Photo sharing: Sony Alpha

Excellent sports shots...beautiful crispness and isolation, and good frozen action.

I get much the same responses and reactions out shooting birds - I run into dozens of other long-lens shooters and I find it particularly funny how different the reactions are between when I use my A580 DSLR and my A6000 - though things are even changing there too. When I carry the A580, either with the Tamron 150-600mm or Minolta 300mm F4 APO and teleconverter, much of the time the camera brand is not as noticeable from a distance, and the camera is a traditional DSLR, so many Nikon shooters give a nod and hello with the Tamron lens onboard, and when I use the Minolta lens, I get regular nods and hellos from Canon shooters who assume that's what it is. On rare occasions, I get asked what body or lens I'm shooting, and the mention of Sony or Minolta either gets a surprised but friendly reception and second look, or some 'snobs' seem to have nowhere left to go and end the conversation drifting away. When I have the A6000 on the other hand, especially with the confusing and large 70-200mm white lens, I get distant initial reactions from Canon folk that think I'm one of them, until I get closer - then I tend to get either confused looks and no questions, or a surprising number of 'what camera is that?' - more than a few come out more like "what on earth is that thing?"...tiny body, big white lens. Going back a year or two, the reactions were often more unfriendly, assumptions that I'm some silly amateur who obviously isn't getting any shots worth a darn with my tiny camera and big lens...lately though, the reactions from many DSLR shooters is significantly more curious; 'how do I like it', 'how does it focus', 'how fast is it', and so on. More and more people seem to have heard of the A6000, and hadn't seen one in the flesh yet.

Those photographers who have seen me multiple times, or saw me earlier in the day shooting with a DSLR and long lenses and now see me with the A6000, tend to be much more open and curious, and seem to assume that I am an experienced birder and know I shoot with a DSLR, so they figure the mirrorless setup must be pretty decent for me to be relying on it...and they are the ones that tend to ask a lot more questions, even ask to try a few shots with it. Some of the unsocial DSLR snob types you run into aren't keen to talk much to other photogs, especially those with a different brand, and not having seen that I also shoot a DSLR assume that I'm a know nothing amateur with a sadly undercapable camera.

It's all rather funny to me! I will say that I've noticed a significant change over the past year, with far more people asking me questions about the A6000 and mirrorless in general. I still don't see many mirrorless birders out there - a total of 4 other e-mount shooters, 1 M4:3 shooter, and two Nikon One shooters so far out of hundreds and hundreds of DSLR shooters. But a few have been very impressed at the A6000's performance when I let them try it, and some have either picked one up or are thinking about it now. Especially when I explain my DSLR rig is my early morning and winter shooter, weighing in over 8Lbs, and my mirrorless rig takes over for hot and humid afternoons and summers at less than 3Lbs. And while it's a lot less focal reach, the A6000 is definitely the better, faster, and more fun bird-in-flight shooter!
 
Excellent sports shots...beautiful crispness and isolation, and good frozen action.

I get much the same responses and reactions out shooting birds - I run into dozens of other long-lens shooters and I find it particularly funny how different the reactions are between when I use my A580 DSLR and my A6000 - though things are even changing there too. When I carry the A580, either with the Tamron 150-600mm or Minolta 300mm F4 APO and teleconverter, much of the time the camera brand is not as noticeable from a distance, and the camera is a traditional DSLR, so many Nikon shooters give a nod and hello with the Tamron lens onboard, and when I use the Minolta lens, I get regular nods and hellos from Canon shooters who assume that's what it is. On rare occasions, I get asked what body or lens I'm shooting, and the mention of Sony or Minolta either gets a surprised but friendly reception and second look, or some 'snobs' seem to have nowhere left to go and end the conversation drifting away. When I have the A6000 on the other hand, especially with the confusing and large 70-200mm white lens, I get distant initial reactions from Canon folk that think I'm one of them, until I get closer - then I tend to get either confused looks and no questions, or a surprising number of 'what camera is that?' - more than a few come out more like "what on earth is that thing?"...tiny body, big white lens. Going back a year or two, the reactions were often more unfriendly, assumptions that I'm some silly amateur who obviously isn't getting any shots worth a darn with my tiny camera and big lens...lately though, the reactions from many DSLR shooters is significantly more curious; 'how do I like it', 'how does it focus', 'how fast is it', and so on. More and more people seem to have heard of the A6000, and hadn't seen one in the flesh yet.

Those photographers who have seen me multiple times, or saw me earlier in the day shooting with a DSLR and long lenses and now see me with the A6000, tend to be much more open and curious, and seem to assume that I am an experienced birder and know I shoot with a DSLR, so they figure the mirrorless setup must be pretty decent for me to be relying on it...and they are the ones that tend to ask a lot more questions, even ask to try a few shots with it. Some of the unsocial DSLR snob types you run into aren't keen to talk much to other photogs, especially those with a different brand, and not having seen that I also shoot a DSLR assume that I'm a know nothing amateur with a sadly undercapable camera.

It's all rather funny to me! I will say that I've noticed a significant change over the past year, with far more people asking me questions about the A6000 and mirrorless in general. I still don't see many mirrorless birders out there - a total of 4 other e-mount shooters, 1 M4:3 shooter, and two Nikon One shooters so far out of hundreds and hundreds of DSLR shooters. But a few have been very impressed at the A6000's performance when I let them try it, and some have either picked one up or are thinking about it now. Especially when I explain my DSLR rig is my early morning and winter shooter, weighing in over 8Lbs, and my mirrorless rig takes over for hot and humid afternoons and summers at less than 3Lbs. And while it's a lot less focal reach, the A6000 is definitely the better, faster, and more fun bird-in-flight shooter!

