What's on your copy and paste?
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- Start date
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Raven_the_Bird
<font color=darkorchid>Don't make me be myself aro
- Joined
- Feb 17, 2007
- Messages
- 83,430
Box Office : M-F 12-6pm phone : (520) ***-****
via Luckyman Productions
saturday May 10 6pm doors / 7pm showtime
2008 Rockstar Get A Life Tour Featuring
♦The Used♦ (Rock)
with Straylight Run, Army of Me, Street Drum Corps
all ages
ON SALE NOW
U of A STUDENTS CAN PURCHASE DISCOUNTED TICKETS IN PERSON WITH UNIVERSITY ID
The Used thrives on friction. You can hear it on the band's combustible self-titled debut. You can hear it on the tension-filled follow-up, In Love And Death. It's what makes a Used album or performance such an exhilarating ride. Throughout In Love And Death, you can make out a faint ticking sound, but you never know until the very last second whether it's attached to an alarm clock or a time bomb.
Both options are just as likely. The Orem, Utah-based quartet is made up of four distinct personalities, each with individual musical tastes that don't always overlap and strong ideals that are often diametrically opposed. The chemistry might have combusted a lesser band before it even started, but the equally passionate friendships and shared hardships that make up The Used have held it together.
"There was pretty much some drama going on during the whole making of the new album," drummer Branden Steineckert says with a laugh. "There's no such thing as a perfect working environment, and I think the music is better because it didn't come easy."
And what friction the band doesn't create within its own ranks, the members can easily find in the world surrounding them. To an outsider, the church-based culture of Orem might seem like the perfect incubator for a new rock revolution. But ask singer Bert McCracken what he's rebelling against, and in time-honored tradition he'll respond, "whattaya got?"
"I've rebelled against all types of conformity throughout my life, not just Utah's conservative culture," he says. "I rebelled against the Mormon Church by going to other churches. I rebelled against my parents by not eating meat. I rebelled against my friends and myself by doing drugs. And I rebelled against everything that was holding me down by playing music with these guys."
"That was my way of rebelling, too," says guitarist Quinn Allman. "Believing in something real and powerful like music. God is just a concept, but music is tangible."
The band's faith in music ultimately provided an escape from their sleepy hometown, as well as an escape from a combined band history that included poverty, homelessness and, for Bert, drug addiction. The Used documented its own history with surprising candor on the Maybe Memories CD-plus-DVD title, presciently capturing its rise from bedroom to enormodome on digital video.
"If you hear a rumor that there's a big party on the other side of the fence, you just want to peek over so bad," Quinn says of the band's desire to flee Orem, to which they've since returned following their success. "We just kept repeating to ourselves, 'We can get out of here. We can do this.'"
"In our minds, it wasn't an option to fail," says bassist Jeph Howard. "We didn't have anything to fall back on."
In many ways, The Used is a completely different band than the one that recorded its debut (the disc has since sold in excess of a million copies). Prior to the release of that album in June 2002, the band had only performed twenty shows in and around Orem. Since then, they've logged a superhuman 600 dates around the world, including successful stints on Ozzfest, Vans Warped Tour and, most recently, Linkin Park's Projekt Revolution tour. Not surprisingly, In Love And Death reflects that accelerated growth cycle.
"I don't think we could have written the first album again because we're all such different people now," says Branden. "Before, we were just writing alone in our house and we were hungry and we were trying to work jobs and we couldn't afford drum sticks and strings. Those things were easier to come by this time, but we had new challenges and new pressures weighing upon us."
The band worked once again with producer John Feldmann. As with the first album, Feldmann enthusiastically facilitated the band's experimental flights and fought alongside--and occasionally with (that friction again)--the band to make the best possible album, one built to weather fickle trends.
"If it ain't broke, don't fix it," Branden says of the in-studio chemistry. "We enjoyed working with Feldmann so much the first time, plus he knows each of us so well as people. He watched us grow from being kids from nowhere who knew nothing to the musicians we are today. It seemed very necessary to do the album with him again. He complements us really well."
"We all knew that the final product we created together last time was totally sick," says Jeph. "And we were confident this time that none of us would stop until we were all happy with the results. We all got what we wanted and I think we impressed each other even though we'd butt heads. Everyone was really pushing themselves and trying new things."
