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Decent result for Guardians Vol. 3 at least in its second weekend. First sub 50% drop off in the Post Covid MCU with $60.5M+ domestically.
It would have been nice to see one more weekend without a major release to compete with to see what this movie could really do. Fast and the Furious X next weekend and Little Mermaid the week after. Not sure how much the target markets cross over.

It is a super fun movie with great music and lots of emotion.

Saw it for the second time this weekend. First time I have seen a movie twice in the theatre since End Game (not that it matters. Lol)
 
Decent result for Guardians Vol. 3 at least in its second weekend. First sub 50% drop off in the Post Covid MCU with $60.5M+ domestically.
James Gunn is an uber talented cat and his movies typically reflect those talents. Too bad he's all done working with the MCU.
 
Disney Accused of Misleading Investors About Streaming Revenue

The Walt Disney Co.'s controversial reorganization in October 2020 under a new CEO facilitated a scheme to hide steep costs associated with its Disney+ streaming service, an investor alleges in a proposed class action.

Disney, its then-CEO, Robert Chapek, and other executives are named as defendants in the suit, filed May 12 in the US District Court for the Central District of California by a pension fund.

They “repeatedly misled investors about the success of the Disney+ platform by concealing the true costs of the platform, concealing the expense and difficulty of maintaining robust Disney+ subscriber growth, and claiming that the platform was on track to achieve profitability” by the end of fiscal year 2024, the complaint says.

The executives allegedly “debuted content created for Disney+ initially on a legacy platform in order to shift marketing and production costs onto that platform,” according to the plaintiff, the Local 272 Labor-Management Pension Fund.

Chapek’s reorganization “represented a dramatic departure from Disney’s historical reporting structure” and caused controversy within the company because it redirected power and control from creative content executives to Chapek’s lieutenant Kareem Daniel, the pension fund alleges. Daniel is among the defendants.

Chapek was later replaced by longtime previous CEO Robert Iger. Iger’s first stepsupon his return in November 2022 included calling for another reorganization and announcing Daniel’s departure.

Disney’s stock price suffered several jolts as information emerged about disappointing Disney+ subscriber growth and company financial results, the pension fund says.

The proposed class would include hundreds or thousands of members, the complaint estimates.

The pension fund seeks damages and injunctive relief on its securities fraud claims.

Disney didn’t immediately respond to an emailed request for comment.

Robbins Geller Rudman & Dowd LLP and Pitta LLP represent the fund and the proposed class.

The case is Local 272 Labor-Mgmt. Pension Fund v. The Walt Disney Co., C.D. Cal., No. 2:23-cv-03661, complaint filed 5/12/23.
 

Disney Accused of Misleading Investors About Streaming Revenue

The Walt Disney Co.'s controversial reorganization in October 2020 under a new CEO facilitated a scheme to hide steep costs associated with its Disney+ streaming service, an investor alleges in a proposed class action.

Disney, its then-CEO, Robert Chapek, and other executives are named as defendants in the suit, filed May 12 in the US District Court for the Central District of California by a pension fund.

They “repeatedly misled investors about the success of the Disney+ platform by concealing the true costs of the platform, concealing the expense and difficulty of maintaining robust Disney+ subscriber growth, and claiming that the platform was on track to achieve profitability” by the end of fiscal year 2024, the complaint says.

The executives allegedly “debuted content created for Disney+ initially on a legacy platform in order to shift marketing and production costs onto that platform,” according to the plaintiff, the Local 272 Labor-Management Pension Fund.

Chapek’s reorganization “represented a dramatic departure from Disney’s historical reporting structure” and caused controversy within the company because it redirected power and control from creative content executives to Chapek’s lieutenant Kareem Daniel, the pension fund alleges. Daniel is among the defendants.

Chapek was later replaced by longtime previous CEO Robert Iger. Iger’s first stepsupon his return in November 2022 included calling for another reorganization and announcing Daniel’s departure.

Disney’s stock price suffered several jolts as information emerged about disappointing Disney+ subscriber growth and company financial results, the pension fund says.

The proposed class would include hundreds or thousands of members, the complaint estimates.

