It's not surprising that this part of Zevon's sensibility is front and center on The Wind (Artemis Records), or that the project carries with it a valedictory air. It's a mantle the record wears gracefully, though, in ways both small (the keening crunch of David Lindley's lap steel guitar, a sound so recognizable to anyone who was there in the '70s that it's sure to induce a small shock of sense memory) and big: The familiar outlaw-on-the-run motif of "Dirty Life & Times" holds an unmistakable sense of the clock running down. Even funny and very Zevonesque tropes like "I'm sprawled across the davenport of despair" are mounted in a setting of creeping decay ("Disorder in the House," with a raging guitar lead by Bruce Springsteen). Other old friends and co-conspirators are in the mix: longtime collaborator Jorge Calderón, plus Ry Cooder, Don Henley, Timothy B. Schmit, Jackson Browne, T-Bone Burnett, Tom Petty, Joe Walsh, Emmylou Harrisa Murderer's Row of singer-songwriter talent. It'd feel like a gimmick if the guest stars weren't so well-usedCooder's plangent guitar on "Dirty Life & Times," Henley and Schmit's sympathetic vocal backing on "She's Too Good for Me," Walsh reprising the gutbucket pleasures of "Rocky Mountain Way" in "Rub Me Raw."