As such, the album has incredible range. On one extreme, there's "Listening," a bullet-shaped juggernaut of syncopated guitar-bass-drums over which Bert alternately caterwauls and croons, simultaneously singing about and approximating a communication breakdown. On the other extreme, there's "Lunacy Fringe," a jaunty, Bacharach-esque pop number arranged for brushed snare, stand-up bass and pizzicato strings.
At the album's center, there's a subtle theme that ties the twelve disparate tracks together. Throughout, you can hear the ticking of clocks, both real (the intro to "Let It Bleed") and suggested (the chiming guitar figure on "Cut Up Angels"). Bert, meanwhile, attempts to hold onto the fleeting moments in lines such as "Yesterday's feelings will all be lost in time" ("Yesterday's Feelings"). Instinctually, the band created an evocative tension between the pining lyrics and the kinetic music. "The life we lead--living out of duffle bags and waking up in a different city every day--naturally creates that feeling of movement and momentum you hear in the music," says Branden.
"I've learned a lot about living in the moment," says Bert, "because that's what you have on tour. Everyone has moments they remember and cherish, and those moments make like worth living. I've been thinking so much about death and love these past few months, and I'm just beginning to realize that it all just exists right now in this moment. This is all we have--right now."
The road hasn't always been kind to the band. And in particular, to Bert, whose pancreas famously packed up and nearly quit last year from his excessive excessiveness. On "Take My Life," he attempts to hand himself over for safekeeping while the rest of the band fires off shot-gun riffs.
With a long-term career beckoning, you have to wonder if Bert has decided to rein in the pace and run this heat more like a marathon than a sprint. "That's a good question," he says. "Sometimes things just seem out of my control, but they really never are. That's what 'Take It Away' is about. I just need to take small steps every day."
But that doesn't mean he won't make the occasional misstep and stumble. It's all part of the personal growth process, or as he so aptly put it on the debut's key track, "A Box Full Of Sharp Objects": "Today I fell and felt better." "A lot of **** will continue to happen," he shrugs. "There will always be trials and tribulations. But I have to realize that every mistake I make is part of me. And the only way a mistake is going to remain a mistake is if I don't learn something from it. I try to turn the experience into a positive thing."
Quinn once described Bert as "a chemical mixture of Mick Jagger and a werewolf." The description isn't far off. The yowling vocalist suffers from wild mood swings that he channels through The Used's ever-shifting music, and, if given the choice, he prefers to work by the light of moon. "Night time is just so much more dangerous and aggressive and mysterious," he says, his eyes widening and a smile turning up the corners of his mouth.
Presented by Lucky Man Concerts
--------------------------------------------------------------------------------
$30Reg./$24 UofA Students general admission advance
* prices may be subject to service fees
----------
Lol, took out the phone number...
via Luckyman Productions
saturday May 10 6pm doors / 7pm showtime
2008 Rockstar Get A Life Tour Featuring
♦The Used♦ (Rock)
with Straylight Run, Army of Me, Street Drum Corps
all ages
ON SALE NOW
U of A STUDENTS CAN PURCHASE DISCOUNTED TICKETS IN PERSON WITH UNIVERSITY ID
The Used thrives on friction. You can hear it on the band's combustible self-titled debut. You can hear it on the tension-filled follow-up, In Love And Death. It's what makes a Used album or performance such an exhilarating ride. Throughout In Love And Death, you can make out a faint ticking sound, but you never know until the very last second whether it's attached to an alarm clock or a time bomb.
Both options are just as likely. The Orem, Utah-based quartet is made up of four distinct personalities, each with individual musical tastes that don't always overlap and strong ideals that are often diametrically opposed. The chemistry might have combusted a lesser band before it even started, but the equally passionate friendships and shared hardships that make up The Used have held it together.
"There was pretty much some drama going on during the whole making of the new album," drummer Branden Steineckert says with a laugh. "There's no such thing as a perfect working environment, and I think the music is better because it didn't come easy."
And what friction the band doesn't create within its own ranks, the members can easily find in the world surrounding them. To an outsider, the church-based culture of Orem might seem like the perfect incubator for a new rock revolution. But ask singer Bert McCracken what he's rebelling against, and in time-honored tradition he'll respond, "whattaya got?"
