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VOICE MAIL #1

ROGER AND MARK’S OUTGOING MESSAGE:

“SPEAK”...(“Beeeep!”)
MOM:
THAT WAS A VERY LOUD BEEP
I DON’T EVEN KNOW IF THIS IS WORKING
MARK, MARK, ARE YOU THERE?
ARE YOU SCREENING YOUR CALLS?
IT’S MOM
WE WANTED TO CALL AND SAY WE LOVE YOU
AND WE’LL MISS YOU TOMORROW
CINDY AND THE KIDS ARE HERE--SEND THEIR LOVE
OH, I HOPE YOU LIKE THE HOT PLATE
JUST DON’T LEAVE IT ON, DEAR, WHEN YOU LEAVE THE HOUSE

OH AND MARK
WE’RE SORRY TO HEAR THAT MAUREEN DUMPED YOU
I SAY “C’EST LA VIE”
SO LET HER BE A LESBIAN
THERE ARE OTHER FISHIES IN THE SEA
...LOVE MOM
 
TUNE UP #2

MARK:

TELL THE FOLKS AT HOME WHAT YOU’RE DOING ROGER...
ROGER:
I’M WRITING ONE GREAT SONG--
MARK:
The phone rings.
ROGER:
YESSS!
MARK:
WE SCREEN
ROGER AND MARK’S ANSWERING MACHINE:
“SPEAK”...(“Beeeep!”)
COLLINS:
“CHESTNUTS ROASTING...”
ROGER & MARK:
COLLINS!
COLLINS:
I’M DOWNSTAIRS
MARK:
HEY!
COLLINS:
ROGER PICKED UP THE PHONE??
MARK:
NO, IT’S ME
COLLINS:
THROW DOWN THE KEY
MARK:
A WILD NIGHT IS NOW PREORDAINED
COLLINS:
I MAY BE DETAINED
MARK:
WHAT DOES HE MEAN?
(The phone rings again)
WHAT DO YOU MEAN, DETAINED?
BENNY:
HO HO HO
MARK & ROGER:
BENNY! ****
BENNY:
DUDES, I’M ON MY WAY
MARK & ROGER:
GREAT! ****
BENNY:
I NEED THE RENT
MARK:
WHAT RENT?
BENNY:
THIS PAST YEAR’S RENT WHICH I LET SLIDE
MARK:
LET SLIDE? YOU SAID WE WERE “GOLDEN”
ROGER:
WHEN YOU BOUGHT THE BUILDING
MARK:
WHEN WE WERE ROOMMATES
ROGER:
REMEMBER--YOU LIVED HERE!?
BENNY:
HOW COULD I FORGET? YOU, ME, COLLINS AND MAUREEN
HOW IS THE DRAMA QUEEN?
MARK:
SHE’S PERFORMING TONIGHT
BENNY:
I KNOW
STILL HER PRODUCTION MANAGER?
MARK:
TWO DAYS AGO I WAS BUMPED
BENNY:
YOU STILL DATING HER?
MARK:
LAST MONTH I WAS DUMPED
ROGER:
SHE’S IN LOVE
BENNY:
SHE’S GOT A NEW MAN?
MARK:
WELL--NO
BENNY:
WHAT’S HIS NAME?
MARK & ROGER:
JOANNE
BENNY:
RENT, MY AMIGOS, IS DUE
OR I WILL HAVE TO EVICT YOU
BE THERE IN A FEW
MARK:
The power blows...
 

RENT

MARK:

HOW DO YOU DOCUMENT REAL LIFE
WHEN REAL LIFE’S GETTING MORE LIKE FICTION EACH DAY?
HEADLINES--BREAD-LINES--BLOW MY MIND
AND NOW THIS DEADLINE “EVICTION--OR PAY”
RENT
ROGER:
HOW DO YOU WRITE A SONG
WHEN ALL THE CHORDS SOUND WRONG
THOUGH THEY ONCE SOUNDED RIGHT AND RARE?
WHEN THE NOTES ARE SOUR, WHERE IS THE POWER
YOU ONCE HAD TO IGNITE THE AIR?
MARK:
AND WE’RE HUNGRY AND FROZEN
ROGER:
SOME LIFE THAT WE’VE CHOSEN
BOTH:
HOW WE GONNA PAY
HOW WE GONNA PAY
HOW WE GONNA PAY
LAST YEAR’S RENT
MARK:
WE LIGHT CANDLES
ROGER:
HOW DO YOU START A FIRE WHEN THERE’S NOTHING TO BURN
AND IT FEELS LIKE SOMETHING’S STUCK IN YOUR FLUE
MARK:
HOW CAN YOU GENERATE HEAT WHEN YOU CAN’T FEEL YOUR FEET
BOTH:
AND THEY’RE TURNING BLUE
MARK:
YOU LIGHT UP A MEAN BLAZE
ROGER:
WITH POSTERS
MARK:
AND SCREENPLAYS
BOTH:
HOW WE GONNA PAY
HOW WE GONNA PAY
HOW WE GONNA PAY
LAST YEAR’S RENT
JOANNE: (on phone)
DON’T SCREEN, MAUREEN, IT’S ME --JOANNE
YOUR SUBSTITUTE PRODUCTION MANAGER
HEY HEY HEY! DID YOU EAT?
DON’T CHANGE THE SUBJECT MAUREEN
BUT DARLING, YOU HAVEN’T EATEN ALL DAY
YOU WON’T THROW UP
YOU WON’T THROW UP
THE DIGITAL DELAY DIDN’T BLOW UP (EXACTLY)
THERE MAY HAVE BEEN ONE TEENY TINY SPARK
YOU’RE NOT CALLING MARK!

