Photo sharing: Sony Alpha

My totally indecisive review of the Sony A99 after a week of shooting:

My wife offered me the opportunity to upgrade my camera in the coming months. I've been a bit infatuated with the idea of full frame with full frame prices becoming more accessible, at least aside from Sony dSLRs. For better or worse, my lens collection keeps me pretty faithful to Sony. The A7/7r don't appeal to me, as I have no interest in adapters or less of In-body-image-stabilization.

So I rented the A99 for a week. Knowing I can get it for under $2000 used, decided to take it for a test-spin and decide if it was for me. Knowing that even used, it would cost more than a top APS-C camera. And knowing that I'd be sacrificing some of my lenses -- most notably my Sony 16-50, my Tamon 10-24, and Sony 35/1.8.

So I spent Thanksgiving week with the A99 by my side. Shooting with lenses I already own: The Minolta 35-105 (original version), the Minolta 50/2.8 macro, Minolta 50/1.7, Sony 85/2.8, Minolta 135/2.8, and Tamron 70-300 usd. Also my Sony FM43 flash.

I want to address 2 things in this review: How I found full-frame shooting, compared to APS-C. And the A99 itself.

For those, like me, who have pondered whether it is worth switching to full frame. I'm still not sure. Images certainly seem a bit richer. There is definitely an upgrade in low light performance. Definitely can get much shallower DoF...... but........

At least with the A99, compared to the A55, I found I was getting less than a 2-stop ISO advantage. In terms of pixel peeping, the A99 was clean up to ISO 1600, where the A55 is only clean up to ISO 800. In terms of viewing at more normal sizes, I was finding the A99 fairly usable at ISO 6400, and could squeeze out something passable up to ISO 12800. I didn't really try to go higher. So definitely nice to get the higher ISO range, but only about 1 1/2 stops.

And silly me... with narrower DoF, I underestimated how much more difficult it would be just to focus shots. I don't have steady hands to begin with. I found that even with IBIS, I couldn't really shoot slower than 1/focal length, without really softening the shot. I had to stop down significantly to more reliably get sharp shots. This is largely a matter of practice, I'm sure it's something I would get used to, over time.

Finally, in general terms, it's amazing how wide my 50mm lens felt on a full frame body! And the Minolta 50mm macro is absolutely sharp and gorgeous on the A99.

Moving on to the specifics of the A99:

I mostly loved the camera body. Feels well built. It's big. I was shocked at how big it is next to the A55. But it is solid, with very well laid out controls. Makes changing settings very easy, makes shooting manually very easy. The EVF is large and beautiful. Give it to any CaNikon shooter for a week, and I think they won't ever want to go back to OVF.

I only had 1 complaint about the new body -- The hotshoe and needing an adapter to use my flash. I tried keeping the adapter locked on the camera body, but it kept slipping off in my camera bag. I know I'd lose the adapter very quickly.

Image quality was superb. Amazing dynamic range. Shadow recovery -- already very good in the A55 -- was absolutely amazing. BUT, the caveat being, the ISO advantage is no where close to full frame cameras from other brands. You won't find yourself shooting flashless, carefree at ISO 12800. For top IQ, you'll want to keep the ISO below 3200. Auto WB was very reliable in most circumstances.

The jpeg engine was much better than the A55. I still prefer shooting RAW, but most of the jpegs were very usable. I loved being able to save jpegs to 1 memory card, while devoting another memory card to RAW. In general, I found the jpegs to be best up to around ISO1600. Between ISO 1600-6400, I found that the camera was over-sharpening and applying too much noise reduction, creating some weird splotches in the image quality. At ISO 6400 and higher, you still got the splotches. But not necessarily any better or worse than overall IQ when I processed the noise myself.

One complaint about the 2 memory cards --- A small complaint as I'm sure I just couldn't figure it out. I couldn't figure out how to erase the secondary memory card, without flipping them within the camera.

Turning to the shooting experience: The camera has no many different focus modes and options, it can be overwhelming. I still didn't entirely figure out the best way to track faces for portraits. But it is great to have options, and when I did have the right configuration, it was fantastic. The button and control layouts do make it very easy to adjust your settings on the fly. I probably could have done an even better custom configuration, but that is learned over time. Face detection works very well. Manual focus and DMF with peaking is fantastic. I had 2 lenses that supported the AF-D feature, which utilizes extra Phase detect points on the sensor itself, the Sony 85 and the Tamron 70--300 (doesn't officially support it, but seemed to work). Both the AF-D and AF-C modes worked well for continuous shooting, as long as you had a good lock on your subject.