The pension fund seeks damages and injunctive relief on its securities fraud claims.

Disney didn’t immediately respond to an emailed request for comment.

Robbins Geller Rudman & Dowd LLP and Pitta LLP represent the fund and the proposed class.

The case is Local 272 Labor-Mgmt. Pension Fund v. The Walt Disney Co., C.D. Cal., No. 2:23-cv-03661, complaint filed 5/12/23.
Good catch.
 
This was brought up like a year or so ago. The skinny is that they were airing programs in the middle of the night on lower viewed channels/platforms as a way assign losses/costs to those platforms instead and make D+ look more profitable. I was wondering when this was going to get addressed, I'm glad to see it pop back up. I'm sure Disney isn't the only one doing this, and I feel like these types of manipulations when brought to light could end up with a hastening of the collapse of the ala carte streaming environment. I welcome the demise of the Lernaean Hydra of media streaming products.
 
This was brought up like a year or so ago. The skinny is that they were airing programs in the middle of the night on lower viewed channels/platforms as a way assign losses/costs to those platforms instead and make D+ look more profitable. I was wondering when this was going to get addressed, I'm glad to see it pop back up. I'm sure Disney isn't the only one doing this, and I feel like these types of manipulations when brought to light could end up with a hastening of the collapse of the ala carte streaming environment. I welcome the demise of the Lernaean Hydra of media streaming products.
Had to look that one up.
https://en.wikipedia.org/wiki/Lernaean_Hydra

I agree, though. The very raison d'etre of cost accounting is to determine what does and does not make money. If you lie to yourself about actual costs and revenues, you cannot, over the long term, survive.

 
Disney Accused of Misleading Investors About Streaming Revenue

The Walt Disney Co.'s controversial reorganization in October 2020 under a new CEO facilitated a scheme to hide steep costs associated with its Disney+ streaming service, an investor alleges in a proposed class action.

Disney, its then-CEO, Robert Chapek, and other executives are named as defendants in the suit, filed May 12 in the US District Court for the Central District of California by a pension fund.

They “repeatedly misled investors about the success of the Disney+ platform by concealing the true costs of the platform, concealing the expense and difficulty of maintaining robust Disney+ subscriber growth, and claiming that the platform was on track to achieve profitability” by the end of fiscal year 2024, the complaint says.

The executives allegedly “debuted content created for Disney+ initially on a legacy platform in order to shift marketing and production costs onto that platform,” according to the plaintiff, the Local 272 Labor-Management Pension Fund.

Chapek’s reorganization “represented a dramatic departure from Disney’s historical reporting structure” and caused controversy within the company because it redirected power and control from creative content executives to Chapek’s lieutenant Kareem Daniel, the pension fund alleges. Daniel is among the defendants.

Chapek was later replaced by longtime previous CEO Robert Iger. Iger’s first stepsupon his return in November 2022 included calling for another reorganization and announcing Daniel’s departure.

Disney’s stock price suffered several jolts as information emerged about disappointing Disney+ subscriber growth and company financial results, the pension fund says.

The proposed class would include hundreds or thousands of members, the complaint estimates.

The pension fund seeks damages and injunctive relief on its securities fraud claims.

Disney didn’t immediately respond to an emailed request for comment.

Robbins Geller Rudman & Dowd LLP and Pitta LLP represent the fund and the proposed class.

The case is Local 272 Labor-Mgmt. Pension Fund v. The Walt Disney Co., C.D. Cal., No. 2:23-cv-03661, complaint filed 5/12/23.
This shifting of cost got very short mentions in the demise of Bob 2.0 but I thought fudging the numbers was the most serious of his many faults and had a feeling it would come back around at some point.

That being said, if D+ achieves profitability by the previously stated 2024, it would seem the case loses a large chunk of it's argument.
 
That being said, if D+ achieves profitability by the previously stated 2024, it would seem the case loses a large chunk of it's argument.
Will be a very interesting 18 months on that front. Dropped the losses attributed to streaming by $400M each of the last 2 quarters. I think they said over the call they expect that trend to reverse for Q3 but then resume the cost cutting and trend towards profitability in Q4.
 
