Aw, Kong. I just love that the topic still comes up every now and then...I miss that ride so much. I worked Kong on and off from 1992-2001...kept going off and doing other things, and then invariably something kept drawing me back.
Okay, the ride itself went roughly like this:
The premise was that King Kong was on the loose, and you were being evacuated to the safety of Roosevelt Island. The story really began in the queue, which remains, in my opinion, one of the best queues ever created. As others have said, the tram was based on the real Roosevelt Island Tram in New York. The queue wound through the station, fully themed with movie posters, metal work, and best of all, graffiti. Universal actually hired real graffiti artists to do the elaborate original tags, but park guests added to it over the years.
Anyway, throughout the station were TV monitors featuring well-known real-life news anchors from Universal-owned WWOR. Continuous news bulletins covered Kong's escape and the destruction he was wreaking on Manhattan.
As you boarded the tram (which really did look just like the real one that Figment posted photos of), your driver was fully in character, visibly shaken by Kong's rampage and the dangerous evacuation that was to come. After getting clearance from the control tower, you were on your way.
Your tram radio was patched in to the police emergency frequency to monitor Kong's movements. Of course, things went wrong and you found yourself directly in Kong's way. After two close encounters, one of which involved Kong dropping you several feet, you reached Roosevelt Island. Drop-down monitors inside the tram showed a wrapup news report, with footage of your reactions cut in (an early version of what they're doing with Disaster now).
To me, the most amazing thing about Kong was its sheer scale. That project would never be done again, because it was so incredibly expensive. The two Kongs were fully articulated, pneumatically driven animatronics--that just happened to be 39 feet tall and weigh over 13,000 pounds (street Kong) and 8,000 pounds (bridge Kong). The show building was 35,000 square feet filled with scale model recreations (not flats) of elaborate New York City scenes.
During
HHN 1992, we spent our break time dressing up in costumes and masks and putting on scary scenes inside some of the sets. A TV in one of the "apartment" sets actually worked--I watched Bill Clinton win the 1992 election on that TV while spieling, and broke character to announce the victory to a tramload of guests.
Kong and Jaws were always considered "air" and "water" variants on the same theme. So if you want a rough idea of Kong, go on Jaws at night (Kong was set in the evening), and picture it taking place 30 feet in the air. Not the same, but a rough general comparison.
Sigh...I like the Mummy and all, but there's nothing particularly original there. Kong was one of a kind, and I miss it terribly
Interesting Mummy-Kong fact: The Mummy follows the old Kong path almost exactly--only backwards. The drops in the Mummy correspond to the points when Kong dropped the tram. Also, look up at the ceiling when you're on the Mummy. The overhead tracks are still there. They form part of the support for the building's roof, so they couldn't be removed.