The downside of the shooting experience -- Sometimes in Aperture priority mode, the camera chose odd unnecessarily fast shutting speeds with high ISO, instead of just using a more typical shutter speed with lower ISO.

The other complaint, which I've seen voiced often, is that the focus points are all clustered around the middle of the frame. This isn't an issue with locking focus, where I typically spot focus anyway. But in terms of AF-D tracking --- it means that your subject will only be tracked as long as you continue to keep the subject towards the middle of the frame.

I didn't do much action shooting, but tested it out. There is the tele-mode --- Basically turns the A99 into a crop body, shooting 10fps at 10mp. I was pretty impressed with the results. You are sacrificing an ultra-high resolution image, but 10mp is still a good size for very good quality. In full resolution, 6fps felt snappy and responsive. Certainly fast enough for generic action. The buffer refreshed quickly.

I briefly tested my crop lenses are on the A99 as well, where they are auto-cropped into a 10mp image. While I prefer getting a 16mp image out of the A55 with the same lens, the results on the A99 were good enough that I wouldn't feel the need to ditch my old lenses.

The A99 excelled at single-person portraits, where I spent much of my Thanksgiving holiday. I was bouncing the flash very indirectly. So even with flash, the light was low, and I was shooting at ISO 1600 for many portraits. Results were phenomenal. In terms of couple and group shots, I had to train myself to stop down much further than I'm used to to get sufficient DoF. Otherwise, not all faces were sufficiently sharp.

I didn't get a chance to do much landscape shooting, but brief tests were impressive. I enjoy shooting landscape HDR, and the advanced bracketing options on the A99 are great. The A55 limits you to 3 0.7 brackets. The A99 gives multiple options with as many as 5 brackets. So between amazing dynamic range and the advanced bracketing, the A99 worked great.

Kids and pets.... The face detection and object tracking are really helpful here. As well as the fully articulated LCD.

Flash -- I have 2 complaints. The adapter if using older flashes, is apt to come off and get lost. And with the lack of a built-in flash, you also lack a built in trigger for wireless flash. But with a mounted flash, the camera does indeed perform very well.

Among the lenses I tried:

The Minolta 50mm Macro was amazing sharp. Really took advantage of the camera resolution at lower ISO.

I tried the Minolta 50mm 1.7 in some very low light, candle light pictures. It was soft, with terrible ghosting.

The Sony 85/2.8 produced great color and contrast. It was sharp enough for normal viewing. Did soften a little upon pixel peeping.

The Minolta 135/2.8 -- only tried it briefly. Looked great. Probably second to the macro in total sharpness.

Tamron 70-300 usd -- On the A55, at 16 mp, this lens is incredibly sharp. It does not *quite* keep up with 24mp. Still looked very good. Normal viewing was tack sharp. 100% crops started to soften a little bit.

Minolta 35-105 3.5-4.5. This lens has such a great reputation on dyxum. Works great on my A55. And the macro feature, which only works in manual focus, can get some new life from focus peaking. I was considering, if I buy the A99, this could be my walk-around lens. (I'm in no rush to spend another $2000 on the Zeiss zoom lens). Still produced some nice colors. And the 35-105 range is pretty nice on full frame. But alas, it was a bit soft.

If I do go full-frame, I'd have to seriously consider what to do about a walk-around lens. I may just stick mostly to my 50mm macro. What might get me to consider the Sony 28-70 would be the ability to use the AF-D mode fully.

Anyway, my conclusions and will I be buying the A99.

I gave it 4 stars. It lost a star for mediocre low light performance, weird A-priority mode, and PRICE.

If this camera was priced in line with the Canon 6d and Nikon D610, I could easily see rating it 5 stars. It's a phenomenal camera. But right now it is priced about 350% higher than the A77. For the most part, the only really significant gain over the A77 is an ISO advantage of less than 2 stops. Where you can get an A77 for $800, hard to justify paying $2000 more for the A99. Where you can get a Canon 6d, with better low light performance, for about $1500, hard to rationalize paying double the price for a new A99. Yes, there are other trade-offs that make the A99 a better camera then the Canon 6d.... IF it was priced competitively.