COLLINS:
HOW DO YOU STAY ON YOUR FEET WHEN ON EVERY STREET
IT’S “TRICK OR TREAT” AND TONIGHT IT’S “TRICK”
“WELCOME BACK TO TOWN!”
I SHOULD LIE DOWN
EVERYTHING’S BROWN AND UH-OH, I FEEL SICK
MARK:
WHERE IS HE?
COLLINS:
GETTING DIZZY
BOTH:
HOW WE GONNA PAY
HOW WE GONNA PAY
HOW WE GONNA PAY
LAST YEAR’S RENT
BENNY: (on cellular phone)
ALLISON BABY--YOU SOUND SAD
I DON’T BELIEVE THOSE TWO AFTER EVERYTHING I’VE DONE
EVER SINCE OUR WEDDING I’M DIRT--THEY'LL SEE
I CAN HELP THEM ALL OUT IN THE LONG RUN
FORCES ARE GATHERING
FORCES ARE GATHERING
CAN’T TURN AWAY
FORCES ARE GATHERING

COLLINS:
UGHHHHHH
UGHHHHHH
UGHHHHHH--I CAN’T THINK
UGHHHHHH
UGHHHHHH
UGHHHHHH--I NEED A DRINK
MARK:
“THE MUSIC IGNITES THE NIGHT WITH PASSIONATE FIRE”
JOANNE:
MAUREEN--I’M NOT A THEATRE PERSON
ROGER:
“THE NARRATION CRACKLES AND POPS WITH INCENDIARY WIT”
JOANNE:
COULD NEVER BE A THEATRE PERSON
MARK:
ZOOM IN AS THEY BURN THE PAST TO THE GROUND
JOANNE:
HELLO?
MARK & ROGER:
AND FEEL THE HEAT OF THE FUTURE’S GLOW
JOANNE:
HELLO?
MARK: (on phone)
HELLO? MAUREEN? YOUR EQUIPMENT WON’T WORK?
OKAY, ALL RIGHT, I’LL GO!
MARK & HALF THE COMPANY:
HOW DO YOU LEAVE THE PAST BEHIND
WHEN IT KEEPS FINDING WAYS TO GET TO YOUR HEART?
IT REACHES WAY DOWN DEEP AND TEARS YOU INSIDE OUT
TILL YOU’RE TORN APART
RENT
ROGER & OTHER HALF OF COMPANY:
HOW CAN YOU CONNECT IN AN AGE
WHERE STRANGERS, LANDLORDS, LOVERS,
YOUR OWN BLOOD CELLS BETRAY

ALL:
WHAT BINDS THE FABRIC TOGETHER
WHEN THE RAGING, SHIFTING WINDS OF CHANGE KEEP RIPPING AWAY
BENNY:
DRAW A LINE IN THE SAND
AND THEN MAKE A STAND
ROGER:
USE YOUR CAMERA TO SPAR
MARK:
USE YOUR GUITAR
ALL:
WHEN THEY ACT TOUGH, YOU CALL THEIR BLUFF
MARK & ROGER:
WE’RE NOT GONNA PAY
MARK & ROGER W/ HALF THE COMPANY:
WE’RE NOT GONNA PAY
MARK & ROGER W/ OTHER HALF OF COMPANY:
WE’RE NOT GONNA PAY
ALL:
LAST YEAR’S RENT
THIS YEAR’S RENT
NEXT YEAR’S RENT
RENT RENT RENT RENT RENT
WE’RE NOT GONNA PAY RENT

MARK & ROGER:
CAUSE EVERYTHING IS RENT
 
YOU OKAY, HONEY? (The street)

