The What's On Your Mind Thread and the Countdown to Opening Day

Walked into our world and made
Horrible sounds
I can still hear them today
(Strangely they seem)
Beautiful now
Though they outlast my love
 
Still each time I always meant
Every word
Every one
Though in time they finally bent
Every word
Every one
Every word
 
"I will wait for you." She said,
Endlessly
"I will wait for you." So spoke,
Misery
 
I returned to you but found
My empty home
The radio told me to stay
As it burned down
I sang alone
You will outlast my love

Still each time I always meant
Every word
Every one
Though in time they finally bent
Every word
Every one
Every word
 

"I will wait for you." She said,
Endlessly
"I will wait for you." So spoke,
Misery

Oh

I have been waiting for you
Biting as you taught me to
I have come to relieve you
Of life and love
 
I will wait for you
I will wait for you
I will wait for you

I will wait

I will wait

"I will wait for you." She said,
(I will wait)
Endlessly
"I will wait for you." So spoke,
(I will wait)
Misery

"I will wait for you"
Wait for you,
Endlessly.

"I will wait for you."
So spoke

So spoke
Misery

I will bite straight through
As I wait for you
Dear,
Endlessly
 
For a little moment
I'm, frozen in perfect time
My heart, my heart, my heart
Is imperfect too
For reasons though you won't forget
Born into the empty set
My heart, my heart, my heart
Is empty too
 
/
^UK Radio edit of Miss Murder. Album version:

What's the hook, the twist
Within this verbose mystery?
I would gladly bet my life upon it
That the ghost you love, your ray of light
Will fizzle out without hope
We're the empty set just floating through, wrapped in skin
Ever searching for what we were promised
Reaching for that golden ring we'd never let go,
But who would ever let us put put our filthy hands upon it?
 
My sister said I probably got abducted xD

I only told her because she's been watching some show from Canada where this family gets abducted...I don't remember what it's called but she watches a lot of random TV shows...
 
Nothing that I can hold onto with my broken hands
I'm not thinking that I should anyway
So I leave holding nothing, don't care what you say
'Cause it makes no difference if I throw it away
Yeah, it makes no difference if I throw it away
 
In 2004, Savannah based experimental post-hardcore group Circle Takes the Square turned the scene on its ear with the release of their critically heralded, ferocious debut full-length, As the Roots Undo; Seven years later, the band has made their long-awaited return to the studio to record their highly anticipated follow-up, Decompositions Volume 1, which they will self-release this fall on their newly formed label Gatepost Recordings.

Since the release of As the Roots Undo, Circle Takes the Square have been far from idle. In 2007, dueling vocalists and core members Drew Speziale (vocals/guitars) and Kathleen Stubelek (vocals/bass) recruited former Mare drummer Caleb Collins and longtime friend David Rabitor as the second guitarist to round out their current lineup. Following a tour with Thursday and Portugal the Man, the band posted a live demo of new material online which sparked rumors of a new album. Although Speziale and Stubelek had a handful of new material they were inspired to forgo recording to explore new ideas with Collins and Rabitor.

"The process of creating Decompositions Volume 1 was lengthy and trying, to say the least, but ended up being an extremely educational and musically horizon-broadening experience- of particular value for a band that has always challenged itself and attempted to occupy a space beyond the bounds of its own limitations," says Speziale. "The first phase of our songwriting sessions was to generate raw material in the form of short collections of riffs that we would jam together and organize into loose outlines for songs. We considered these to be "sketches", and by the end of 2008 we had manifested the basic musical vocabulary that would define our evolving sound. Then, the task of structuring the final versions of the lengthy songs we were creating began. For the next year and a half we attempted to balance the important and demanding developments within our personal lives (three marriages, an engagement, and two of us relocating to another region of the country), while still working on our music and making as much progress as possible with our songs."

Despite complicated logistics and personal demands, Circle Takes the Square finished writing Decompositions Volume 1 through intense, long-distance writing sessions and convened at Rockstudio on January 1, 2011 in Brunswick, GA with As The Roots Undo producer Anthony Stubelek to record the album.

"From the very beginning of the writing process, our mission statement was to comprehensively explore the musical themes that we were creating," Speziale adds. "We set out to build upon the stylistic foundation we had established with As the Roots Undo, but were determined to provide ourselves with the room to experiment, and try our hands at more repetition, variation and management of space in ways we hadn't attempted before. We decided not to let song-length or other logistical limitations inhibit the sprawling arrangements we were crafting, and ventured to grant each individual idea within our multi-movement songs its own chance to meander and evolve: sometimes in linear ways, and sometimes within the framework of more traditional progressions. Our emphasis on fine-tuning, experimenting with, and expanding our approach to song structure enabled the creation of the three fully-arcing, musical story-lines that will make up Decompositions Volume I (which has a running time of 50-plus minutes)."

!!
 
You don't know if it's true,
But you heard that there's a fire
And I'm drowning in the rain
 
There's no one there that you know,
In heaven
That's why I'm headed below
 

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