"I've rebelled against all types of conformity throughout my life, not just Utah's conservative culture," he says. "I rebelled against the Mormon Church by going to other churches. I rebelled against my parents by not eating meat. I rebelled against my friends and myself by doing drugs. And I rebelled against everything that was holding me down by playing music with these guys."
"That was my way of rebelling, too," says guitarist Quinn Allman. "Believing in something real and powerful like music. God is just a concept, but music is tangible."
The band's faith in music ultimately provided an escape from their sleepy hometown, as well as an escape from a combined band history that included poverty, homelessness and, for Bert, drug addiction. The Used documented its own history with surprising candor on the Maybe Memories CD-plus-DVD title, presciently capturing its rise from bedroom to enormodome on digital video.
"If you hear a rumor that there's a big party on the other side of the fence, you just want to peek over so bad," Quinn says of the band's desire to flee Orem, to which they've since returned following their success. "We just kept repeating to ourselves, 'We can get out of here. We can do this.'"
"In our minds, it wasn't an option to fail," says bassist Jeph Howard. "We didn't have anything to fall back on."
In many ways, The Used is a completely different band than the one that recorded its debut (the disc has since sold in excess of a million copies). Prior to the release of that album in June 2002, the band had only performed twenty shows in and around Orem. Since then, they've logged a superhuman 600 dates around the world, including successful stints on Ozzfest, Vans Warped Tour and, most recently, Linkin Park's Projekt Revolution tour. Not surprisingly, In Love And Death reflects that accelerated growth cycle.
"I don't think we could have written the first album again because we're all such different people now," says Branden. "Before, we were just writing alone in our house and we were hungry and we were trying to work jobs and we couldn't afford drum sticks and strings. Those things were easier to come by this time, but we had new challenges and new pressures weighing upon us."
The band worked once again with producer John Feldmann. As with the first album, Feldmann enthusiastically facilitated the band's experimental flights and fought alongside--and occasionally with (that friction again)--the band to make the best possible album, one built to weather fickle trends.
"If it ain't broke, don't fix it," Branden says of the in-studio chemistry. "We enjoyed working with Feldmann so much the first time, plus he knows each of us so well as people. He watched us grow from being kids from nowhere who knew nothing to the musicians we are today. It seemed very necessary to do the album with him again. He complements us really well."
"We all knew that the final product we created together last time was totally sick," says Jeph. "And we were confident this time that none of us would stop until we were all happy with the results. We all got what we wanted and I think we impressed each other even though we'd butt heads. Everyone was really pushing themselves and trying new things."
As such, the album has incredible range. On one extreme, there's "Listening," a bullet-shaped juggernaut of syncopated guitar-bass-drums over which Bert alternately caterwauls and croons, simultaneously singing about and approximating a communication breakdown. On the other extreme, there's "Lunacy Fringe," a jaunty, Bacharach-esque pop number arranged for brushed snare, stand-up bass and pizzicato strings.
At the album's center, there's a subtle theme that ties the twelve disparate tracks together. Throughout, you can hear the ticking of clocks, both real (the intro to "Let It Bleed") and suggested (the chiming guitar figure on "Cut Up Angels"). Bert, meanwhile, attempts to hold onto the fleeting moments in lines such as "Yesterday's feelings will all be lost in time" ("Yesterday's Feelings"). Instinctually, the band created an evocative tension between the pining lyrics and the kinetic music. "The life we lead--living out of duffle bags and waking up in a different city every day--naturally creates that feeling of movement and momentum you hear in the music," says Branden.
"I've learned a lot about living in the moment," says Bert, "because that's what you have on tour. Everyone has moments they remember and cherish, and those moments make like worth living. I've been thinking so much about death and love these past few months, and I'm just beginning to realize that it all just exists right now in this moment. This is all we have--right now."
The road hasn't always been kind to the band. And in particular, to Bert, whose pancreas famously packed up and nearly quit last year from his excessive excessiveness. On "Take My Life," he attempts to hand himself over for safekeeping while the rest of the band fires off shot-gun riffs.
With a long-term career beckoning, you have to wonder if Bert has decided to rein in the pace and run this heat more like a marathon than a sprint. "That's a good question," he says. "Sometimes things just seem out of my control, but they really never are. That's what 'Take It Away' is about. I just need to take small steps every day."
