What are all your thoughts on the newly announced Broadway HD? I must say I'm strongly against it, not in it's current form, I'm just worried for what it could become and how it could affect the community down the road.
I'm for it, but with concerns at to how it will roll out. For the past 30-ish years, ALL Broadway productions have been filmed for posterity & archiving at the NY Public Library Performing Arts Library at Lincoln Center. Some of the filming was god-awful as the cameras were so far away or wide focused, as they didn't do practice runs ahead of time. They just set up the cameras to record. No close-ups.
However, we would have lost so many live productions and once in a lifetime performances of exceptional stars had it not been for this rule and the technology available at the time. ALL of those performances can be seen for free with a NY Public Library card and the willingness to sit there with headphones for a few hours and view the tapes on their bad monitors.
Only a FEW of the performances, over the decades have been televised on PBS-TV. One of them in particular, was
Sweeney Todd. I saw the original production with Angela Lansbury & Len Cariou as Sweeney. (Len won the Tony for Best Actor in a Musical.) When they finally got around to filming the production, Len had left the show and George Hearn took over the role of Sweeney.
So GEORGE'S performance is the one saved for posterity and was the one shown over & over on PBS. And it was HIS performance that most Broadway audiences remember as Sweeney as so many more watched him on PBS than saw the original Broadway production. And when George went on to star in
La Cage Aux Folles, many of us were eager to see him because of seeing him as Sweeney on PBS. He accidentally go so much more advertizing by the mere fact of being in the right production at the right time of being filmed, then shown on public TV.
Done right, Broadway HD could bring
quality Broadway performances to so many more people than who have access or dollars to see many productions. The majority of America have no idea what a Broadway calibre role is. Right now, many people think Gerard Butler is a GOOD Phantom of the Opera.

They need to hear Michael Crawford blow the roof off of the Phantom role.
And they think that singing/talking thing that Hugh Jackman did was singing Jean Valjean. (Wait for it, there's one poster here that goes BONKERS when anyone says ANY negative word against Les Miz.

) They should be exposed to Colm Wilkinson's performance or even Alfie Boe - who's currently playing Valjean on Broadway, and whom I've had the great pleasure and
privilege to see on his second night - and not just the 25th Anniversary concert version on PBS.
And as much as I watch the Meryl Streep movie version of
Mama Mia, when it comes on TV, NONE of the male singers can really sing, except the fiance. People should see it with Broadway calibre singers. A friend of mine sung one of the fathers roles in the touring company. HE has a magical voice. But, he's not a movie star, so people don't hear
his voice.
Probably more people now come to see Kristin Chenoweth sing something because she's done a lot of TV. People want to see familar faces & talent they already know. They should see her originate he role on Broadway in Wicked,
when that becomes available on Broadway HD.
People would be more willing to spend the $130 per single ticket for a Broadway show if they were exposed to the calibre of Broadway performances at home,
before seeing a real production. "Oh, let's see Kristin Chenoweth. We saw her singing on TV in. . . I LOVE her singing!" That is a win in advertizing for Broadway theatres.
Right now it is mostly BBC records and a few American productions that were filmed for television. They claim they don't want to show anything that is currently on Broadway but my fear is what the claim is now is not what will happen later.
As for worrying that something on Broadway HD will show something currently on Broadway, sooo NOT happening. The rule for rights to even perform a community theatre/high school production is and always has been, if the production is on Broadway to will soon be coming to Broadway, the rights to mount a production get denied. People have to legally obtain the rights & pay royalties, if they aren't doing a bootleg production. Fiddler On The Roof is back on Broadway, so there will be no community theatre/high school productions while it's back. Same for all the other revivals & current Broadway shows.
I'm sure the legalities will be exactly the same for Broadway HD. Shows will be pulled out of their rotation as it comes back to Broadway. Disney is very specific about only allowing certain old movies to be seen or sold for short, specific periods of time, then poof! it's gone till they say it's coming back. (Unless you own the videotape or DVD.) It will be the same for Broadway HD.