I welcome the demise of the Lernaean Hydra of media streaming products.
I too am sick of keeping track of the many streamers we watch shows on and trying to determine when new seasons come out. It is way too much work for the consumer. I still like my idea I mentioned here a while back - Just as D+ is going to integrate Hulu, it should gather up all the "also ran" streamers under the D+ banner - one sign on, one interface, and here's all your legacy entertainment - Peacock, Paramount +, HBO Max, etc.
What entertainment consumer would not like that?
 
https://finance.yahoo.com/news/peltz-adds-disney-stake-following-232451416.html

Peltz Adds to Disney Stake Following Share Sale in First Quarter
Christopher Palmeri
Mon, May 15, 2023 at 7:24 PM EDT

(Bloomberg) -- Nelson Peltz, the activist investor who launched and then abandoned a proxy fight earlier this year at Walt Disney Co., has recently added to his stake in the company, according to a person familiar with his holdings.

Trian Partners, Peltz’s company, started the year with 9.4 million Disney shares, before cutting its stake by 34% by the end of March. Trian has since purchased roughly 500,000 more shares, giving it a total of 6.4 million, said the person, who asked not to be identified disclosing nonpublic information.

Disney shares rose 15% in the first quarter. But the stock fell last week after the company reported a loss of subscribers to its flagship Disney+ streaming service.

Peltz halted his campaign for a Disney board seat in February after newly returned Chief Executive Officer Bob Iger announced a $5.5 billion cost-cutting initiative and a plan to restore the company’s dividend.

“Disney committed to strategic and operating improvements that generally aligned with the initiatives we had previously discussed with the company,” Trian said in a statement Monday. “We believe these initiatives can create value and are monitoring management’s execution closely.”

Third Point LLC, another investment firm that has been active in Disney, exited its 950,000-share stake in the company, according to a filing Monday. Third Point declined to comment.
 
https://finance.yahoo.com/news/hong-kong-disneyland-revenue-jumps-095908842.html

Hong Kong Disneyland revenue jumps 31% as domestic visitors hit record
Reuters
Mon, May 15, 2023 at 5:59 AM EDT

May 15 (Reuters) - Hong Kong Disneyland Resort (HKDL) said on Monday its 2022 revenue jumped 31% as the number of domestic visitors to its attractions hit a record, helping the company shrug off the effects of pandemic-related restrictions.

Revenue for the 52-week year ended on Oct. 1, 2022 grew to HK$2.2 billion ($280.29 million), with the net loss narrowing to HK$2.1 billion from a HK$2.4 billion loss a year ago, HKDL said in a statement. Total attendance reached 3.4 million, most from local tourists during the pandemic.

In fiscal 2022, HKDL's theme park only operated for about six months in total due to mandatory closures and weeks when it could only operate five days out of seven.

HKDL said the theme park would review market conditions and adjust its operation to open six or seven days a week from mid-June to meet demand.

HKDL will reopen the Disney's Hollywood Hotel in mid-July, unveiling the Walt Disney and Mickey Mouse statue "Dream Makers" in October and will open its "World of Frozen" in November, it added. ($1 = 7.8489 Hong Kong dollars)

(Reporting by Twinnie Siu and Donny Kwok, Editing by Louise Heavens)
 
When I first heard about Bob C's finagling of the numbers, I was surprised nothing more serious occurred as a consequence. It was reported when he was fired. It sounded illegal or dishonest to say the least. I guess someone is catching up with that.
 
When I first heard about Bob C's finagling of the numbers, I was surprised nothing more serious occurred as a consequence. It was reported when he was fired. It sounded illegal or dishonest to say the least. I guess someone is catching up with that.
This is a real hoot. Hollywood has been known for it creative accounting practices for decades. I do believe the first actor to successfully fight and win was Fess Parker against 20th Century Fox back in 1981. Mr. Parker was supposed to receive 40% of the profits of a show he was in (I think it was Daniel Boone-not Davy Crockett as Disney threatened to sue if they tried to use that name), but was told repeatedly there were no profits. When the case went to trial, the funny accounting was disclosed and low and behold Fess was awarded millions.
 