HOMELESS MAN:

CHRISTMAS BELLS ARE RINGING
CHRISTMAS BELLS ARE RINGING
CHRISTMAS BELLS ARE RINGING
SOMEWHERE ELSE! NOT HERE
ANGEL:
YOU OKAY HONEY?
COLLINS:
I’M AFRAID SO
ANGEL:
THEY GET ANY MONEY?
COLLINS:
NO! HAD NONE TO GET
BUT THEY PURLOINED MY COAT
WELL, YOU MISSED A SLEEVE! -- THANKS
ANGEL:
HELL, IT’S CHRISTMAS EVE
I’M ANGEL
COLLINS:
ANGEL...? INDEED
AN ANGEL OF THE FIRST DEGREE...
FRIENDS CALL ME COLLINS -- TOM COLLINS
NICE TREE...
ANGEL:
LET’S GET A BAND-AID FOR YOUR KNEE
I’LL CHANGE, THERE’S A “LIFE SUPPORT” MEETING AT NINE THIRTY
YES, THIS BODY PROVIDES A COMFORTABLE HOME
FOR THE ACQUIRED IMMUNE DEFICIENCY SYNDROME
COLLINS:
AS DOES MINE
ANGEL:
WE’LL GET ALONG FINE
GET YOU A COAT, HAVE A BITE
MAKE A NIGHT--I’M FLUSH
COLLINS:
MY FRIENDS ARE WAITING--
ANGEL:
YOU’RE CUTE WHEN YOU BLUSH
THE MORE THE MERRY-- HO HO HO
AND I DO NOT TAKE NO
 
TUNE UP #3 (The loft)

MARK:

I don’t suppose you’d like to see Maureen’s show in the lot tonight?
Or come to dinner?
ROGER:
Zoom in on my empty wallet.
MARK:
Touché. Take your AZT
CLOSE ON ROGER
HIS GIRLFRIEND APRIL LEFT A NOTE SAYING, “WE’VE GOT AIDS”
BEFORE SLITTING HER WRISTS IN THE BATHROOM
I’ll check up on you later. Change your mind. You have to get out of the house.
 
ONE SONG GLORY

ROGER:

(I’M WRITING ONE GREAT SONG BEFORE...)
ONE SONG -- GLORY
ONE SONG -- BEFORE I GO
GLORY
ONE SONG TO LEAVE BEHIND
FIND ONE SONG -- ONE LAST REFRAIN
GLORY
FROM THE PRETTY BOY FRONT MAN
WHO WASTED OPPORTUNITY
ONE SONG -- HE HAD THE WORLD AT HIS FEET
GLORY
IN THE EYES OF A YOUNG GIRL
A YOUNG GIRL
FIND GLORY
BEYOND THE CHEAP COLORED LIGHTS
ONE SONG -- BEFORE THE SUN SETS
GLORY -- ON ANOTHER EMPTY LIFE
TIME FLIES -- TIME DIES

GLORY
ONE BLAZE OF GLORY
ONE BLAZE OF GLORY -- GLORY
FIND GLORY

IN A SONG THAT RINGS TRUE
TRUTH LIKE A BLAZING FIRE
AN ETERNAL FLAME
FIND ONE SONG -- A SONG ABOUT LOVE
GLORY
FROM THE SOUL OF A YOUNG MAN
A YOUNG MAN

FIND THE ONE SONG -- BEFORE THE VIRUS TAKES HOLD
GLORY
LIKE A SUNSET
ONE SONG -- TO REDEEM THIS EMPTY LIFE
TIME FLIES
AND THEN -- NO NEED TO ENDURE ANYMORE
TIME DIES

(A knock at the door)

The door.
 
LIGHT MY CANDLE

ROGER:

WHAT’D YOU FORGET?
MIMI:
GOT A LIGHT?
ROGER:
I KNOW YOU? -- YOU’RE...YOU’RE SHIVERING
MIMI:
IT’S NOTHING -- THEY TURNED OFF MY HEAT
AND I’M JUST A LITTLE WEAK ON MY FEET
WOULD YOU LIGHT MY CANDLE?
WHAT ARE YOU STARING AT?
ROGER:
NOTHING
YOUR HAIR IN THE MOONLIGHT
YOU LOOK FAMILIAR
CAN YOU MAKE IT?
MIMI:
JUST HAVEN’T EATEN MUCH TODAY
AT LEAST THE ROOM STOPPED SPINNING ANYWAY. WHAT?
ROGER:
NOTHING
YOUR SMILE REMINDED ME OF...
MIMI:
I ALWAYS REMIND PEOPLE OF -- WHO IS SHE?
ROGER:
SHE DIED. HER NAME WAS APRIL
MIMI:
IT’S OUT AGAIN
SORRY ABOUT YOUR FRIEND
WOULD YOU LIGHT MY CANDLE?
ROGER:
WELL...
MIMI:
YEAH. OW!
ROGER:
OH, THE WAX. IT’S...
MIMI:
...DRIPPING. I LIKE IT, BETWEEN MY...
ROGER:
...FINGERS. I FIGURED...
OH, WELL. GOOD NIGHT.
(Mimi exits, then knocks again)

IT BLEW OUT AGAIN?

