MarkBarbieri
Semi-retired
- Joined
- Aug 20, 2006
- Messages
- 6,172
It's that time of year again. The show is tomorrow night. Neither of our kids is in it, but we've offered to do the video.
They did a performance today for the kindergartners, first graders, and sixth graders. We did a fixed position video shoot. The music teacher wanted that so that she'll have something to review with the kids on Friday. I shot it because I'm using it to work out the camera shots for tomorrow night's performance. During the play, my wife and I also walked around taking photos. She's the yearbook photographer, so she needed some for that. We've also found that the parents really like having the photos. She shot mainly with the 5D and the 70-200. I shot with the 7D and 300. Handholding that sucker for 30 minutes is about all I'm good for. Maybe I should hit the gym.
For the video, we're doing the same basic formula that worked for us last year. We'll set up the 7D fixed on the stage and vary it between full stage shots and zoomed in to center stage. I'll use the 5D with the 70-200 to cover the left hand bleachers and for close-ups on the stage. My wife will do the same with our video camera (an old XH-A1) on the right side.
We made a small change to our audio setup. We used to record audio off of the mixer board into a Sony PCM-D50. That worked OK, but the mix used for the live performance wasn't quite what we wanted for the video (the bleachers were too quiet relative to the CD music). We split the mic inputs and took a set to our own splitter. That worked better, but I had to simultaneous work 2 cameras and a mixer and so my mixing was really sloppy. For this year, we got a Zoom R16, which will record all six microphones on separate tracks so that I can do all the mixing in post production. I just hope that I understand how to use it. I'll probably hook up the PCM-D50 as a fallback.
I've got so many moving parts that I had to write a gear list to make sure that I don't forget anything. I hope I have everything on my gear list. Here's what I'm hauling in:
Another change that I'm making from last year is that I'm switching from 30fps to 24fps. I was a pretty firm believer that higher frame rates are always better until I experimented with the settings on our TV that let you convert 24fps to 120fps. Yuck. Now I want to see what a play shot in 24fps will look like. I'm a little concerned about the bleacher pans, but we'll be extra careful not to pan too quickly.
The kids are off all next week, so instead of rushing to get the video ready over a weekend, I'll have all week to play with it. That'll be a nice change. I still get nervous before these things. I don't do it often enough to feel comfortable and I'm always afraid that something dreadful is going to go wrong. That's why I have a backup for almost everything (extra batteries, extra recording media, two audio recording solutions, etc). It is both amusing and a bit nerve racking that everyone there thinks that I know everything about what I'm doing but I always feel like I'm treading on the ragged edge of my skill and knowledge. Wish me luck.
They did a performance today for the kindergartners, first graders, and sixth graders. We did a fixed position video shoot. The music teacher wanted that so that she'll have something to review with the kids on Friday. I shot it because I'm using it to work out the camera shots for tomorrow night's performance. During the play, my wife and I also walked around taking photos. She's the yearbook photographer, so she needed some for that. We've also found that the parents really like having the photos. She shot mainly with the 5D and the 70-200. I shot with the 7D and 300. Handholding that sucker for 30 minutes is about all I'm good for. Maybe I should hit the gym.
For the video, we're doing the same basic formula that worked for us last year. We'll set up the 7D fixed on the stage and vary it between full stage shots and zoomed in to center stage. I'll use the 5D with the 70-200 to cover the left hand bleachers and for close-ups on the stage. My wife will do the same with our video camera (an old XH-A1) on the right side.
We made a small change to our audio setup. We used to record audio off of the mixer board into a Sony PCM-D50. That worked OK, but the mix used for the live performance wasn't quite what we wanted for the video (the bleachers were too quiet relative to the CD music). We split the mic inputs and took a set to our own splitter. That worked better, but I had to simultaneous work 2 cameras and a mixer and so my mixing was really sloppy. For this year, we got a Zoom R16, which will record all six microphones on separate tracks so that I can do all the mixing in post production. I just hope that I understand how to use it. I'll probably hook up the PCM-D50 as a fallback.
I've got so many moving parts that I had to write a gear list to make sure that I don't forget anything. I hope I have everything on my gear list. Here's what I'm hauling in:
- Borrowed tripod
- My light tripod
- My large tripod
- Large video head
- Small video head
- Small ballhead
- XH-A1 video camera
- 5DM2 DSLR
- 7D DSLR
- Two video camera batteries
- 3 Camera batteries
- 5DM2 battery
- Video tape
- Backup video tape
- Head cleaner
- Small ballhead
- 24-105mm
- 17-40mm
- 70-200mm
- 2 32gig CF cards & 1 16gig CF card
- Expodisc
- Color checker
- Magic arm
- Magic arm plate
- External video monitor
- Monitor battery
- Monitor battery cable
- HDMI cable
- Hoodman loupe
- Folding table
- PCM-D50 audio recorder
- 1/8" to RCA cable
- Memory stick
- Zoom r16 Audio recorder
- 8gig SD card
- 10 new AA batteries
- Microphone splitter
- Power strip
Another change that I'm making from last year is that I'm switching from 30fps to 24fps. I was a pretty firm believer that higher frame rates are always better until I experimented with the settings on our TV that let you convert 24fps to 120fps. Yuck. Now I want to see what a play shot in 24fps will look like. I'm a little concerned about the bleacher pans, but we'll be extra careful not to pan too quickly.
The kids are off all next week, so instead of rushing to get the video ready over a weekend, I'll have all week to play with it. That'll be a nice change. I still get nervous before these things. I don't do it often enough to feel comfortable and I'm always afraid that something dreadful is going to go wrong. That's why I have a backup for almost everything (extra batteries, extra recording media, two audio recording solutions, etc). It is both amusing and a bit nerve racking that everyone there thinks that I know everything about what I'm doing but I always feel like I'm treading on the ragged edge of my skill and knowledge. Wish me luck.