This is a real hoot. Hollywood has been known for it creative accounting practices for decades. I do believe the first actor to successfully fight and win was Fess Parker against 20th Century Fox back in 1981. Mr. Parker was supposed to receive 40% of the profits of a show he was in (I think it was Daniel Boone-not Davy Crockett as Disney threatened to sue if they tried to use that name), but was told repeatedly there were no profits. When the case went to trial, the funny accounting was disclosed and low and behold Fess was awarded millions.
Why it matters where the profit and loss is shown to be. This case cost the stockholders $250 million plus

Katzenberg Settles Lawsuit Against Disney - Los Angeles Times
JAMES BATES and CLAUDIA ELLER
11/11/97

In his 19-month-old lawsuit, Katzenberg claimed that the company reneged on a promise to give him 2% of the profits of films and TV shows put into production or acquired during his 10-year tenure as Disney’s top movie executive. That includes such animated hits as “The Lion King,” “Aladdin” and “Beauty and the Beast,” films that not only reaped profits at the box office but also generated billions of dollars of sales of merchandise, videocassettes, interactive games and other products.
 
https://finance.yahoo.com/news/comcast-likely-sell-hulu-stake-162823478.html

Comcast likely to sell Hulu stake to Disney by early 2024 - CNBC
Tue, May 16, 2023 at 12:28 PM EDT

(Reuters) - Comcast Corp will likely sell its 33% stake in streaming platform Hulu to Walt Disney Co early next year, CNBC reported on Tuesday, citing Comcast Chief Executive Brian Roberts.

Disney said in 2019 it would take full control of Hulu in a deal with Comcast that ascribed a minimum equity value of $27.5 billion to Hulu, allowing either company to trigger a sale or purchase of the stake as early as January 2024.
According to the CNBC report, Roberts suggested the final price for Hulu will likely be higher than the valuation set in 2019.

Comcast, Disney and Hulu did not immediately respond to Reuters' requests for comment.

Disney CEO Bob Iger said last week in an earnings call that he had "constructive" talks with Comcast about Hulu.
On the same earnings call, the media company also announced that it would launch a new app later this year for U.S. customers which will combine Disney+ and Hulu content.
 
https://www.hollywoodreporter.com/tv/tv-news/disney-2023-upfront-spectacle-1235493281/

Disney Leans Into Spectacle in Extensive Upfront Pitch
There weren't any actors, but Kim Kardashian, Ryan Seacrest, Serena Williams and Damar Hamlin were brought out to wow the crowd of media buyers.

By Alex Weprin
May 16, 2023 4:18pm PDT

In an upfront week otherwise marked by smaller-scale events, and a lack of star power on stage, Disney threw everything it had (short of any actors) in an expansive upfront presentation Tuesday afternoon.

And that included dozens of stunt performers dressed as samurai engaging in combat in the aisles. But we’ll get back to that.

In a cavernous hall in Manhattan’s Jacob Javits Convention Center, on an enormous stage that took some talent a full minute to walk across, Disney touted every single one of its brands, from ESPN and ABC to FX and Disney+, to Marvel and Lucasfilm.

And while there may not have been any actors, the company included every star it could secure, from ESPN talent like Joe Buck, Troy Aikman, Peyton Manning, Hannah Storm and (their soon-to-be-colleague) Pat McAfee, to ABC News anchors David Muir, George Stephanopoulos, and Michael Strahan (24 hours after he appeared at Fox’s upfront).

Serena Williams was there to announce a new ESPN docuseries, NBA star Donavan Mitchell was there to talk about his next career moves, LSU’s Angel Reese and WNBA star Breanna Stewart touted women’s sports.

And in a full circle moment, Buffalo Bills safety Damar Hamlin appeared on stage with Aikman and Buck, five months after his collapse stopped Monday Night Football in its tracks.

New Year’s Rockin’ Eve host Ryan Seacrest introduced clips from scripted entertainment, while The Bachelorette’s Jesse Palmer introduced reality fare, including an appearance from Kim and Khloe Kardashian to announce new episodes of their Hulu series.