Justin, I'm always amazed at your wildlife photos no matter what rig you're using!
 
Hey guys need your input. How does this photo look on your phone/computer or whatever you are using? I just got a Surface Pro 3 and edited this photo on that and it looked outstanding, sharp as can be. Then I look on my monitors at work and it just looks kinda plain. I know the resolution is probably a lot better on the SP# versus my monitor so that might play a part

Honoring Our Flag by Mike Sperduto, on Flickr
 
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Hey guys need your input. How does this photo look on your phone/computer or whatever you are using? I just got a Surface Pro 3 and edited this photo on that and it looked outstanding, sharp as can be. Then I look on my monitors at work and it just looks kinda plain. I know the resolution is probably a lot better on the SP# versus my monitor so that might play a part

Honoring Our Flag by Mike Sperduto, on Flickr

Looks sharp to me on my work computer (which is not the best). Nice shot by the way!

Fractal, great shots with that Minolta. Makes me wish I got a copy lol
thanks! @havoc315 wasn't exaggerating. :D
 
Hey guys need your input. How does this photo look on your phone/computer or whatever you are using? I just got a Surface Pro 3 and edited this photo on that and it looked outstanding, sharp as can be. Then I look on my monitors at work and it just looks kinda plain. I know the resolution is probably a lot better on the SP# versus my monitor so that might play a part

Honoring Our Flag by Mike Sperduto, on Flickr

Everything behind the statue is all blurry! Horrible!!

Seriously.. I pixel peeped. VERY VERY sharp, very high resolution. Great shot, and clearly the lens performs.

As to your comments about the 200/2.8 -- it is what I miss most about A-mount. Finding that lens anywhere between $500-$800... while that's hardly cheap, it's actually a great bang for the buck since at 200mm, it probably performs better than any 70-200/2.8 you will find.
 
Looks sharp to me on my work computer (which is not the best). Nice shot by the way!

thanks! @havoc315 wasn't exaggerating. :D

Everything behind the statue is all blurry! Horrible!!

Seriously.. I pixel peeped. VERY VERY sharp, very high resolution. Great shot, and clearly the lens performs.

As to your comments about the 200/2.8 -- it is what I miss most about A-mount. Finding that lens anywhere between $500-$800... while that's hardly cheap, it's actually a great bang for the buck since at 200mm, it probably performs better than any 70-200/2.8 you will find.

Yeah seems like its just the difference in the resolution between my SP3 and computer monitors at work. Ill tell you what, the SP3 has such a sweet display one.

On a side note, my Tamron 70-300 got here today. First impression is its got a noticeable more amount of weight over my old Sigma lens. Lets just hope it equates to better IQ also
 
Yeah seems like its just the difference in the resolution between my SP3 and computer monitors at work. Ill tell you what, the SP3 has such a sweet display one.

On a side note, my Tamron 70-300 got here today. First impression is its got a noticeable more amount of weight over my old Sigma lens. Lets just hope it equates to better IQ also

The IQ should be pretty great below 200mm. And it is by no means bad at 300mm. I think you'll immediately notice improvement over the Sigma. But it will not compete with your Sigma ART primes.
 
Mike, it looks great on my calibrated laptop! That Art lens sure looks sharp enough to me.....LOL!
 
Nice shot. I can tell you are going to like telephoto shooting now that you have a good lens for it.

It is nice for a change. Im so used to shooting everything wide or within 50mm so its nice to have a decent lens of length to use.
 
Can't say that I would be surprised if they do discontinue A Mount. Im finally at a spot where I am somewhat happy with my glass collection so I wouldn't mind shooting A mount for another year or two but the biggest thing holding me back from E Mount before was how pricey the glass is and how little 3 party lens support was. Hopefully when it comes time for me to make a decision both those options are in a better state
 
Can't say that I would be surprised if they do discontinue A Mount. Im finally at a spot where I am somewhat happy with my glass collection so I wouldn't mind shooting A mount for another year or two but the biggest thing holding me back from E Mount before was how pricey the glass is and how little 3 party lens support was. Hopefully when it comes time for me to make a decision both those options are in a better state

The good news... I think the report was a forgery. It still might end up all coming true, but the document itself I believe is fake.

As to E-mount, I continue to believe that both the pros and the cons are exaggerated. Ultimately, it's not that different than shooting a traditional dSLR, especially for a full frame user. The biggest advantages --- smaller, EVF, and better live view. But, depending on your lens choices, not really that much smaller.
Not really cheaper -- Yes, the A7 is priced aggressively. But Nikon D750 + 3 good lenses will often be cheaper than A7 + 3 good lenses. For example, Sigma 35/1.4 ART = $900 for Nikon. Sony FE 35 1.4 = $1600. Nikon 70-200/4 = $1400 (with occasional price drops making it lower) Sony 70-200/4 = $1500. Nikon 16-35/4 = $1250. Nikon 18-35 = $750, but Sony 16-35/4 = $1350. Across the board, the Canon/Nikon lenses are a little bit cheaper for the directly comparable model, and then they often have cheaper indirectly comparable models as well. (The Nikon 18-35 is very very good for $750, many say it is better than the 16-35).

So if and when you finish with A-mount.. and hopefully the mount continues for the foreseeable future... but if you do finish with it, keep your options open. dSLR is not "dead." There is nothing wrong with mirrorless... they have some great cameras and are starting to build some great lenses. But it is not automatically better than a mature dSLR system.
 
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