But that doesn't mean he won't make the occasional misstep and stumble. It's all part of the personal growth process, or as he so aptly put it on the debut's key track, "A Box Full Of Sharp Objects": "Today I fell and felt better." "A lot of **** will continue to happen," he shrugs. "There will always be trials and tribulations. But I have to realize that every mistake I make is part of me. And the only way a mistake is going to remain a mistake is if I don't learn something from it. I try to turn the experience into a positive thing."
Quinn once described Bert as "a chemical mixture of Mick Jagger and a werewolf." The description isn't far off. The yowling vocalist suffers from wild mood swings that he channels through The Used's ever-shifting music, and, if given the choice, he prefers to work by the light of moon. "Night time is just so much more dangerous and aggressive and mysterious," he says, his eyes widening and a smile turning up the corners of his mouth.
Presented by Lucky Man Concerts
--------------------------------------------------------------------------------
$30Reg./$24 UofA Students general admission advance
* prices may be subject to service fees
----------
Lol, took out the phone number...
StitchfansJr
<font color=red><marquee>Hold your head high heavy
- Joined
- Feb 12, 2006
- Messages
- 18,382
*Samantha[: says:
*hugs allie*
*Samantha[: says:
*gives her shawn*
*hugs allie*
*Samantha[: says:
*gives her shawn*
poisoned apple
DIS Veteran<br><font color=teal>can anybody hear m
- Joined
- Jun 18, 2005
- Messages
- 7,756
marypops!
<font color=orange>Sponsered by Powergen!<br><font
- Joined
- Dec 3, 2004
- Messages
- 76,422
StitchfansJr
<font color=red><marquee>Hold your head high heavy
- Joined
- Feb 12, 2006
- Messages
- 18,382
poisoned apple
DIS Veteran<br><font color=teal>can anybody hear m
- Joined
- Jun 18, 2005
- Messages
- 7,756
how they do red vs. blue...
::Snow_White::
DIS Legend
- Joined
- Jun 3, 2007
- Messages
- 24,939
StitchfansJr
<font color=red><marquee>Hold your head high heavy
- Joined
- Feb 12, 2006
- Messages
- 18,382
EDIT:
Austin says to (09:38):
5
Austin says to (09:38):
5 dolla
Austin says to (09:38):
5 dolla foot loooonnnggg
Raven_the_Bird
<font color=darkorchid>Don't make me be myself aro
- Joined
- Feb 17, 2007
- Messages
- 83,430
Quoth the Raven, "Nevermore."
Raven_the_Bird
<font color=darkorchid>Don't make me be myself aro
- Joined
- Feb 17, 2007
- Messages
- 83,430
it's all in how you mix the two
and it starts just where the light exists
it's a feeling that you can not miss
and it burns a hole through everyone that feels it
you're never gonna find it if you're looking for it
it won't come your way, yeah
i should've done something, but i've done it enough
by the way, your hands were shaking
i'd rather waste some time with you
well you never would've thought in the end
how amazing it feels just to live again
it's a feeling that you can not miss
and it burns a hole through everyone that feels it
well you're never gonna find it if you're looking for it
it won't come your way, yeah
i should've done something, but i've done it enough
by the way, your hands were shaking
i'd rather waste some time with you
i should've said something, but i've said it enough
by the way, my words are fading
i'd rather waste some time with you
waste some time with you..
i should've done something, but i've done it enough
by the way, your hands were shaking
i'd rather waste my time with you
i should've said something, but i've said it enough
by the way, my words are fading
i'd rather waste my time with you
waste some time with you..
and it starts just where the light exists
it's a feeling that you can not miss
and it burns a hole through everyone that feels it
you're never gonna find it if you're looking for it
it won't come your way, yeah
i should've done something, but i've done it enough
by the way, your hands were shaking
i'd rather waste some time with you
well you never would've thought in the end
how amazing it feels just to live again
it's a feeling that you can not miss
and it burns a hole through everyone that feels it
well you're never gonna find it if you're looking for it
it won't come your way, yeah
i should've done something, but i've done it enough
by the way, your hands were shaking
i'd rather waste some time with you
i should've said something, but i've said it enough
by the way, my words are fading
i'd rather waste some time with you
waste some time with you..
i should've done something, but i've done it enough
by the way, your hands were shaking
i'd rather waste my time with you
i should've said something, but i've said it enough
by the way, my words are fading
i'd rather waste my time with you
waste some time with you..