So will I buy the A99? I'm not deciding until the spring. In making a decision, I'm going to consider these factors:

-- hide signature --
The Sony A79 -- Does it incorporate the AF-D of the A99? And does the A79 improve it's high ISO performance? (even a half stop would be nice).

-- Where does the price of the A99 stand in the spring, new and used. Especially as compared to the A79.

-- The supposed "new" A-mount full frame. In addition to price, does it improve on the short comings of the A99? Specifically, I'd love to see more focus points over more of the frame.

If I really had to make a decision right now, I'd be torn between paying about $1900 for a used A99, or $800 for a new A77. Or truthfully, I have no qualms sticking with my A55 for now. In many ways, while I loved the A99, it made me appreciate my A55 that much more. For it's nice small compact size, and IQ that is most often quite comparable!
 
I'm conflicted. Need to shoot a bit more.

Mike-- if I were you, I'd seriously consider taking your budget, evaluating the new top Sony aps-c and take the remainder of your budget and upgrade glass. I think upgraded class would give you bigger benefits than an upgraded body.
And even within a budget, there are some amazing Minolta primes out there (the 50 and 100 macros really stand out as great lenses).

That was one of the things I was going to do before I decided which direction to go. I really wouldn't have any second thoughts about sticking with Sony and have been happy with the cameras Ive had with them. I have a lot to think about and go over before I do make a choice and also have a few months to weigh the pros and cons between everything
 
That was one of the things I was going to do before I decided which direction to go. I really wouldn't have any second thoughts about sticking with Sony and have been happy with the cameras Ive had with them. I have a lot to think about and go over before I do make a choice and also have a few months to weigh the pros and cons between everything

I'll be making a decision around the same time. I wanted to love the A99.... I liked it, didn't love it.
I really want better ISO performance, I really want a professional body and advanced focusing system....
But I am still pretty happy with the A55 overall. In fact, my biggest recent upgrade was learning to get better use out of my speedlite.
 
I'll be making a decision around the same time. I wanted to love the A99.... I liked it, didn't love it.
I really want better ISO performance, I really want a professional body and advanced focusing system....
But I am still pretty happy with the A55 overall. In fact, my biggest recent upgrade was learning to get better use out of my speedlite.

Flash photography is something I have been wanting to get better at, really the extent of that has been just the pop up light the A55 has lol.

Your shots with the A99 are outstanding. I can see the difference between that and the A55 and that is why I want to go FF
 

Flash photography is something I have been wanting to get better at, really the extent of that has been just the pop up light the A55 has lol.

Your shots with the A99 are outstanding. I can see the difference between that and the A55 and that is why I want to go FF

Get yourself the Sony F43 and read "On Camera Flash" by Neil von Niekirk.

Granted, I feel like I read a whole book and was only able to take away about 1 paragraph of knowledge, but it's really good knowledge.

It completely changed how I do indoor portraits, and completely changed how I look at the flash.

And if you get the A99, you'll need an external flash anyway.

In terms of the image quality difference you're seeing, I still think better glass is more important then the FF sensor.

I admit I'm torn. I really am curious to see the lay of the land in a few months.
 
Get yourself the Sony F43 and read "On Camera Flash" by Neil von Niekirk.

Granted, I feel like I read a whole book and was only able to take away about 1 paragraph of knowledge, but it's really good knowledge.

It completely changed how I do indoor portraits, and completely changed how I look at the flash.

And if you get the A99, you'll need an external flash anyway.

In terms of the image quality difference you're seeing, I still think better glass is more important then the FF sensor.

I admit I'm torn. I really am curious to see the lay of the land in a few months.

I have been eye balling that flash for 2 years now and just have yet to pull the trigger. Was one of those things that I would like but never really needed but over time I realizing I want to learn flash to become a better photographer.

For some reason I have always had the mindset to buy the best body I could afford and get some great glass and build around that. I always had the intentions of the A55 being a gateway camera for me to learn on and get better with until I was able to afford something better
 
I have been eye balling that flash for 2 years now and just have yet to pull the trigger. Was one of those things that I would like but never really needed but over time I realizing I want to learn flash to become a better photographer.

For some reason I have always had the mindset to buy the best body I could afford and get some great glass and build around that. I always had the intentions of the A55 being a gateway camera for me to learn on and get better with until I was able to afford something better

You and I are similar, and we both primarily shoot our families and vacations. I here what you're saying, and I've been in the same boat.