MIMI:
NO -- I THINK THAT I DROPPED MY STASH
ROGER:
I KNOW I’VE SEEN YOU OUT AND ABOUT
WHEN I USED TO GO OUT
YOUR CANDLE’S OUT
MIMI:
I’M ILLIN’ -- I HAD IT WHEN I WALKED IN THE DOOR
IT WAS PURE -- IS IT ON THE FLOOR?
ROGER:
THE FLOOR?
MIMI:
THEY SAY THAT I HAVE THE BEST *** BELOW 14TH STREET -- IS IT TRUE?
ROGER:
WHAT?
MIMI:
YOU’RE STARING AGAIN
ROGER:
OH NO. I MEAN YOU DO -- HAVE A NICE... I MEAN...
YOU LOOK FAMILIAR
MIMI:
LIKE YOUR DEAD GIRLFRIEND?
ROGER:
ONLY WHEN YOU SMILE
BUT I’M SURE I’VE SEEN YOU SOMEWHERE ELSE...
MIMI:
DO YOU GO TO THE CAT SCRATCH CLUB?
THAT’S WHERE I WORK -- I DANCE -- HELP ME LOOK!
ROGER:
YES! THEY USED TO TIE YOU UP
MIMI:
IT’S A LIVING
ROGER:
I DIDN’T RECOGNIZE YOU WITHOUT THE HANDCUFFS
MIMI:
WE COULD LIGHT THE CANDLE
OH WON’T YOU LIGHT THE CANDLE
ROGER:
WHY DON'T YOU FORGET THAT STUFF?
YOU LOOK LIKE YOU’RE SIXTEEN
MIMI:
I’M NINETEEN -- BUT I’M OLD FOR MY AGE
I’M JUST BORN TO BE BAD
ROGER:
I ONCE WAS BORN TO BE BAD
I USED TO SHIVER LIKE THAT
MIMI:
I HAVE NO HEAT -- I TOLD YOU
ROGER:
I USED TO SWEAT
MIMI:
I GOT A COLD
ROGER:
UH-HUH
I USED TO BE A JUNKIE
MIMI:
BUT NOW AND THEN I LIKE TO...
ROGER:
UH HUH
MIMI:
FEEL GOOD
ROGER:
HERE IT -- UM --
MIMI:
WHAT’S THAT?
ROGER:
IT’S A CANDY BAR WRAPPER
MIMI:
WE COULD LIGHT THE CANDLE
WHAT’D YOU DO WITH MY CANDLE?
ROGER:
THAT WAS MY LAST MATCH
MIMI:
OUR EYES’LL ADJUST. THANK GOD FOR THE MOON
ROGER:
MAYBE IT’S NOT THE MOON AT ALL
I HEAR SPIKE LEE’S SHOOTING DOWN THE STREET
MIMI:
BAH HUMBUG -- BAH HUMBUG
ROGER:
COLD HANDS
MIMI:
YOURS TOO
BIG, LIKE MY FATHER’S
YOU WANNA DANCE?
ROGER:
WITH YOU?
MIMI:
NO -- WITH MY FATHER
ROGER:
I’M ROGER
MIMI:
THEY CALL ME
THEY CALL ME MIMI
 
VOICE MAIL #2

MAUREEN:

