I'm not a nightclub person, so the appeal of PI is slim for me. However, I wonder if I'm not in the minority, for other reasons. What are the demographics of people who come to WDW? Mostly families, with grade school children.
I think you may be underestimating the number of convention-goers, parents with older kids, and parents willing to pay a sitter (or who have Grandma or someone along), to say nothing of locals. The whole reason PI was built in the first place is that Church Street Station was the #2 attraction in Florida back in the 80s. And to beat a dead horse from another thread, PI itself used to get huge crowds back when it was a truly unique place. It was a destination not only for tourists but central FL residents from Daytona to Tampa looking for a fun night out. If they brought back the live bands, and fireworks, and extensive club theming, I believe the guests would return.
And how many stores filled with plush animals and pins can really survive in such a limited area?
It IS a rip for Joe Tourist who comes and only wants to see the comedy shows. You're now forced to buy the multi-club ticket. The $10 One Club ticket is only for the dance clubs. My guess is that the suits know you could spend the entire evening in AC or CW.
Exactly! Neither comedy club has that much capacity. For example, the AC Library holds 100 people. Sell more than 100 single-club AC tickets--or probably a lot fewer, given the number of Annual Passholders--and someone's going to complain that they spent $10 but couldn't see the Balderdash Cup.
Neither comedy club was designed as a stand-alone attraction. Guests were expected to drop in, see a show or two, then wander out again to catch a set by one of the bands or do a little dancing or have dinner at the (long-defunct) Fireworks Factory. PI was meant to be an immersive, total experience, not just a hodge-podge of clubs.
BTW, other than Bob Marley's (which always seems to have a line), I don't know that the clubs, as opposed to the restaurants, at CityWalk are doing much better than PI. Red Coconut is on its third incarnation, Pat O'Briens has had its thunder stolen by the vastly superior Howl at the Moon, CityJazz has been reduced to karaoke and C-list comedians, and Margaritaville always feels like more of a "restaurant" than a "club" even when the band is playing. I admit I get over there less than PI, but it doesn't seem like CW is going gangbusters, either.