Five new shades of rose pink have been chosen — darker for the base and lighter for the top. Chosen in Paris by Walt Disney Imagineering colour specialist Alain Champault with the direction of Tom Fitzgerald, they were transferred directly onto the original 1992 model of the castle by Katy Olsen at Walt Disney Imagineering’s headquarters in Glendale, California, allowing the Imagineers to see the colours in three dimensions, rather than just flat concept art.
According to Peggie, the Castle will look as if it is “soaring into the clouds” with the new pink tones.
Where the majority of the rooftops now currently have a green/blue mixture of tile colours, the blue will be brought out much more — using a palette of blues, rather than a mixture of greens.
Two thin golden spires, either side of the main tower, will once again be painted fully golden as per the 1992 colour scheme. During the last refurbishment they were given a less metallic gradient effect, with blue on the bottom.
Above the lower stained glass window, the roof which currently has a gold/blue gradient will once again be fully blue, with metallic gold accents only around its edges.
As Peggie explained, it was essential that the final colours were chosen in Paris, not California, as the quality of the light is very different between the two locations. She pointed to the book “Designing Disney” by legendary Imagineer John Hench which explains this effect in detail.
Speaking about the technicalities of the refurbishment, Thomas revealed:
Final completion date currently set for late August.
At the moment, crews are painting behind the scaffolding and decorative scrim during the day and using a 65 metre crane at night to complete repairs and initial repainting to the exposed upper towers.
From June onwards, there will apparently be less and less scaffolding covering the Castle, and as work enters the final stages painting will only take place from sunrise to sunset, as it will require seeing exactly how the “temperature” of the colours look.
There will be no work to the interior during this project.
Clearly, there is currently some visual impact of the restoration works for guests, but with the park operating 365 days a year there was no alternative and the team have kept disruption to an absolute minimum.