For the most part though, a more advanced camera isn't going to give you better image quality than the A55. I've seen your shots with the A55, and they are amazing. (Much better than mine, IMO). Those shots would not be any better on a more advanced camera.

What makes a more advanced APS-C body tempting, isn't really better images -- just greater ease of taking control over the images. Tracking focus. Dual control dials to be able to simultaneously pick A&S, without using just 1 dial. Peaking focus for manual focus. More auto-bracketing options. Weather proofing. Things that might make it easier to GET the image, but that don't make the image any better.

On the other hand, upgraded glass and a good speedlite flash (with the knowledge of how to use it), that will actually improve your IQ. (I'll save you the cost of a book and hundreds of pages of reading.. You probably already know about bouncing your flash. But instead bouncing it straight up, bounce is off to the side, or even behind yourself.. I was bouncing it back over my shoulder, for much more natural lighting).

Not trying to talk you out of a camera upgrade. Especially since I will likely upgrade myself. Just saying that glass and flash should perhaps come first.
 
Havoc, what a great write up! My feelings are the same as yours with FF vs APSC. Is the cost difference worth it? The main difference to me is the razor thin DOF. I find that with FF I tend to use 2.8 more frequently instead of 1.8 like I normally would.

Also, how do you find the corners on FF? I find them soft on most of my lenses unless stopping down a lot. I find it a wash. The high iso cancels out with the DOF difference sometimes. I definitely think we get sucked into the FF world.
 
daughter was a "spy" for Halloween...

Sterg%20above%20water-5-XL.jpg
 
Havoc, what a great write up! My feelings are the same as yours with FF vs APSC. Is the cost difference worth it? The main difference to me is the razor thin DOF. I find that with FF I tend to use 2.8 more frequently instead of 1.8 like I normally would.

Also, how do you find the corners on FF? I find them soft on most of my lenses unless stopping down a lot. I find it a wash. The high iso cancels out with the DOF difference sometimes. I definitely think we get sucked into the FF world.

I wasn't pixel peeping the corners but I was pretty happy.

I consider myself a collector of "value" glass-- lenses that perform without costing thousands of dollars. I was mostly shooting some solid Minolta lenses and happy with the results.

I still may go full frame. But unless the A99mark2 really takes things to a new league, I'm not paying $2800 for one.

If it's a choice of a used a99 for $1500 vs a new a79 for around $1300, it could be a tough choice.

I'll try to post more examples tonight.
 
You and I are similar, and we both primarily shoot our families and vacations. I here what you're saying, and I've been in the same boat.

For the most part though, a more advanced camera isn't going to give you better image quality than the A55. I've seen your shots with the A55, and they are amazing. (Much better than mine, IMO). Those shots would not be any better on a more advanced camera.

What makes a more advanced APS-C body tempting, isn't really better images -- just greater ease of taking control over the images. Tracking focus. Dual control dials to be able to simultaneously pick A&S, without using just 1 dial. Peaking focus for manual focus. More auto-bracketing options. Weather proofing. Things that might make it easier to GET the image, but that don't make the image any better.

On the other hand, upgraded glass and a good speedlite flash (with the knowledge of how to use it), that will actually improve your IQ. (I'll save you the cost of a book and hundreds of pages of reading.. You probably already know about bouncing your flash. But instead bouncing it straight up, bounce is off to the side, or even behind yourself.. I was bouncing it back over my shoulder, for much more natural lighting).

Not trying to talk you out of a camera upgrade. Especially since I will likely upgrade myself. Just saying that glass and flash should perhaps come first.

First, thank you very much for the compliment. At times I fell like some of my shots are sub-par.

As far as lenses, any recommendations older Minolta glass that I can use on my A55 but also if I did go FF I can build up a collection? I love shooting wide (big time fisheye fan if you couldn't tell lol) I also would want something fast for dark rides (right now I shoot with my Sony 35mm f/1.8 in manual)
 
First, thank you very much for the compliment. At times I fell like some of my shots are sub-par.

As far as lenses, any recommendations older Minolta glass that I can use on my A55 but also if I did go FF I can build up a collection? I love shooting wide (big time fisheye fan if you couldn't tell lol) I also would want something fast for dark rides (right now I shoot with my Sony 35mm f/1.8 in manual)

I know your style. Look at dyxum.com for lens feedback.

Unfortunately, don't have a lot of recommendations that fit your style.

The fast wide lenses are still damn expensive. There is Minolta 35/1.4 which is supposed to be fantastic-- but it's over $1000 used!