And while sports, news and unscripted fare did make up the lion’s share of the presentation, Disney leaned into its tentpole franchises for an extended session on the MCU and Star Wars, with Kevin Feige previewing upcoming Disney+ Marvel series, while Kathleen Kennedy teed up upcoming Lucasfilm fare.

Security prowled the aisles as trailers and sizzle reels played, ensuring that attendees weren’t taking photos or videos of the prized IP.

And it all culminated with the samurai show, meant to tout the upcoming FX series Shogun.

“The samurais are going to the after-party, so good luck getting to the bar,” Disney ad sales chief Rita Ferro told the crowd afterward.

The advertising business, Ferro said, “is at the doorstep of a massive transformation,” while the ad tier of Disney+ “has been flexing healthy growth in terms of subscribers and advertisers.”

There were no direct references to the Writers Guild strike, or the modest picket line assembled on 11th Avenue, though Ferro hinted at the larger issues facing the industry.

“Preparing for this presentation, as you all know, is one of my favorite times of the year, even in years like this full of difficult challenges,” Ferro said. “As past years have taught us though, you must be prepared to meet every moment no matter how tough, and Disney is prepared to meet every challenge.”

And so even in a year without any scripted talent, Disney managed to wow the crowd with Marvel sneak peeks and household-name stars.

And while Disney executives were present, from Feige, Kennedy and Ferro to Dana Walden, Jimmy Pitaro, Alan Bergman and FX chief John Landgraf, one person was absent: Hollywood’s statesman-in-chief and Disney CEO Bob Iger, who was playing the part in France, meeting with French President Emanuel Macron at a summit in Versailles.

In the Javits Center, meanwhile, attendees nibbled on small bites and grabbed drinks from a bar with a Disney ice sculpture on top of it, as the sun set over the Hudson River.
 
New update!!!
Walt Disney Earnings: Disney shares slip amid a decline in subscribers, losses narrow


Disney shares dropped sharply after reporting Q1 2023 earnings, as Disney+ subscribers fell by 4 million to 157.8 million due to the loss of streaming rights for Indian Premier League cricket matches on Disney Hotstar. However, streaming losses decreased by $400 million, meeting expectations. The operating loss for the streaming unit was $659 million. Disney's theme parks saw growth, with operating income rising 23% to $2.2 billion. CEO Bob Iger announced plans to launch a new app combining Disney and Hulu by year's end.
 
https://www.wsj.com/articles/netfli...-trails-smaller-rivals-dd394ffb?siteid=yhoof2

Netflix Advertisers Clamor for Fledgling Ad Tier to Grow Faster
Streaming leader had fewer than one million U.S. subscribers on its ad-supported plan as of March
By Suzanne Vranica and Sarah Krouse
Updated May 17, 2023 6:01 pm ET

Netflix has a larger base of subscribers than any other streaming service globally. But as it made its first major presentation to Madison Avenue, it remained among the companies with the smallest pool of customers paying for an ad-supported version of its service.

“We have a long way to go to build scale in advertising,” Netflix Co-Chief Executive Ted Sarandos said on Wednesday during a virtual pitch to advertisers. Netflix plans to change the future of ad-supported streaming, and advertisers that work with the company can help shape it, company leaders said.

As of March, Netflix’s $6.99-a-month ad tier had 937,616 U.S. subscribers in March, while Disney+’s ad-backed plan—which debuted a few weeks after Netflix’s November debut—had 863,791, according to subscription-analytics firm Antenna.

Netflix is competing for major advertisers’ dollars with rivals that have been in the ad business far longer and have larger ad-watching subscriber bases. Disney-controlled Hulu, for example, had 20 million ad-tier subscribers in the U.S. in March, while NBCUniversal’s Peacock had 15.5 million such customers, Paramount+ had 10.7 million and Warner Bros. Discovery’s HBO Max had 3.6 million, according to Antenna.

More than a quarter of new customers signing up for Netflix choose the ads plan in the dozen countries where it is currently available, the company said during Wednesday’s presentation.

Netflix also said its ad tier had a global monthly active-user base of nearly five million—a number that includes members of the same household who watch it using different profiles (Netflix allows up to five profiles per account). It didn’t say how many subscribers the Netflix ad tier had, but said the number had more than doubled since earlier in the year.