Hi. You’ve reached Maureen and Joanne. Leave a message and don’t forget “Over the Moon” -- my performance, protesting the eviction of the Homeless (and artists) from the Eleventh Street Lot. Tonight at midnight in the lot between A and B. Party at Life Café to follow. (BEEP)
MR. JEFFERSON:
WELL, JOANNE, WE’RE OFF. I TRIED YOU AT THE OFFICE
AND THEY SAID YOU’RE STAGE MANAGING OR SOMETHING
MRS. JEFFERSON:
REMIND HER THAT THOSE UNWED MOTHERS IN HARLEM
NEED HER LEGAL HELP TOO
MR. JEFFERSON:
CALL DAISY FOR OUR ITINERARY OR ALFRED AT POUND RIDGE
OR EILEEN AT THE STATE DEPARTMENT IN A PINCH
WE'LL BE AT THE SPA FOR NEW YEAR'S
UNLESS THE SENATOR CHANGES HIS MIND
MRS. JEFFERSON:
THE HEARINGS
MR. JEFFERSON:
OH YES -- KITTEN
MUMMY'S CONFIRMATION HEARING BEGINS ON THE TENTH
WE'LL NEED YOU -- ALONE -- BY THE SIXTH
MRS. JEFFERSON:
HAROLD!
MR. JEFFERSON:
YOU HEAR THAT?
IT'S THREE WEEKS AWAY AND SHE'S ALREADY NERVOUS
MRS. JEFFERSON:
I AM NOT!
MR. JEFFERSON:
FOR MUMMY'S SAKE KITTEN
NO DOC MARTENS THIS TIME AND AND WEAR A DRESS...
OH, AND KITTEN -- HAVE A MERRY...
MRS. JEFFERSON:
AND A BRA!!
 
TODAY 4 U (The loft)

MARK:

Enter Tom Collins, computer genius, teacher, vagabond anarchist, who ran naked through the Parthenon.
MARK & COLLINS:
BUSTELO -- MARLBORO
BANANA BY THE BUNCH
A BOX OF CAPTAIN CRUNCH WILL TASTE SO GOOD
COLLINS:
AND FIREWOOD
MARK:
LOOK -- IT’S SANTA CLAUS
COLLINS:
HOLD YOUR APPLAUSE
ROGER:
OH HI!
COLLINS:
“OH HI” AFTER SEVEN MONTHS?
ROGER:
SORRY
COLLINS:
THIS BOY COULD USE SOME STOLI
COLLINS, MARK & ROGER:
OH HOLY NIGHT
ROGER:
YOU STRUCK GOLD AT MIT?
COLLINS:
THEY EXPELLED ME FOR MY THEORY OF ACTUAL REALITY
WHICH I’LL SOON IMPART
TO THE COUCH POTATOES AT NEW YORK UNIVERSITY
STILL HAVEN’T LEFT THE HOUSE?
ROGER:
I WAS WAITING FOR YOU, DON’T YOU KNOW?
COLLINS:
WELL, TONIGHT’S THE NIGHT COME TO THE LIFE CAFE AFTER MAUREEN’S SHOW
MARK & ROGER:
NO FLOW
COLLINS:
GENTLEMEN, OUR BENEFACTOR ON THIS CHRISTMAS EVE
WHOSE CHARITY IS ONLY MATCHED BY TALENT, I BELIEVE
A NEW MEMBER OF THE ALPHABET CITY AVANT-GARDE
ANGEL DUMOTT-SCHUNARD!
ANGEL:
TODAY FOR YOU -- TOMORROW FOR ME
TODAY FOR YOU -- TOMORROW FOR ME
COLLINS:
AND YOU SHOULD HEAR HER BEAT!
ROGER:
YOU EARNED THIS ON THE STREET?
ANGEL:
IT WAS MY LUCKY DAY TODAY ON AVENUE A
WHEN THE LADY IN THE LIMOUSINE DROVE MY WAY
SHE SAID, “DAHLING, BE A DEAR -- HAVEN’T SLEPT IN A YEAR
I NEED YOUR HELP TO MAKE MY NEIGHBOUR'S YAPPY DOG DISAPPEAR"
“THIS AKITA-EVITA -- JUST WON’T SHUT UP
I BELIEVE IF YOU PLAY NON-STOP THAT PUP
WILL BREATHE ITS VERY LAST HIGH-STRUNG BREATH
I’M CERTAIN THAT CUR WILL BARK ITSELF TO DEATH”

TODAY FOR YOU -- TOMORROW FOR ME
TODAY FOR YOU -- TOMORROW FOR ME

WE AGREED ON A FEE -- A THOUSAND DOLLAR GUARANTEE
TAX-FREE -- AND A BONUS IF I TRIM HER TREE
NOW WHO COULD FORETELL THAT IT WOULD GO SO WELL
BUT SURE AS I AM HERE THAT DOG IS NOW IN DOGGY HELL

AFTER AN HOUR -- EVITA -- IN ALL HER GLORY
ON THE WINDOW LEDGE OF THAT 23RD STORY
LIKE THELMA & LOUISE DID WHEN THEY GOT THE BLUES
SWAN DOVE INTO THE COURTYARD OF THE GRACIE MEWS