Raven_the_Bird
<font color=darkorchid>Don't make me be myself aro
- Joined
- Feb 17, 2007
- Messages
- 83,430
Cradle of Filth are a heavy metal band formed in Suffolk, England in 1991. They have been embraced and disowned with equal fervour by various metal communities, and their particular subgenre has provoked a great deal of discussion. The band's sound evolved from black metal to a cleaner and more "produced" amalgam of gothic metal, symphonic black metal and other extreme metal styles, while their lyrical themes and imagery are heavily influenced by gothic literature, poetry, mythology and horror films. The band have successfully broken free of their original niche by courting mainstream publicity (often to the chagrin of its early fanbase), and this increased accessibility has brought coverage by the likes of Kerrang! and MTV, frequent main stage appearances at major festivals such as Ozzfest and Download, and in turn a more "commercial" image. They have sometimes been perceived as satanic by casual observers, although their outright lyrical references to satanism are few and far between, and use of satanic imagery has arguably always had more to do with the shock value than any seriously-held beliefs. According to Metal Hammer magazine, they are the most successful British metal band since Iron Maiden.
Raven_the_Bird
<font color=darkorchid>Don't make me be myself aro
- Joined
- Feb 17, 2007
- Messages
- 83,430
Shallow Believer Cards + Meet us!
Hey everyone,
If you pick up one of the "Shallow Believer" download cards at one of our shows, we are doing 30 minute meet and greets after the set. We'll sign autographs and take pictures. It'll be fun!
The download card is a limited edition piece that we made. It has all of the tracks from the iTunes release, plus the track "Pain." On the back of the card, there is a code to get 10% off merch on the store too. Be sure to pick one up, and come say hello at the shows.
.theUSED.
Hey everyone,
If you pick up one of the "Shallow Believer" download cards at one of our shows, we are doing 30 minute meet and greets after the set. We'll sign autographs and take pictures. It'll be fun!
The download card is a limited edition piece that we made. It has all of the tracks from the iTunes release, plus the track "Pain." On the back of the card, there is a code to get 10% off merch on the store too. Be sure to pick one up, and come say hello at the shows.
.theUSED.
Raven_the_Bird
<font color=darkorchid>Don't make me be myself aro
- Joined
- Feb 17, 2007
- Messages
- 83,430
Cassidy
<marquee><font color=blue>Future Mrs. Ryan Seacres
- Joined
- Nov 22, 2007
- Messages
- 10,263
Raven_the_Bird
<font color=darkorchid>Don't make me be myself aro
- Joined
- Feb 17, 2007
- Messages
- 83,430
and it's all in how you mix the two
and it starts just where the light exists
it's a feeling that you cannot miss
and it burns a hole through everyone that feels it
well you're never gonna find it
if you're looking for it
won't come your way
well you'll never find it
if you're looking for it
should've done something but I've done it enough
by the way your hands were shaking
rather waste some time with you
and you never would have thought in the end
how amazing it feels just to live again
it's a feeling that you cannot miss
it burns a hole through everyone that feels it
well you're never gonna find it
if you're looking for it
won't come your way
well you'll never find it
if you're looking for it
should've done something but I've done it enough
by the way your hands were shaking
rather waste some time with you
should've said something but I've said it enough
by the way my words were faded
rather waste some time with you
waste some time with you
waste some time with you
waste some time with you
waste some time with you
waste some time with you
should've done something but I've done it enough
by the way your hands were shaking
rather waste my time with you
should've said something but I've said it enough
by the way my words were faded
rather waste my time with you
should've done something but I've done it enough
by the way my hands were shaking
rather waste some time with you
waste some time with you
waste some time with you
waste some time with you
waste some time with you
waste some time with you
waste some time with you
waste some time with you
[whispering:]
should've done something but I've done it enough
by the way your hands were shaking
rather waste some time with you
and it starts just where the light exists
it's a feeling that you cannot miss
and it burns a hole through everyone that feels it
well you're never gonna find it
if you're looking for it
won't come your way
well you'll never find it
if you're looking for it
should've done something but I've done it enough
by the way your hands were shaking
rather waste some time with you
and you never would have thought in the end
how amazing it feels just to live again
it's a feeling that you cannot miss
it burns a hole through everyone that feels it
well you're never gonna find it
if you're looking for it
won't come your way
well you'll never find it
if you're looking for it
should've done something but I've done it enough
by the way your hands were shaking
rather waste some time with you
should've said something but I've said it enough
by the way my words were faded
rather waste some time with you
waste some time with you
waste some time with you
waste some time with you
waste some time with you
waste some time with you
should've done something but I've done it enough
by the way your hands were shaking
rather waste my time with you
should've said something but I've said it enough
by the way my words were faded
rather waste my time with you
should've done something but I've done it enough
by the way my hands were shaking
rather waste some time with you
waste some time with you
waste some time with you
waste some time with you
waste some time with you
waste some time with you
waste some time with you
waste some time with you
[whispering:]
should've done something but I've done it enough
by the way your hands were shaking
rather waste some time with you
Raven_the_Bird
<font color=darkorchid>Don't make me be myself aro
- Joined
- Feb 17, 2007
- Messages
- 83,430
And it's all in how you mix the two,
And it starts just where the light exists.