Executives at Netflix focused on its ad business have been on a roadshow in recent weeks trying to drum up business in advance of its first-ever presentation to advertisers on Wednesday.

The company decided to make Wednesday’s presentation virtual because its New York event at the Paris Theater near Central Park was likely to be disrupted by protesters participating in the Hollywood writers’ strike. Members of the Writers Guild of America marched outside New York’s Radio City Music Hall during NBCUniversal’s Monday morning presentation.

Advertisers have lauded Netflix’s foray into ads because it could give them the ability to reach a subset of the population that they had been shut out from reaching for years before ad-supported versions of major streaming services launched.

But some ad buyers have been frustrated by the small size of the Netflix ad tier’s subscriber base because it doesn’t allow them to run as many ads as they would like or effectively target specific groups of subscribers, ad buyers said. Some have urged Netflix to advertise the offering more broadly to raise consumer awareness, they said.

Advertisers in the U.S. will soon be able to have more choice in where and when their ads run, Netflix said at Wednesday’s event, such as in the top 10 most watched shows and films, around holidays or at the start of episodes.

Netflix has told advertisers that viewers of the ad-supported tier skew younger, that engagement is on par with ad-free viewing and that there is an 86% overlap between the lists of the top 10 titles on the ad and ad-free tiers, according to people who attended the pitches and materials distributed to advertisers in recent months that were reviewed by The Wall Street Journal.

The company said on Wednesday that the median age of the ad tier’s monthly active users was 34.



The subscriber base of Netflix’s ad tier in the U.S. in March skewed white, female, married and without children, Antenna found.

Antenna compiles data from third-party services that collect information from consumers, with their consent, such as online purchases, bills and banking records. That gives the company visibility into streaming subscriptions. Antenna’s data don’t capture promotions or wholesale deals such as subscriptions offered by wireless carriers, and might differ from what companies disclose.

Disney disputed Antenna’s numbers.

Other ad buyers have held back from buying a significant amount of inventory because Netflix’s ad prices remain at a premium compared with other ad-supported streaming services. Advertisers are paying between roughly $45 to $55 for reaching 1,000 viewers, which is higher than most other streaming platforms, some of the buyers said.

Netflix executives have said they are pleased with the early performance of the ad business. The average revenue per user Netflix makes from its ad tier in the U.S. is higher than that of its $15.49 standard plan, the company said.

The company capped the number of ads shown per hour and launched the offering with a limited number of advertiser partners. Netflix has said it is taking a “crawl, walk, run” approach to building its ad business, and Chief Financial Officer Spencer Neumann said on Netflix’s April earnings call that the company hoped to move from the “crawl” to “walk” stage this year.

Because Microsoft, Netflix’s ad partner, is providing Netflix with a guaranteed amount of revenue in the event it doesn’t sell as many ads as expected, Netflix executives feel they have time to build their business and continue to ask for high CPMs, or cost per thousand impressions, people familiar with the matter said.

Netflix and many of its rivals offer ad-supported tiers of service as a way to bring in fresh revenue from ad sales and attract cost-conscious customers. The ad tier could get a boost in the coming weeks when Netflix extends its password-sharing crackdown to the U.S. and more countries globally.

Netflix in February began to limit sharing in Canada and Spain, two markets where its ad tier is sold, and the company said some sharers there started their own subscriptions on the lower-cost ad plan.

Netflix to date has run digital ads touting the lower-price offering, and changed its new customer sign-up page so that its $6.99 ad tier is visible as the lowest-cost plan instead of its $9.99 basic ad-free plan.

It recently improved the viewing quality on the ad tier to make it more appealing, and allowed up to two devices to use an account simultaneously instead of just one.

In recent months, the company has increased the volume of content available on the ad tier. At launch, it said the shows and films on the ad-supported tier represented 85% to 90% of viewing on Netflix, and in April the company said a new set of licensing deals meant the plan now has about 95% “content parity globally” by viewing time with its ad-free plans.

Illumination films from the Minions franchise and Universal movies such as “Dracula Untold” and “Endless Love” are among the titles that are now available but weren’t at launch.
 












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