TODAY FOR YOU -- TOMORROW FOR ME
TODAY FOR YOU -- TOMORROW FOR ME

THEN BACK TO THE STREET WHERE I MET MY SWEET
WHERE HE WAS MOANING AND GROANING ON THE COLD CONCRETE
THE NURSE TOOK HIM HOME FOR SOME MERCUROCHROME
AND I DRESSED HIS WOUNDS AND GOT HIM BACK ON HIS FEET

SING IT
TODAY FOR YOU -- TOMORROW FOR ME
TODAY FOR YOU -- TOMORROW FOR ME
TODAY FOR YOU -- TOMORROW FOR ME
TODAY FOR YOU -- TOMORROW FOR ME
 
YOU’LL SEE

BENNY:

HEY YOU BUM -- YEAH, YOU, MOVE OVER
GET YOUR *** OFF THAT RANGE ROVER
MARK:
That attitude toward the homeless is exactly what Maureen is protesting tonight.
Close up: Benjamin Coffin the third. Our ex-roommate, who married Alison Grey, of the Westport Greys -- then bought the building, in hopes of starting a cyber-studio.

BENNY:
MAUREEN IS PROTESTING LOSING HER PERFORMANCE SPACE
NOT MY ATTITUDE
ROGER:
WHAT HAPPENED TO BENNY?
WHAT HAPPENED TO HIS HEART
AND THE IDEALS HE ONCE PURSUED?
BENNY:
ANY OWNER OF THAT LOT NEXT DOOR
HAS A RIGHT TO DO WITH IT AS HE PLEASES
COLLINS:
HAPPY BIRTHDAY, JESUS!
BENNY:
THE RENT
MARK:
YOU’RE WASTING YOUR TIME
ROGER:
WE’RE BROKE
MARK:
AND YOU BROKE YOUR WORD -- THIS IS ABSURD
BENNY:
THERE IS ONE WAY YOU WON’T HAVE TO PAY
ROGER:
I KNEW IT!
BENNY:
NEXT DOOR, THE HOME OF CYBERARTS, YOU SEE
AND NOW THAT THE BLOCK IS REZONED
OUR DREAM CAN BECOME A REALITY
YOU’LL SEE BOYS
YOU’LL SEE BOYS
A STATE OF THE ART, DIGITAL, VIRTUAL INTERACTIVE STUDIO
I’LL FOREGO YOUR RENT AND ON PAPER GUARANTEE
THAT YOU CAN STAY HERE FOR FREE
IF YOU DO ME ONE SMALL FAVOR

MARK:
WHAT?
BENNY:
CONVINCE MAUREEN TO CANCEL HER PROTEST
MARK:
WHY NOT JUST GET AN INJUNCTION OR CALL THE COPS?
BENNY:
I DID, AND THEY’RE ON STAND BY
BUT MY INVESTORS WOULD RATHER I HANDLE THIS QUIETLY
ROGER:
YOU CAN’T QUIETLY WIPE OUT AN ENTIRE TENT CITY
THEN WATCH “IT’S A WONDERFUL LIKE” ON TV!
BENNY:
YOU WANT TO PRODUCE FILMS AND WRITE SONGS?
YOU NEED SOMEWHERE TO DO IT!
IT’S WHAT WE USED TO DREAM ABOUT
THINK TWICE BEFORE YOU POOH-POOH IT
YOU’LL SEE BOYS
YOU’LL SEE BOYS

YOU’LL SEE -- THE BEAUTY OF A STUDIO
THAT LETS US DO OUR WORK AND GET PAID
WITH CONDOS ON THE TOP
WHOSE RENT KEEPS OPEN OUR SHOP

JUST STOP THE PROTEST
AND YOU’LL HAVE IT MADE
YOU’LL SEE-- OR YOU’LL PACK

ANGEL:
THAT BOY COULD USE SOME PROZAC
ROGER:
OR HEAVY DRUGS
MARK:
OR GROUP HUGS
COLLINS:
WHICH REMINDS ME --
WE HAVE A DETOUR TO MAKE TONIGHT
ANYONE WHO WANTS TO CAN COME ALONG
ANGEL:
LIFE SUPPORT’S A GROUP FOR PEOPLE COPING WITH LIFE
YOU DON’T HAVE TO STAY TOO LONG
MARK:
FIRST I’VE GOT A PROTEST TO SAVE
ANGEL:
ROGER?
ROGER:
I’M NOT MUCH COMPANY YOU’LL FIND
MARK:
BEHAVE!
ANGEL:
HE’LL CATCH UP LATER -- HE’S JUST GOT OTHER THINGS ON HIS MIND
YOU’LL SEE BOYS
MARK & COLLINS:
WE’LL SEE BOYS
ROGER:
LET IT BE BOYS!
COLLINS:
I LIKE BOYS
ANGEL:
BOYS LIKE ME
ALL:
WE’LL SEE
 