The Minolta nifty fifty is popular and cheap. 50/1.7. Get it for about $60. Fast, stabilized on the a55. I find the lens overrated, but it's cheap, fast, and full frame. If I do go FF, I'll use this on dark rides. If I stick to aps-c, then I'll use the 35/1.8.

For a good walk around cheap zoom, there is the Minolta 24-105. I have the 35-105--- considering I got it for under $100, it's faster than a typical kit lens, sharper with better color and contrast.

Where you get some great value is mid priced primes. Ken Rockwell recently reviewed the Minolta 100mm 2.8 macro as being the most perfect lens he ever tested, despite it being 25 years old. (And now goes for around $300).

I own the 50mm macro 2.8, which I love.

For a fairly fast telephoto prime, I love the 135/2.8. Sony doesn't make any equivalent lens today. Basically just a Zeiss 135/1.8 for $2000.

Of course, except for a couple really late edition lenses, all Minolta lenses are full frame. The build quality of the older lenses is phenomenal. And they all become stabilized on a modern body.
 
I know your style. Look at dyxum.com for lens feedback.

Unfortunately, don't have a lot of recommendations that fit your style.

The fast wide lenses are still damn expensive. There is Minolta 35/1.4 which is supposed to be fantastic-- but it's over $1000 used!

The Minolta nifty fifty is popular and cheap. 50/1.7. Get it for about $60. Fast, stabilized on the a55. I find the lens overrated, but it's cheap, fast, and full frame. If I do go FF, I'll use this on dark rides. If I stick to aps-c, then I'll use the 35/1.8.

For a good walk around cheap zoom, there is the Minolta 24-105. I have the 35-105--- considering I got it for under $100, it's faster than a typical kit lens, sharper with better color and contrast.

Where you get some great value is mid priced primes. Ken Rockwell recently reviewed the Minolta 100mm 2.8 macro as being the most perfect lens he ever tested, despite it being 25 years old. (And now goes for around $300).

I own the 50mm macro 2.8, which I love.

For a fairly fast telephoto prime, I love the 135/2.8. Sony doesn't make any equivalent lens today. Basically just a Zeiss 135/1.8 for $2000.

Of course, except for a couple really late edition lenses, all Minolta lenses are full frame. The build quality of the older lenses is phenomenal. And they all become stabilized on a modern body.

Thanks for all your insight Adam :thumbsup2

If you had to choose between the 50mm macro 2.8 or the 1.7 which one would you go for? They both arent expensive at all but might be something Santa might bring this year, lol.

Now essentially if I do pick up some Minolta glass and the A7 with adapter they will work but lose a stop because of the adapter as well as IBIS. But if I end up with the a used A99 or what ever Sony is working on next as far as FF or the A79 ill be good to go. Sony really needs to announce their plans so I can figure out my game plan :)
 
Thanks for all your insight Adam :thumbsup2

If you had to choose between the 50mm macro 2.8 or the 1.7 which one would you go for? They both arent expensive at all but might be something Santa might bring this year, lol.

Now essentially if I do pick up some Minolta glass and the A7 with adapter they will work but lose a stop because of the adapter as well as IBIS. But if I end up with the a used A99 or what ever Sony is working on next as far as FF or the A79 ill be good to go. Sony really needs to announce their plans so I can figure out my game plan :)

Since I got the 50 2.8 macro, I rarely use the 1.7 unless I absolutely need the extra stop. (And then I use the 35:1.8)
You will be blown away by the sharpness of the lens. And it is fun to take true 1:1 macro shots. Where you can make out the details of each grain of pollen in a flower, for example.

Unless I switch to full frame, my lens wish list is currently basically complete. I don't have a 2.8 telephoto zoom, but really don't need it. The Minolta 100mm macro is on my wish list, but I have 85 and 135 primes as it stands.

The downside of the macro is since it has such a huge focal range, it can hunt for focus. You may want to look for the restyled version which has a focus limiter switch.

I'm starting to lean towards the a77/79. For the most part, it will give me the level of control I loved on the a99, and I can continue to get full use of my current lenses.
Though depending on prices, I could be swayed back towards full frame when the time comes.

I know it doesn't sound like much, but I wish the a77 (or future a79) got a half stop better noise performance. Just enough so that I would never have to apply noise reduction at ISO 800 and below.
 
A couple of my recent shots from over the holiday.

