success. “Wish” earned a disappointing $3.9 million over Thanksgiving, bringing its total to $12.2 million. It is projected to generate $35 million over the five-day period.

That probably won’t be enough to top the second week of “The Ballad of Songbirds and Snakes,” which picked up a leading $5.9 million on Thanksgiving to bring its domestic haul to $69.6 million. The “Hunger Games” prequel, set before the arrival of Katniss Everdeen on the scene, is projected to pull in $42 million over the five-day period. “The Ballad of Songbirds and Snakes” cost $100 million to produce — a relative steal in this budget-busting era. In contrast, Disney spent $200 million to create “Wish,” so it needs the film to show some endurance if it expects to turn a profit. If “The Ballad of Songbirds and Snakes” succeeds in deposing “Wish” for the box office throne, that will be a major upset. The one thing going for “Wish” is that recent animated films like Disney and Pixar’s “Elemental” have started slow and managed to stick around.

“Napoleon,” a lavish epic from Ridley Scott, a master of the genre whose previous films include “Gladiator” and “Kingdom of Heaven, also cost $200 million to bring to the screen (Waterloo does not come cheap). The film earned $4.4 million on Thanksgiving for a second place finish and is expected to gross $33 million over the five-day holiday period to end in third position. Globally, the film is projected to earn more than $70 million during the week. A conventional studio would be gnawing their fingernails over “Napoleon’s” financial results, but Apple — with its nearly $3 trillion market cap — isn’t overly concerned with making a profit on the movie. It’s releasing the film theatrically in order to generate excitement for its inevitable launch on Apple TV+, the tech giant’s Netflix challenger. Sony Pictures is distributing the film, which stars Joaquin Phoenix as a very moody military genius and Vanessa Kirby as the woman whose love inspires him to conquer much of Europe, millions of casualties be damned.

Universal and DreamWorks Animation’s “Trolls Band Together” took fourth place, earning $2.6 million on Thanksgiving. The family film should earn $23.2 million over the five-day stretch, which would bring its domestic total to just over $62 million. TriStar Pictures and Spyglass Media’s “Thanksgiving,” a new holiday-themed gore fest from Eli Roth, picked up $2 million on Thanksgiving to bring its stateside total to $16.9 million. It is expected to make $10 million over the long holiday, which would leave it with a domestic gross of $23.1 million.

This Thanksgiving period is expected to result in ticket sales of $190 million, the highest mark since Covid upended the movie business. It’s a far cry, however, from the high-water mark of $315.6 million that was set in 2018 when “Ralph Breaks the Internet” and “Creed II” attracted crowds.
 












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