TANGO: MAUREEN

MARK:

The lot. Where a stage is partially set up.
JOANNE:
MARK?
MARK:
HI.
JOANNE:
I TOLD HER NOT TO CALL YOU
MARK:
THAT’S MAUREEN
BUT CAN I HELP SINCE I’M HERE?
JOANNE:
I’VE HIRED AN ENGINEER...
MARK:
GREAT! WELL, NICE TO HAVE...
JOANNE:
WAIT! SHE’S THREE HOURS LATE
THE SAMPLES WON’T DELAY BUT THE CABLE --
MARK:
THERE’S ANOTHER WAY
SAY SOMETHING -- ANYTHING
JOANNE:
TEST -- ONE, TWO, THREE...
MARK:
ANYTHING BUT THAT
JOANNE:
THIS IS WEIRD
MARK:
IT’S WEIRD
JOANNE:
VERY WEIRD
MARK:
****IN’ WEIRD
JOANNE:
I’M SO MAD THAT I DON’T KNOW WHAT TO DO
FIGHTING WITH MICROPHONES, FREEZING DOWN TO MY BONES
AND TO TOP IT ALL OFF I’M WITH YOU
MARK:
FEEL LIKE GOING INSANE?
GOT A FIRE IN YOUR BRAIN?
AND YOU’RE THINKING OF DRINKING GASOLINE?
JOANNE:
AS A MATTER OF FACT --
MARK:
HONEY, I KNOW THIS ACT
IT’S CALLED THE “TANGO: MAUREEN”
THE TANGO MAUREEN
IT’S A DARK, DIZZY MERRY-GO-ROUND
AS SHE KEEPS YOU DANGLING

JOANNE:
YOU’RE WRONG
MARK:
YOUR HEART SHE IS MANGLING
JOANNE:
IT’S DIFFERENT WITH ME
MARK:
AND YOU TOSS AND YOU TURN
CAUSE HER COLD EYES CAN BURN
YET YOU YEARN AND YOU CHURN AND REBOUND
JOANNE:
I THINK I KNOW WHAT YOU MEAN
BOTH:
THE TANGO MAUREEN
MARK:
HAS SHE EVER POUTED HER LIPS AND CALLED YOU “POOKIE”?
JOANNE:
NEVER
MARK:
HAVE YOU EVER DOUBTED A KISS OR TWO?
JOANNE:
THIS IS SPOOKY
DID YOU SWOON WHEN SHE WALKED THROUGH THE DOOR?
MARK:
EVERY TIME -- SO BE CAUTIOUS
JOANNE:
DID SHE MOON OVER OTHER BOYS...?
MARK:
MORE THAN MOON --
JOANNE:
I’M GETTING NAUSEOUS
MARK:
It’s hard to this backwards
JOANNE:
You should try it in heels!
SHE CHEATED
MARK:
SHE CHEATED
JOANNE:
MAUREEN CHEATED
MARK:
****IN’ CHEATED
JOANNE:
I’M DEFEATED
I SHOULD GIVE UP RIGHT NOW
MARK:
GOTTA LOOK ON THE BRIGHT SIDE
WITH ALL OF YOUR MIGHT...
JOANNE:
I’D FALL FOR HER STILL ANYHOW
BOTH:
WHEN YOU’RE DANCING HER DANCE
YOU DON’T STAND A CHANCE
HER GRIP OF ROMANCE MAKES YOU FALL
MARK:
SO YOU THINK, “MIGHT AS WELL”
JOANNE:
“DANCE A TANGO TO HELL”
BOTH:
“AT LEAST I’LL HAVE TANGOED AT ALL”
THE TANGO MAUREEN
GOTTA DANCE TILL YOUR DIVA IS THROUGH
YOU PRETEND TO BELIEVE HER
CAUSE IN THE END YOU CAN’T LEAVE HER

BUT THE END IT WILL COME
STILL YOU HAVE TO PLAY DUMB
TILL YOU’RE GLUM AND YOU BUM AND TURN BLUE

MARK:
WHY DO WE LOVE WHEN SHE’S MEAN?
JOANNE:
AND SHE CAN BE SO OBSCENE
MARK:
TRY THE MIKE
JOANNE:
MY MAUREEN (EEN, EEN, EEN...)
MARK:
PATCHED
JOANNE:
THANKS
MARK:
YOU KNOW -- I FEEL GREAT NOW!
JOANNE:
I FEEL LOUSY
BOTH:
THE TANGO: MAUREEN!
 