It's a feeling that you cannot miss,
And it burns a hole,
Through everyone that feels it.
Well you're never gonna find it,
If you're looking for it,
Won't come your way,
Well you'll never find it,
If your looking for it. (looking for it)
Should've done something, but I've done it enough.
By the way, your hands were shaking,
Rather waste some time with you.
And you never would have thought in the end,
How amazing it feels just to live again,
It's a feeling that you cannot miss,
It burns a hole, through everyone that feels it.
Well you're never gonna find it,
If you're looking for it, won't come your way, yeah
Well you'll never find it, if you're looking for it. (looking for it)
Should've done something, but I've done it enough.
By the way, your hands were shaking.
Rather waste some time with you.
Should've said something, but I've said it enough.
By the way, my words were faded.
Rather waste some time with you.
(Time with you... time with you time with you
Waste some time with you... waste some time with you)
Should've done something, but I've done it enough.
By the way, your hands were shaking.
Rather waste my time with you.
Should've said something, but I've said it enough.
By the way, my words were faded.
Rather waste my time with you.
Should've done something, but I've done it enough.
By the way, my hands were shaking.
Rather waste some time with you.
Waste some time with you...
Waste some time with you...
Waste some time with you...
Waste some time with you...
Waste some time with you...
Waste some time with you...
Waste some time with you...
(fading)
Should've done something, but I've done it enough.
By the way, my hands were shaking.
Rather waste some time with you.
And it starts just where the light exists.
It's a feeling that you cannot miss,
And it burns a hole,
Through everyone that feels it.
Well you're never gonna find it,
If you're looking for it,
Won't come your way,
Well you'll never find it,
If your looking for it. (looking for it)
Should've done something, but I've done it enough.
By the way, your hands were shaking,
Rather waste some time with you.
And you never would have thought in the end,
How amazing it feels just to live again,
It's a feeling that you cannot miss,
It burns a hole, through everyone that feels it.
Well you're never gonna find it,
If you're looking for it, won't come your way, yeah
Well you'll never find it, if you're looking for it. (looking for it)
Should've done something, but I've done it enough.
By the way, your hands were shaking.
Rather waste some time with you.
Should've said something, but I've said it enough.
By the way, my words were faded.
Rather waste some time with you.
(Time with you... time with you time with you
Waste some time with you... waste some time with you)
Should've done something, but I've done it enough.
By the way, your hands were shaking.
Rather waste my time with you.
Should've said something, but I've said it enough.
By the way, my words were faded.
Rather waste my time with you.
Should've done something, but I've done it enough.
By the way, my hands were shaking.
Rather waste some time with you.
Waste some time with you...
Waste some time with you...
Waste some time with you...
Waste some time with you...
Waste some time with you...
Waste some time with you...
Waste some time with you...
(fading)
Should've done something, but I've done it enough.
By the way, my hands were shaking.
Rather waste some time with you.
Cassidy
<marquee><font color=blue>Future Mrs. Ryan Seacres
- Joined
- Nov 22, 2007
- Messages
- 10,263
- Status
-
Watch Magic Kingdom's Fireworks from the Rivers of America Before It's Too Late!
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Save Up to 30% on Rooms at Walt Disney World!
Save up to 30% on rooms at select Disney Resorts Collection hotels when you stay 5 consecutive nights or longer in late summer and early fall. Plus, enjoy other savings for shorter stays.This offer is valid for stays most nights from August 1 to October 11, 2025.
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