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FergieTCat
02-13-2006, 11:33 AM
Anybody want to explain the intracacies of depth of field?

How about a recommendation for a good photography book for beginners?

MICKEY88
02-13-2006, 11:55 AM
Anybody want to explain the intracacies of depth of field?

How about a recommendation for a good photography book for beginners?


to sum it up in a simple manner...

the larger the fstop#, the smaller the actual aperture/lens opening, the greater the depth of field,

f16=small lens opening=greater depth of field

or the smaller the fstop#, the larger the actual aperture/lens opening, the smaller the depth of field..


f 1.4 = large lens opening= smaller depth of field

FergieTCat
02-13-2006, 12:35 PM
That makes sense! Thank you!

handicap18
02-13-2006, 12:38 PM
Depends on what type of DOF you want. In focus then a big number (small opening) F/16, 22. Out of focus then a small number (large opening) f/4, 3.5, 2.8.

A very good book is "Understanding Exposure" by Bryan Peterson. He keeps it simple but you get a lot of great information.

Geoff_M
02-13-2006, 12:45 PM
Here's a good reference: Link (http://www.luminous-landscape.com/tutorials/understanding-series/dof.shtml)

On order to understand f-stop, you first need to learn the "scale". Just remember the numbers 1 and 1.4. The scale sequence takes the f-stop two positions back and doubles it. So given 1 and 1.4 are your starting values, the stops on the f-stop scale are 1, 1.4, 2, 2.8, 4, 5.6, 8, 11 (round), 16, 22, 32... These numbers are a logrithmic measure of the amount of availabe light that passes through the lens. A move one stop down the list cuts the amount of light passing through the lens by half. A move of two stops (say f4 to f8) cuts the light by 75% (half as much, and then half as much again). Each move up the scale doubles the amount of light. A move of two stops up (say f5.6 to f2.8) is four times as much light.

Each lens has a maximum possible "f-stop" (AKA "aperture") based on the design of the lens and the quality of the glass used(*). That aperture can be adjusted downward using the lens "iris"... just like the human eye. Depth of Field is a characteristic whereby the range of distances that appear "in focus" is dependand on the focal length of the lens and the f-stop it is set at. The smaller the f-stop, the greater the DOF... and vice versa. The DOF is the shallowest for any lens with the aperture is fully open. If you wear glasses and are near or far sighted, there's a great excerise to illustrate the DOF concept. Take you glasses off and look at an object that's out of focus to your un-aided eyes. Close one eye, bend an index finger down and hold it closed with your thumb so there's a small "pin hole" at the center of your closed finger, now look through the "pin hole" with your open eye... you'll notice that the out of focus object is now probably a lot more in focus! That's DOF at work!

* = This is a primary reason that two lenses from the same maker may vary greatly in price.... One may have a maximum aperture that's a stop or two higher than the cheaper lens. A lens with a maximum aperture of f2.8 (vs. f5.6) is usable in a lot more lighting situations.

manning
02-13-2006, 01:15 PM
Here's a secret for taking pictures of people. Always focus on the eyes !!!!!!!

You can't go wrong (almost) with the eyes in focus.

especially if you are shooting at a small number f stop. Remember the smaller the number the bigger the aperture opening and the smaller the depth of field.

If you want a scenic picture that appears completely in focus shoot at the smallest f stop you have and focus on the nearest object. The object truly in focus is the one you focus on. The deep depth of field takes care of the rest.

donaldduck1967
02-14-2006, 07:50 AM
I 2nd the "Understanding Exposure" by Bryan Peterson