LIFE SUPPORT

STEVE:

Steve.
GORDON:
Gordon.
ALI:
Ali.
PAM:
Pam.
SUE:
Sue.
ANGEL:
Hi. I’m Angel.
COLLINS:
Tom. Collins.
PAUL:
I’m Paul. Let’s begin.
ALL:
THERE’S ONLY US
THERE’S ONLY THIS
MARK:
SORRY...EXCUSE ME...OOPS
PAUL:
AND YOU ARE?
MARK:
OH -- I’M NOT -- I’M JUST HERE TO --
I DON’T HAVE -- I’M HERE WITH --
UM, MARK! MARK. I’m Mark.
WELL, THIS IS QUITE AN OPERATION
PAUL:
SIT DOWN MARK
WE’LL CONTINUE THE AFFIRMATION
ALL:
FORGET REGRET OR LIFE IS YOURS TO MISS
GORDON:
EXCUSE ME PAUL -- I’M HAVING A PROBLEM WITH THIS, THIS CREDO
MY T-CELLS ARE LOW -- I REGRET THAT NEWS, OKAY?
PAUL:
ALRIGHT. BUT GORDON -- HOW DO YOU FEEL TODAY?
GORDON:
WHAT DO YOU MEAN?
PAUL:
HOW DO YOU FEEL TODAY?
GORDON:
OKAY
PAUL:
IS THAT ALL?
GORDON:
BEST I’VE FELT ALL YEAR
PAUL:
THEN WHY CHOOSE FEAR?
GORDON:
I’M A NEW YORKER! FEAR’S MY LIFE!
LOOK -- I FIND SOME OF WHAT YOU TEACH SUSPECT
BECAUSE I’M USED TO RELYING ON INTELLECT
BUT I TRY TO OPEN UP TO WHAT I DON’T KNOW
GORDON & ROGER:
BECAUSE REASON SAYS I SHOULD HAVE DIED THREE YEARS AGO
ALL:
NO OTHER ROAD
NO OTHER WAY
NO DAY BUT TODAY
 
OUT TONIGHT (Mimi’s Apartment)

MIMI:

WHAT’S THE TIME?
WELL, IT’S GOTTA BE CLOSE TO MIDNIGHT
MY BODY’S TALKING TO ME -- IT SAYS, “TIME FOR DANGER”
IT SAYS “I WANNA COMMIT A CRIME
WANNA BE THE CAUSE OF A FIGHT
WANNA PUT ON A TIGHT SKIRT AND FLIRT WITH A STRANGER”
I’VE HAD A KNACK FROM WAY BACK
AT BREAKING THE RULES ONCE I LEARN THE GAMES
GET UP -- LIFE’S TOO QUICK
I KNOW SOMEPLACE SICK
WHERE THIS CHICK’LL DANCE IN THE FLAMES
WE DON’T NEED ANY MONEY
I ALWAYS GET IN FOR FREE
YOU CAN GET IN TOO IF YOU GET IN WITH ME

LET’S GO OUT TONIGHT
I HAVE TO GO OUT TONIGHT
YOU WANNA PLAY? LET’S RUN AWAY
WE WON’T BE BACK BEFORE IT’S CHRISTMAS DAY
TAKE ME OUT TONIGHT -- MEOW
WHEN I GET A WINK FROM THE DOORMAN
DO YOU KNOW HOW LUCKY YOU’LL BE?
THAT YOU’RE ON LINE WITH THE FELINE OF AVENUE B

LET’S GO OUT TONIGHT
I HAVE TO GO OUT TONIGHT
YOU WANNA PROWL, BE MY NIGHT OWL?
WELL TAKE MY HAND, WE’RE GONNA HOWL OUT TONIGHT

IN THE EVENING I’VE GOT TO ROAM
CAN’T SLEEP IN THE CITY OF NEON AND CHROME
FEELS TOO DAMN MUCH LIKE HOME
WHEN THE SPANISH BABIES CRY
SO LET’S FIND A BAR
SO DARK WE FORGET WHO WE ARE
AND ALL THE SCARS FROM THE
NEVERS AND MAYBES DIE

LET’S GO OUT TONIGHT
I HAVE TO GO OUT TONIGHT
YOU’RE SWEET, WANNA HIT THE STREET?
WANNA WAIL AT THE MOON LIKE A CAT IN HEAT?
JUST TAKE ME OUT TONIGHT
PLEASE TAKE ME OUT TONIGHT
DON’T FORSAKE ME -- OUT TONIGHT
I’LL LET YOU MAKE ME -- OUT TONIGHT
TONIGHT -- TONIGHT -- TONIGHT
 
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