(Assuming you have a 35mm film camera and the lenses were meant for it.)
Your 24mm-70mm lens is a "standard" lens with a little zoom and a little allowance for wide angle.
I'll have to use generalizations (or some vagueness if you insist) because for modern point and shoots, 36mm is standard angle while for traditional professional cameras 50mm (slightly narrower) is standard angle. Maybe we could for the sake of argument say that 42mm (about halfway in between) is "the" standard view.
Zoomed all the way out, you will have 24mm which is like pretending to stand back to almost twice the distance to get everyone or everything in the picture (wider angle). If the standard non-zoom lens was indeed 48mm, then zooming to 24mm with your lens is like standing back exactly twice the distance nfrom the subject.
Zoomed all the way in, you will have 70 mm which is like pretending you moved up almost to half the distance for a closer view. If the standard lens was indeed 35mm then 70mm is like moving up to exactly half the distance from the subject.
Zooming to 200mm using the other lens, your view is comparable to standing at about 1/4'th the distance while using a standard lens (exactly 1/4 the distance while using a 50mm lens).
Digital camera hints:
http://www.cockam.com/digicam.htm
If you took the lenses and put them on a different camera body, notably one with a different film or digital frame size, the proportions (half the distance etc.) will be the same between standard view, wide view, telephoto view, etc. but the absolute view in terms of degrees for "standard" will be different. The lens is projecting the same image, of the same size, into the second camera body as the first, but a smaller frame will of course not span as much of the image. Some additional math (crop factors) is needed to relate the standard lens that came with the camera to a standard lens from a different camera interchanged and screwed on.