My wife and mom, I used my Tamron 17-50 on this shot and only thing I dont like is how tack sharp my mom looks but my wife looks out of focus slightly

Jenn and Beth by Mike Sperduto, on Flickr

Our little peanut, shot using my Sony 35mm f/1.8

Charity by Mike Sperduto, on Flickr

My wife on Thanksgiving. A shot maybe using a flash would have helped with the shadows. I still think it came out fairly well

My Beautiful Wife by Mike Sperduto, on Flickr

My grandma with our youngest. I softened this up a little bit but still think the focus was off just a tad

Great Grandma and Charity by Mike Sperduto, on Flickr

Another shot using the Sony 35mm

Jenn and Charity by Mike Sperduto, on Flickr

This one was tricky. The original shot had my wife really under exposed with the background just ok but out of the series of shots I got at that moment this one was the better of the few. I ended up making some duplicate copies with different exposures in Lightroom and then ran them thru Photomatix until I got one that looked good. Then I took the original and fixed the exposure of my wife. So then with some Photoshop magic I combined the better exposed shot of my wife on the background. A lot better than the original but not totally happy with the focus of my wifes left side.

My Beautiful Wife by Mike Sperduto, on Flickr
 
Thanks for all your insight Adam :thumbsup2

If you had to choose between the 50mm macro 2.8 or the 1.7 which one would you go for? They both arent expensive at all but might be something Santa might bring this year, lol.

The 1.7 is cheap enough to be a stocking stuffer!

Anyway, here are a couple examples from the 50mm macro: First, used as a general purpose lens on the A99:


a99raw-6.jpg by Havoc315, on Flickr


a99jpeg-31-Edit.jpg by Havoc315, on Flickr

I have a couple A99 macro shots I still need to upload. But here is an example of using it as a true macro on the A55:


may2013-15.jpg by Havoc315, on Flickr


april-130.jpg by Havoc315, on Flickr
 
Since I got the 50 2.8 macro, I rarely use the 1.7 unless I absolutely need the extra stop. (And then I use the 35:1.8)
You will be blown away by the sharpness of the lens. And it is fun to take true 1:1 macro shots. Where you can make out the details of each grain of pollen in a flower, for example.

Unless I switch to full frame, my lens wish list is currently basically complete. I don't have a 2.8 telephoto zoom, but really don't need it. The Minolta 100mm macro is on my wish list, but I have 85 and 135 primes as it stands.

The downside of the macro is since it has such a huge focal range, it can hunt for focus. You may want to look for the restyled version which has a focus limiter switch.

I'm starting to lean towards the a77/79. For the most part, it will give me the level of control I loved on the a99, and I can continue to get full use of my current lenses.
Though depending on prices, I could be swayed back towards full frame when the time comes.

I know it doesn't sound like much, but I wish the a77 (or future a79) got a half stop better noise performance. Just enough so that I would never have to apply noise reduction at ISO 800 and below.

I wonder if they will go the mirror less route with the future A79 or whatever they have lined up. Im with you as far as the noise complaint goes, the one thing I wished the A55 handled better. I an get some decent results out of 1600 ISO but with 3200 is pretty bad as you can see below in the third picture.

Really the only time I use my 35mm f/1.8 are on dark rides and walking around Halloween Horror Nights but even then it was so dark and having to use such a high ISO I got more noise than a Justin Beiber concert :lmao: I did use it recently for some family shots but its just a lens that sits in my bag most of the time. I had the Sony 50mm f/1.8 but sold that since I rarely used that. On dark rides it didn't give me enough in frame so it took a back seat to the 35. 50 on a FF work out fine. So I would probably go for the 50mm f/2.8 first since you say it is a lot sharper and that im more interested in.


ISO 1600 1/80 f/2.8

Cat in the Hat by Mike Sperduto, on Flickr

ISO 1600 1/50 f/2.8

An American Adventure by Mike Sperduto, on Flickr

ISO 3200 1/20 f/1.8

Michonne's Walkers by Mike Sperduto, on Flickr
 
The 1.7 is cheap enough to be a stocking stuffer!

Anyway, here are a couple examples from the 50mm macro: First, used as a general purpose lens on the A99:


I have a couple A99 macro shots I still need to upload. But here is an example of using it as a true macro on the A55:

r

The lens looks really sharp and even cropped at 10mp on the A99 its rather impressive. The details on the flowers are incredible
 


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